Porter (re Anne): "Mr Schilling can't find out, he's violent. He'll totally kill her".
Lynette: "Well then, you've put her in a very difficult position".
While the last thing we needed as an audience was yet another young man/older woman dynamic, I should at least point out that this show is trying to do something a little different this time with the well worn plot.
Okay so that won't make a lot of people care because I'm not even sure I actually care about the plot. Porter is hardly on the levels of interesting that Andrew was at sixteen years of age but clearly the writers like Charlie Carver enough to give Porter a meaty plot while Preston, Parker and Penny are absent.
Revealing his affair with Anne is nicely handled though. You've got Lynette all rearing to leave Tom because she's convinced that he's the one sleeping with the realtor. She even gives Tom a chance to explain himself and when he behaves so nonchalantly, she's fit to kill him.
To be honest this should've been the first major hint to Lynette that Tom wasn't cheating on her. After all, this is the kind of bloke who'd make up lame excuses and perhaps 'blame' Lynette if he ever strayed. He's not the kind of man who'd brag about it so casually.
So bragging about Porter losing his virginity might be stupid but Lynette can at least rest assured that Tom isn't screwing around on her. Of course when she realises that it's Porter who's doing Anne, the look on her face would indicate that she would've preferred if it had been Tom doing the nasty.
The usual amount of arguments take place upon this reveal with Tome thrust in the role of mediator between Lynette and Porter. The basics include Porter being dumb enough to think that Anne and Lynette desperate for him to end their relationship. Then there's some stuff about Anne having an abusive husband to make us feel for her but I'm not sure I do.
I'd never advocate domestic violence but what Anne is doing to Porter is pretty bad even if I do find the character pretty bland. Tom doesn't really do much else to deter Porter's relationship with the realtor so it's Lynette who has to go into Mama Bear mode. It's just a pity that Anne isn't easily deterred.
Now if I were Anne, I would actually be scared of Lynette. The cops would be a Godsend compared to the kind of fury she could bring on you. Plus I did somewhat cheer when Lynette smacked Anne around in the bathroom. It's a nice little reminder that you just don't mess with the woman.
Unfortunately Anne's not only stupid enough not to back off but she also tells Porter that she's pregnant, giving viewers another unwelcome storyline. Most of us tend to prefer the Scavo kids to be seen and not heard as opposed to them dominating proceedings. However I am willing to bet that Anne is possibly lying or if she is actually pregnant, it's her abusive husband that's the father.
Either way there's a nice little where Porter does actually look like he realises that Lynette has his best interests at heart. It's still not enough for him to stop from running away with Anne but chances are, they probably won't get very far either. Most run away attempts on this show tend to fail anyway.
Now if you could positively run away from another person, then creepy Virginia would be a prime candidate. There was something unhinged about her last week and this week she quickly ups the ante by trying to buy her way into the Solis family's affection.
Gabby doesn't exactly make things easy as well by deliberately taking advantage of Virginia's 'kindness' either. While I never liked her material side, it's always been part of Gabby's parcel and so seeing her lapping up the luxury of the lonely woman's house is hardly shocking.
Of course Gabby should realise by now that there's always a price and Virginia is clearly someone who wouldn't give anything away for free. Allowing the Solis's to stay in her mansion is one thing but getting into a bed with Gabby and Carlos to watch a family movie is definitely another.
Naturally such an actions freaks Gabby out but it's only when Virginia gets Juanita and Celia to call her Grandma does Gabby actually do something about it. That being said, Gabby could never directly convey her concerns in a dignified manner so trying to get rid of Virginia at Celia's birthday party is her solution.
This leads to a public spat between the two women and to be honest, both of them come with valid points. Gabby had no problem taking advantage of Virginia's wealth and also had no genuine interest in actually befriending the woman. Virginia also overstepped some serious boundaries but at the end, I will side with Virginia.
The only reason I will side with Gabby is because Virginia goes too far in the end by trying to get Carlos fired from the country club when it's her behaviour that's the more indecent of the bunch. After all she was the one who got off on his magical touch.
Which lead to the other thing – Carlos knew it was a bad idea to socialise with Virginia outside of their massage sessions and yet he still did. I know its Gabby that wears the pants in the marriage but Carlos really should've stuck to his guns at the start. It also didn't help later on when he showed reluctance to disengage from the needy woman either.
And when it comes to neediness, is there a woman any more needy than Susan? The answer is probably no but the Susan we've getting this season is trying to be the antithesis of her former self by trying to think before carrying out her actions. As per usual, this change in her behaviour is supposed to be for the benefit of her love life because apparently being a single parent and a writer aren't interesting enough plots to merit their own storylines.
I like Jackson I really do but it would be nice to see Susan with a career related arc just for a change. Perhaps learning more about Jackson's own artistic streak could spark an interest in her writing that 'adult' book once mentioned in the second season.
As for the Jackson story, Susan wants to take things slow so she decides not to sleep with him until the fourth date. Of course this slightly frustrates Jackson more than the amount of trivia that Susan expects him to know about her but it's nice that the writers don't make Jackson a jerk when trying to convey his desire to get some.
There's also the plus side that not sleeping with Susan means his artistic block is suddenly. Now he can actually paints beautiful pictures and when Susan does decide to put out, he gets more into drawing her than sleeping with her. It's also quite nice how Jackson gives a good insight into Susan as a person which to me means the writers really do want to keep Gale Harold on for as long as they can.
Having Susan paired with Jackson is good and seemingly no-one has a problem with it, so why then is the pairing of Mike and Katherine supposedly deemed a bad thing? I'm not saying that I'm shipping them as a couple but neither of them are doing any harm to anyone so where's the problem?
Bree talks about loyalty to Susan and while I can't see the latter not jumping for joy when she finds out about Mike and Katherine, I have to ask, is it really Susan's place to dictate their love life? As far as I'm concerned the answer to that question is another whopping no. Mike and Katherine won't last as a couple but as plots go, it's far from terrible either.
The discovery of Mike and Katherine as a pairing via a sex tape in the bakery is a good move. After all, Bree and Orson were convinced that it was their after hours hanky panky was the source of former employee Charlie's blackmail. How relieved were they when it turned out not to be them.
I know I objected to Orson working in the business with Bree and Katherine but two episodes in since he joined, I'm sorely tempted to revoke my reluctance for this plot. Bree and Orson actually work well as a team and Katherine doesn't go around acting like Federico from Six Feet Under, grunting and groaning about her position in the business. With any luck we can further dodge that pitfall.
As for Karen and Roberta, these two make for a wonderful team themselves. They're both snarky and they know that Dave is a bad one. It's just that they need to be more devious when calling people like Dr Heller. Even though they nearly got into big trouble, at least they realised that Dave's a Nutjob.
If Dave's little flashes of anger are anything to go by, then we definitely know he's up to no good. Terrorising Karen aside, this is the same man who's now subjected us to a pretty lame garage band led by Tom. I should point out a lame garage band that will now be playing Battle Of The Bands to boot as well. Thanks a lot, Dave.
Also in "What More Do I Need?"
The opening sequence was dedicated to the Scavos with Lynette ready to kill Tom but he obviously lives for another day.
Lynette (to Tom): "You know what? I have to kill you now".
In lieu of Charlie, Orson apparently hired a girl with a strict background to work in the catering business.
Mike: "Just get lives".
Dave: "Whoever she is, just have fun".
Carlos (re Virginia getting into the bed with them): "Did she just?"
Gabby: "Oh yeah".
I wonder how or why Virginia has become estranged with her family. She certainly didn't seem to have a problem sharing that bit of information with Gabby and Carlos.
Orson: "We're quite the team".
Bree: "The best part is we get to see each other all the time".
Carlos: "You had to stay for the lobster".
Gabby: "Hey, you had some melted butter on your bib too".
I'm not sure why the episodes nowadays seem to have Bree in her glasses all the time but it works quite well.
Andrew: "Wow, so carte blanche?"
Orson: "Within reason. We are not condoning arson or violence".
Bree: "Orson, don't crimp the boy's style".
Susan: "Jackson, look at me. I'm tipsy, I'm horny. I'm easier than a five year's old homework".
Jackson: "I'll call you tomorrow".
Isn't it a bit silly of Katherine to 'condemn' kitchen sex when it was her and Mike who were caught on camera?
Roberta: "Yeah, back to the drawing board. Can I Irish that up for you?"
Karen: "It's noon somewhere".
Andrew (to Bree/Orson): "Just so you know, I am never eating anything out of that kitchen ever again".
Edie was hardly in this episode at all, except for one measly scene where she had pastries.
Katherine: "Having sex in the kitchen where food is prepared. What kind of demented slut would do that?"
Bree: "I said let's not dwell on it".
Chronology: Exactly five minutes from where "There's Always A Woman" left off.
"What More Do I Need?" asks some interesting questions about desires so some of the stuff here is pretty relatable – companionship, love, etc but it's not something that the show hasn't done before so I can see why some viewers might not be moved by certain plots.