First, a confession: I've seen only two or three episodes. Nevetheless, what I am about to say I think has merit. It is likely, afterall, that those "repeats" that they choose to air are good ones. Secondly, I'm a guy and I agreed whole-heartedly with a female reviewer. I quote her here -- but left out the content (what happens stuff):
"This is one of the best shows that the Sex and the City cast and crew ever put together. There are so many poignent events happening all at one time ... This episode deals with all of these issues with poignacy and deep emotion."
That's what I loved about the episode -- poignant is the key word. But not sappily done poignancy. Not even poignant to the typical oblivious guy, but poignancy of the kind that is real to one who can notice such things. And the poignancy is not just what happens or between the males & females. Get ready for a real blow-you away confession: the poignancy is such that it makes me jealous of not being a girl -- the poignancy of how they relate to each other. Gosh that's great. Something we guys are really missing out on, I'll tell ya. Probably why I like Gilmore Girls too. But no this "feminine side" of me is not indicative of being gay -- I just think it's really great how the gals relate to each other (and it's not ALL sap; humor too -- but in a nice way.)
Incidentally, I never stop a DVD to hear director's commentary before finishing the movie. But, there was one exception: in "Little Women" when the one character after being nearly deathly sick sees the piano the neighbors gave her and her eyes well up with tears. That was the best performance without dialogue -- bar none -- ever put on film. I said, "wait, I'm not like imagining this; what's on the director's commentary track?" Well the director said there was not a dry eye anywhere -- male or female, cast or crew, and she was praying the focus puller didn't screw up because there would never be another performance like that again. So kudo's to me for recognizing good stuff. That was my evidence along with agreeing with the female reviewer. The key words for this episode then are poignancy and real. If you're into ONLY what happens, you may miss it (even though this episode does have much happening), but what's good about this episode is the real and poignant relationships between the women.
If you'll indulge me for one other piece of advice, since I gave you best dialogue-less performance on film above, the best "dialogue" without being on-screen (technically this would be voice-over monologue) is in The Good Mother. Dianne Keaton should teach voice over to every actor and actress. (Winnona Ryder is desparate need of such lessons, incidentally.)