Clive Owen: Biography
Initially, Owen carved out a career in television: in 1988 Owen starred as Gideon Sarn in a BBC television production of Precious Bane and the Channel 4 film Vroom before the 1990s saw him become a regular on stage and television in the UK, notably his lead role in the ITV series Chancer followed by an appearance in the Thames Television production of Lorna Doone.
He won critical acclaim for his performances in a 1991 Stephen Poliakoff film called Close My Eyes, about a brother and sister who embark on an incestuous love affair. Due to personal conflicts with the press, Owen decided not to appear in television programmes for a while. However, he subsequently appeared in The Magician, Class of '61, Century, Nobody's Children, An Evening with Gary Lineker, Doomsday Gun, Return of the Native, The Turnaround and then a Carlton production called Sharman, about a private detective. In 1996 he appeared in his first major Hollywood film The Rich Man's Wife alongside Halle Berry before finding international acclaim in a Channel 4 film directed by Mike Hodges called Croupier in 1998. He played the title role of a struggling writer who takes a job in a London casino as inspiration for his work, only to get caught up in a robbery scheme. In 1999 he appeared as an accident-prone driver in Split Second, his first BBC production for a decade.
He then starred in The Echo, a BBC1 drama. He also starred in a film called Greenfingers about a criminal who goes to work in a garden, before appearing in the BBC1 mystery series Second Sight, in which he played DCI Ross Tanner. In 2001 he provided the voice-over for a BBC2 documentary about popular music through the years called Walk On By, as well as starring in a highly-acclaimed theatre production called The Day in the Death of Joe Egg, about a couple with a severely handicapped daughter.
He became well known to North American audiences in the summer of 2001 after starring as The Driver in the The Hire, a series of short films sponsored by BMW and made by prominent directors. He then appeared in Robert Altman's Gosford Park, alongside an all-star cast including Helen Mirren and Ryan Phillippe. He has also appeared in The Bourne Identity with American actor Matt Damon. In 2003, he teamed up with Hodges again to make I'll Sleep When I'm Dead. He also starred in Beyond Borders and took on the title role in King Arthur. He took horse-riding lessons for the latter role.
Owen appeared in the West End and Broadway hit play Closer, by Patrick Marber, which again became a film, and was released in 2005. It is interesting to note that he played "Dan" in the play, but was "Larry" the dermatologist in the film version. His blistering, darkly comic portrayal of Larry in the film version earned him a lot of recognition as well as the Golden Globe and BAFTA award and an Academy Award nomination for Best Supporting Actor. He noted that the expectations of him since the Oscar nomination have not changed the way he approaches film-making, stating "I try, every film I do, to be as good as I can and that's all I can do.
After Closer, he appeared in Derailed alongside Jennifer Aniston, the comic book thriller Sin City as the noir antihero Dwight McCarthy and as a mysterious bank robber in Inside Man. Despite public denials, Owen had long been rumored to be a possible successor to Pierce Brosnan in the role of James Bond. A public opinion poll in the United Kingdom in October 2005 (SkyNews) found that he was the public's number one choice to star in the next installment of the series. In that same month, however, it was announced that British actor Daniel Craig would become the next James Bond. In an interview in the September 2007 issue of Details, he claimed that he was never offered or even approached concerning the role.[6] In 2006, Owen spoofed the Bond connection by making an appearance in the remake of The Pink Panther in which he plays a character named "Nigel Boswell, Agent 006" (when he introduces himself to Inspector Clouseau he quips that Owen's character is "one short of the big time").
In 2006, Owen starred in the highly acclaimed Children of Men. He received widespread praise for his role as the former political activist-turned-reluctant hero Theo Faron. The film was nominated for various awards including an Academy Award for Best Adapted Screenplay; Owen worked on the screenplay, although he was uncredited. The next year he starred alongside Paul Giamatti in the film Shoot 'Em Up and appeared as Sir Walter Raleigh opposite Cate Blanchett's Elizabeth I of England in the film Elizabeth: The Golden Age.
In 2007, Owen appeared in the Christmas special of the Ricky Gervais show Extras, as revealed in the video podcast teaser. He also uttered the immortal phrase "F*ck off, I'm Clive Owen, That's mental" when presented with a woman who he was supposed to have slept with in a film.
- Clive Owen was ranked No.12 in AskMen.com's Top 49 Men of 2007. He was ranked No.11 the previous year.(edit)
- Clive was chosen as one of People Magazine's Sexiest Men Alive for 2007.(edit)
- Clive Owen starred as the main character "Ser Lev Aris" in the 1996 game "Privateer 2: The Darkening".(edit)
- In November 2006, Clive became patron of the Electric Palace Cinema in Harwich, England and launched an appeal for funds to repair deteriorating elements of the fabric.(edit)
- January 2007 - Clive has signed on as the face of a new Lancome anti-aging cream for men. He will also be named the new spokesman of the cosmetics firm's new Hypnose Homme fragrance.(edit)
- In a 2005 poll, Clive was voted the top choice to play James Bond in "Casino Royale" (2006).(edit)
- Clive was voted "Best Dressed Male" by GQ Magazine in 2006.(edit)
- Clive was raised by his mother and stepfather.(edit)
- Clive has four brothers. (edit)
- Clive was accepted into the Royal Academy of Dramatic Art in 1984. After he graduated, he joined the Young Vic Theatre.(edit)
- Clive and his wife have two daughters: Hannah and Eve. (edit)
- Clive is 6'2 1/2" tall.(edit)
- In 2004, Clive won the TFCA Award for Best Supporting Performance, Male for: Closer (2004/I).
(edit) - In 2002, Clive won the Screen Actors Guild Award for Outstanding Performance by the Cast of a Theatrical Motion Picture for: Gosford Park (2001).
(edit) - In 2002, Clive was nominated for the PFCS Award for Best Acting Ensemble for: Gosford Park (2001).
(edit) - In 2002, Clive won the OFCS Award for Best Ensemble for: Gosford Park (2001).
(edit) - In 2005, Clive was nominated for the OFCS Award for Best Supporting Actor for: Closer (2004/I).
(edit) - In 2004, Clive won the NYFCC Award for Best Supporting Actor for: Closer (2004/I).
(edit) - In 2004, Clive won the NBR Award for Best Acting by an Ensemble for: Closer (2004/I). It was shared with: Jude Law, Natalie Portman, and Julia Roberts.
(edit) - In 2005, Clive won the Sierra Award for Best Supporting Actor for: Closer (2004/I).
(edit) - In 2002, Clive won the Golden Satellite Awards Special Achievement Award for Outstanding Motion Picture Ensemble
for: Gosford Park (2001). It was shared with: Eileen Atkin, Bob Balaban, Alan Bates, Charles Dance, Stephen Fry, Michael Gambon, Richard E. Grant, Tom Hollander, Derek Jacobi, Kelly Macdonald, Helen Mirren, Jeremy Northam, Ryan Phillippe, Kristin Scott Thomas, Maggie Smith, Geraldine Somerville, Sophie Thompson, Emily Watson, and James Wilby.
(edit) - In 2005, Clive was nominated for the Golden Satellite Award for Best Actor in a Supporting Role, Drama for: Closer (2004/I).
(edit) - In 2005, Clive won the Golden Globe for Best Performance by an Actor in a Supporting Role in a Motion Picture for: Closer (2004/I).
(edit) - In 2002, Clive won the FFCC Award for Best Ensemble Cast for: Gosford Park (2001). It was shared with: Eileen Atkins, Bob Balaban, Alan Bates, Charles Dance, Stephen Fry, Michael Gambon, Richard E. Grant, Tom Hollander, Derek Jacobi, Kelly Macdonald, Helen Mirren, Jeremy Northam, Ryan Phillippe, Kristin Scott Thomas, Maggie Smith, Geraldine Somerville, Sophie Thompson, Emily Watson, and James Wilby.
(edit) - In 2002, Clive won the BFCA Award for Best Acting Ensemble for: Gosford Park (2001). It was shared with: Eileen Atkins, Bob Balaban, Alan Bates, Charles Dance, Stephen Fry, Michael Gambon, Richard E. Grant, Tom Hollander, Derek Jacobi, Kelly Macdonald, Helen Mirren, Jeremy Northam, Ryan Phillippe, Kristin Scott Thomas, Maggie Smith, Geraldine Somerville, Sophie Thompson, Emily Watson, and James Wilby.
(edit) - In 2005, Clive was nominated for the BFCA Award for Best Supporting Actor for: Closer (2004/I).
(edit) - In 2005, Clive was nominated for the BFCA Award for Best Acting Ensemble for: Closer (2004/I). It was shared with: Jude Law, Natalie Portman, and Julia Roberts.
(edit) - In 2004, Clive won 2nd place for the BSFC Award for Best Supporting Actor for: Closer (2004/I).
(edit) - In 2005, Clive won the BAFTA Film Award for Best Performance by an Actor in a Supporting Role for: Closer (2004/I).
(edit) - In 2005, Clive was nominated for the Oscar for Best Performance by an Actor in a Supporting Role for: Closer (2004/I).
(edit) - Clive appeared in a Masterpiece Theater presentation of Precious Bane. He starred with Janet McTeer, as her brother, Gideon. (edit)
- Clive played Bri in Peter Nichols' play A Day In The Death Of Joe Egg on the London stage (New Ambassadors).(edit)
- Clive is an avid supporter of Liverpool Football Club.(edit)
- When Clive's Beyond Borders (2003) co-star Angelina Jolie told him he looked sexy, she says, he "fell over laughing."(edit)
- Clive met his wife at the Royal Academy of Dramatic Art while doing Romeo and Juliet. Sarah-Jane was the Juliet to his Romeo. (edit)
- Clive's brothers, Alan and Lee, became musicians and released a single called "Heartbeat."(edit)
- Clive turned down the role as "The Driver" for BMW twice. He was sent a copy of the script for the first ad, read it and was impressed by its presentation. He immediately accepted the role, jumped on a plane to LA, and was whisked away to the set of the first ad as soon as he landed.(edit)
- Clive is a huge David Bowie biggest musical influence on my life." He says, "I don't know why, but no one else has ever had such an effect on me. I didn't have most of his work. I had everything." In the 70s, when Bowie was changing his appearance and style with every album, Owen would re-dye his hair whatever colour Bowie's was at the time.(edit)
- Clive Owen: Theatre uses a different energy. It's like going to the gym and having a vigorous workout. But every few years is enough because I love filming. I am a real film animal.(edit)
- Clive: I've never felt the need to up sticks and relocate to Hollywood. So many films are made in Europe now, and that allows me to stay in the UK. I have my home in London and I have a weekend house in Essex. It means that I'm never that far away from the family. They can visit me on set. For me, London is, and always will be home. I've been there for 20 years, ever since I went to drama school. I can't really imagine living anywhere else.(edit)
- Clive: I've never felt the need to up sticks and relocate to Hollywood. So many films are made in Europe now, and that allows me to stay in the UK. I have my home in London and I have a weekend house in Essex. It means that I'm never that far away from the family. They can visit me on set. For me, London is, and always will be home. I've been there for 20 years, ever since I went to drama school. I can't really imagine living anywhere else.(edit)
- Clive Owen: (on how his career has taken off in Hollywood) I am amazed but I am also working hard and working a lot. I’m going to take a very sizeable break soon because I ended up in this situation where I made four films back to back. There were always things I wanted to do, like go on holidays, but there were these projects and people I wanted to work with which kept cropping up. I do need to take a long break after this because it’s not an ideal way of working. I am one of those actors who really likes to prepare for their films. I don’t like them to come at me that fast. But I really wanted to do this one.(edit)
- Clive Owen: (on working with Denzel Washington in “Inside Man“) For me, he has the massive stature of a full-blown movie star and he’s a really good, fine, intelligent actor. He’s got the whole thing. For a long time, he’s been one of the main serious leading men. He’s been around in movies for a long time and I’ve always respected and liked him since I first saw his work. He has always had this presence and intelligence in everything he does.(edit)
- Clive Owen: (on working with Spike Lee) I have never encountered shooting in both directions at the same time. It’s like making six movies at once. And it makes the whole process much more alive somehow. The rhythm becomes unpredictable. He shoots two actors in a scene at the same time even if one is off-camera so the material can be used later, like for the DVD. The phone calls between Denzel Washington and I, for example, were both shot live as we were literally on the phone. We had two cameras, one shooting him, one shooting me. It’s faster as well. Spike is very dynamic on the set, and very sure about what he wants. We shot the whole film in 31 days I think.(edit)
- Clive Owen: (on why he decided to appear in “Inside Man”) Well, I am a huge fan of Spike Lee’s, so I was really thrilled to be in his movie. I think he’s one of the most distinctive voices in movies. And he put together such an incredible cast. I had a great time.(edit)
- Clive Owen: Theater is like exercise. I feel it's healthy. But I don't love it as much as movies. A bad experience in the theater can be so depressing. You've got to do it every night, even if the production is not working.(edit)
- Clive Owen: When I was 10 or 11, I played the Artful Dodger in a school production of Oliver. From that point forward, I said I wanted to be an actor. Nobody in my family took it seriously, but I saw no other path. I was a cocky little kid. This one teacher said: 'You're a working-class kid from Coventry. What do you know?'(edit)
- Clive Owen: Theatre uses a different energy. It's like going to the gym and having a vigorous workout. But every few years is enough because I love filming. I am a real film animal.(edit)
- Clive Owen: I've never been interested in playing good guys. I'm always attracted to dangerous characters. Those roles are usually far more interesting and I hold no fears about doing them. With my character in Croupier, you're never really sure where he's coming from. He's not really a good guy or a bad guy. But people generally aren't, are they?(edit)
- Clive: When i think about the future of my children, i sometimes wonder where this world is going to.(edit)
- Clive Owen: You go back to those films of the '40s and '50s and hear the dialogue, the way the people played off each other, the wordplay. I think we've really lost that in movies.(edit)
- Clive Owen: One of the things I'm most proud of about my career is the fact I've managed to keep options open.(edit)
- Clive Owen: I don't think you necessarily identify and believe in the motifs of the character, but you have to want to play it and want to commit to the lines.(edit)
- Clive Owen: I think it could definitely be disturbing. It's taken the central theme and it's definitely the same story, but the elements of the book have been changed quite a lot. It's still set 30 years in the future and the conceit is still the same, that no one has had a baby anywhere for eighteen years and our reluctant hero has ended up linked with the only pregnant girl on the planet. That's still the same, but Alfonso's done a really fascinating, unusual exploration of where things could be going, and that's still very, very strong in the movie. It's a very unusual take. People are assuming it's a sci-fi movie but it's almost the opposite of that. It's like now, but worse. It's the environment we're living in. It's not futuristic. It's like things have not ended up that great and we're in a world where there are no children, which is a pretty bleak place. Half the movie's a chase movie, really, but it's in a really extraordinary vision of the future.(edit)
- Clive Owen: Oh no, we definitely weren't there together. In fact, much as I would have liked to, I didn't even get to meet the guy. But I do understand that he was there at the show.(edit)
- Clive Owen: He's a very inspired choice for a movie like this because he's very specific and precise and he's very psychologically clear, ... And for a movie like this, which you could do very bombastically -- a big, crash-bang-wallop thriller -- you knew that he would pitch it so that everything would be very objective and clear.(edit)
- Clive Owen: I never saw it coming. You know, you very often read a thriller and you can see where it's heading or things are spelled out too clearly or they're so clever in their twist and turns that it's all a bit contrived and you really don't buy the situation.(edit)
- Clive Owen: A terrible thing happens and it's a nightmare that begins and just seems to spiral out of control.(edit)
- Clive Owen: often attracted to people with conflicts or flawed people because they're more interesting. There's something very attractive about playing an ordinary guy trying to cope with extraordinary things. He's a flawed human being struggling.(edit)
- Clive Owen: I think it's the most successful bedding in of computer technology and people I've ever seen in a movie.(edit)
- Clive Owen: Julia Roberts couldn't be nicer.(edit)
- Clive Owen: Frank Miller was worried it would be tempered down; it wouldn't be quite what he originally intended. Robert Rodriguez went to him and said, 'I'm going to be incredibly faithful to your original material,' shot a five-minute test. Frank said, 'I'm in. Let's do it.(edit)
- Clive Owen: I think I am more attracted to characters with a subtext, whatever that is and they don't necessarily have to be virtuous, but they have to at least be human.(edit)
- Clive Owen: The sexiest part of the body is the eyes. That's what I believe.(edit)
- Clive Owen: Parenthood and family come first for me, and when I'm not working I'm cool with the Teletubbies.(edit)
- Clive Owen: My gardening skills are awful.(edit)
- Clive Owen: I'm not the kind of actor who goes into exhaustive research for each role.(edit)
- Clive Owen: I'm not normally one to commit to a long-running series.(edit)
- Clive Owen: I love to mix it up. I love to keep doing different things.(edit)
- Clive Owen: I just like to keep challenging myself, keep it varied. It's a craft, and I'm constantly trying to learn and get better at it.(edit)
- Clive Owen: I don't think you necessarily identify and believe in the motifs of the character, but you have to want to play it and want to commit to the lines.(edit)
- Clive Owen: For several years I did have the Chancer label around my neck, but it's never really worried me.(edit)
- Clive Owen: The sexiest part of the body is the eyes. Corny, but that's what I believe. They're what connect us as human beings.(edit)
- Clive Owen: The lighter stuff has got to be really well written for me, or it just doesn't get me going. There's something to play if there's conflict going on. Whatever that conflict is, that's where drama is; if the character is grappling with something you've got something to play, there's layers to it. And when that isn't there it's ... less interesting.(edit)
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