Absolutely the most imaginative, and original animated show ever..well, most of it anyway.
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The only reason my score on this is not a perfect one, is The Goliath Chronicles. The supposed "Season Three" with that title, (counted here as an official part of Gargoyles, was almost as large an insult to fans as Galactica 1980 was to fans of IT'S predecessor. I say, almost, because at least the characters and voices remained the same, but the quality dipped to an all time low. That being said, "Chronicles' was not all that bad on it's own merits..but in reference to what came before it... an abysmal disapointment. Gargoyles, when it premiered, was an astonishing shock to the system. Animation, story, and characters, that not only equaled whatever Disney put into it's big screen classics, but effectively surpassed most of them. A big screen epic made for television, Gargoyles was a sweeping, and grand episodic fairy tale, set in the real world of Manhattan, New York. One thousand years ago in Scotland, an ancient and noble race of Gargoyles (alive and formidable by night, stone statues by day) lived and fought alongside humans, but were treated as inferiors, and lowly creatures..from the very humans they had lived to protect. Through a tightly woven story of violence and betrayal, they are cursed to remain stone until the day that the castle in which they faught and dwelled "rises above the clouds". Fast forward to New York in the not so distant future...a ruthless multi-billionare named David Xanatos, funds the careful deconstruction and painstaking re-building of the castle high atop his own skyscraper...effectively breaking the curse, and the Gargoyles live again, in a world their minds can barely comprehend. Xanatos learned of the curse long ago, and plans to use the Gargoyles for his own not-so-nice purposes, under the guise of friendship. In the process of this story, Goliath, leader of the clan, meets up with a young, but tough and honest cop, Elisa Mazza, who quickly discovers Xanatos's deciet, and tries to convince Goliath of the truth. She offers her protection, and genuine friendship to Goliath and his clan, who offer their protection to the city in return, hoping against hope not to reveal themselves to fast to a populous that would react violently out fear of what they don't understand. One of the unique appeals of this show is the realism in which the stories depict the characters. The characters are multi-faceted. They learn, change, and grow. They learn hard lessons in an alien world. One of the Gargoyles, Broadway...has a gleeful facination with any kind of fiction involving guns. While playing with Elisa's gun in her apartment, he accidentaly shoots her..and she almost dies. Actions have consequences, and not everything you see is to be believed as real. Along the course of the story, we get peeks into history and mythology (particularly of Scotland, kings and princesses, that kind of thing) and we delve a lot into the themes and characters of William Shakespeare . There's even some time-travel and stories about real life secret societies for all you conspiracy theorists out there. Although financed by Disney, it never officially carried the Disney name. Because of it's dark tone and serious subject matters, and despite the fact that it garnered a loyal fan base, most of it's target audience, adults and young-adults, never really became aware of the show enough to give it an audience to keep the quality and high standards of storytelling to keep it alive. It disapeared for a short time after two seasons, then reappeared with a vastly cut budget and creative team, calling itself "Gargoyles: The Goliath Chronicles". This show had a substantially lighter tone, and was more focused on life lessons for kiddies through the telling of Goliath's captain's log type entries. The creator of Gargoyles and it's founding father Gregg Wiseman left the show entirely, and it died a quick death. "Chronicles" has not been accepted as canon in the Gargoyles mythology by the fans. DVD releases for the first and half of the second seasons were never issued promotional campaigns, and I'd venture to say without conventions, fan forums, or word of mouth by Wiseman, might have gone unnoticed by much of the fan base. As a result, Season Two, according to Disney, did not sell well enough to warrant a release of Vol 2. So even in a land where the most dreadful of old shows warrant DVD releases, the Gargoyles saga remains incomplete in the format. One of the greatest crimes is that the mainstream audience to which this series might appeal to is not even aware of it's existence. If they were, it might not only bring on the Vol. 2 release, but might bring the show back. Check it out for yourself. See what you think. If you like what you see, tell your friends, and tell Disney. If any show deserves widespread exposure and a revival, it's this one. Trust me on this.