Episode Reviews (7)
- SORT BY:
This is one I've been waiting a long to happen and my wait has paid off in full, this is another of my favorate episodes of the show. I'm a fan of the noir genere it was one of the first generes I ran into when I was a kid so this episode was a treat for me. It does the same thing as the "Flashback" episode "Magnum P.I." once did where they take all the key characters from the show and transition them into the 1940's decade where the Noir/Mystery genere was born, and it fit like a glove for "Castle".
It was just great seeing the setting, the common cleches like in one scene Castle states that the couple fell in love in just five days, I find that funny because it's true the couples in most Noir stories always do. But it was just a joy seeing both Kate and Castle in the contemporary roles of the genere, I like how there were different but slightly the same at the same time.
Castle playing the hard boiled detective doing the narration as things happen down to his charisma. And Kate playing the femme fatale, a beauty that you can't help but fall in love with, mysterious, seems to be a good girl just mixed in with danger. The chemestry with the alternate versions of Castle and Kate is great and strangely found myself carring because it just simply feels right you want both of them to make it. I also can't help but feel that it's also kinda a forshadowing as to where the relationship of both Castle and Kate will head in the future once we find out what happened with the alternate versions.
Sometimes the future can be found in the past.moreless
Great, good fun!
Everyone involved in preparing this feast for the lovers of nostalgia positively outdid him- or herself. Writers, actors, musicians, producers, photographers, and editors of all facets obviously operated at the top of their form, and probably had a rollicking good time doing so.
Lanie the sensuous nightclub singer, Ryan the plucky Irish mobster, Esposito the silken Cuban tough guy marvelous. Alexis the brightly malevolent avenging Fury with the southern accent, Martha the bossy, almost-motherly secretary with the New York twang superb (and obviously savoring every second of breaking their previous molds in such a witty and delightful fashion). As the series has progressed, we have seen each actor portray an impressive range of emotions; we already knew that they excelled at bringing their characters to life but we've seldom seen them having so much fun in the process!
Beckett and Castle, fluid as their characters can be, threw themselves into their 1940s roles with readily noticeable zest hard-boiled detective is PERFECT as a doppelganger for Castle the novelist, his multiplex awareness already established: even in the midst of action, Castle is watching himself AND writing, mentally, the narration of that action. The lovely, magnetic woman of mysterious depths, with a touch of tragedy, blooms naturally from the woman whom Beckett already is, and blends well with the woman she is becoming as she gradually lets down her many barriers and allows herself care for Castle.
Although the plot itself contained several "guessable" twists, the overall conception and the manifest talents of the ensemble cast made this episode among the most thoroughly delightful of the series to date. Encore!
Film noir just for the fun of it!
I got a big kick out of this episode. Very clever use of the cast. Lanie sings beautifully!
I loved Castle reading narrating from the diary. Bogart couldn't have done better. ("Why am I narrating?" -- Hee.)
"This is the stuff dreams are made of. "
I swear the writers of this show really know how to have fun with murder.