M*A*S*H

CBS (ended 1983)
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  • Episode Guide
  • S 11 : Ep 16

    Goodbye, Farewell and Amen

    Aired 2/28/83

  • S 11 : Ep 15

    As Time Goes By

    Aired 2/21/83

  • S 11 : Ep 14

    Give and Take

    Aired 2/14/83

  • S 11 : Ep 13

    Friends and Enemies

    Aired 2/7/83

  • S 11 : Ep 12

    Say No More

    Aired 1/24/83

  • Cast & Crew
  • David Ogden Stiers

    Major Charles Emerson Winchester III

  • Alan Alda

    Captain Benjamin Franklin 'Hawkeye' Pierce

  • Harry Morgan

    Colonel Sherman T. Potter

  • Jamie Farr

    Corporal/Sergeant Maxwell Q. Klinger

  • Wayne Rogers

    Captain John Francis Xavier 'Trapper John' McIntyre

  • Photos (7)
  • show Description
  • M*A*S*H was a true ensemble series. Whilst characters such as Kellye, Igor, Rizzo, Goldman and Ginger are listed where they appear as specific characters central to the plot, they also appeared regularly as non-speaking cast members. This is also true of many of the nurses, corpsmen, orderlies and drivers listed as guest stars. Based on the 1968 novel by Richard Hooker and the 1970 20th Century-Fox movie of the same name, M*A*S*H aired on CBS from September 17, 1972 to February 26th, 1983 for 251 episodes, and has become one of the most celebrated television series in the history of the medium. During its initial season, however, M*A*S*H was in danger of being canceled due to low ratings. The show reached the top ten program list the following year, and never fell out of the top twenty rated programs during the remainder of its run. The final episode of M*A*S*H was a two and one half hour special that attracted the largest audience to ever view a single television program episode. In many ways the series set the standard for some of the best programming to appear later. The show used multiple plot lines in a half-hour episodes, usually with at least one story in the comedic vein and another dramatic. Some later versions of this form, e.g. Hooperman (ABC 1987-1989) and The Days and Nights of Molly Dodd (NBC 1987-1989), would be known as the dramady, half-hour programs incorporating elements of both comedy and drama. Other comedies would forgo the more serious aspects of M*A*S*H, but maintain its focus on character and motive. And some dramatic programming, such as St. Elsewhere and Moonlighting would draw on the mixture of elements to distinguish themselves from more conventional television. M*A*S*H was set in Uijeongbu, South Korea, north of Seoul, during the Korean War. The series focused on the group of doctors and nurses whose job was to heal the wounded who arrived at this "Mobile Army Surgical Hospital" by helicopter, ambulance or bus. The hospital compound was isolated from the rest of the world. One road ran through the camp; a mountain blocked one perimeter and a minefield the other. Here the wounded were patched up and sent home--or back to the front. Here, too, the loyal audience came to know and respond to an exceptional ensemble cast of characters. The original cast assumed roles created in Altman's movie. The protagonists were Dr. Benjamin Franklin "Hawkeye" Pierce(Alan Alda) and Dr. "Trapper" John McIntyre (Wayne Rogers). Pierce and McIntyre were excellent surgeons who preferred to chase female nurses and drink homemade gin to operating and who had little, if any use for military discipline or authority. As a result, they often ran afoul of two other medical officers, staunch military types, Dr. Frank Burns (Larry Linville) and Senior Nurse, Major Margaret "Hot Lips" Houlihan (Loretta Swit). The camp commander, Lt. Col. Henry Blake (McLean Stevenson), was a genial bumbler whose energies were often directed toward preventing Burns and Houlihan from court martialing Pierce and McIntyre. The camp was actually run by Corporal Walter "Radar" O'Reilly (Gary Burghoff), the company clerk who could spontaneously finish Blake's unspoken sentences and hear incoming helicopters before they were audible to other human ears. Other regulars were Corporal Max Klinger (Jamie Farr) who, in the early seasons, usually dressed in women's clothing in an ongoing attempt to secure a medical (mental) discharge, and Father Francis Mulcahy (William Christopher), the kindly camp priest who looked out for an orphanage. In the course of its eleven years the series experienced many cast changes. McIntyre was "discharged" after the 1974-75 season because of a contract dispute between the producers and Rogers. He was replaced by Dr. B.J. Hunnicutt (Mike Farrell), a clean cut family man quite different from Pierce's lecherous doctor. Frank Burns was given a psychiatric discharge in the beginning of the 1977-78 season and was replaced by Dr. Charles Emerson Winchester (David Ogden Stiers), a Boston blue blood who disdained the condition of the camp and tent mates Pierce and Hunnicutt. O'Reilly's departure at the beginning of the 1979-80 season was explained by the death of his fictional uncle, and Klinger took over the company clerk position. Perhaps the most significant change for the group occurred with the leave-taking of Henry Blake. His exit was written into the series in tragic fashion. As his plane was flying home over the Sea of Japan it was shot down and the character killed. Despite the "realism" of this narrative development, public sentiment toward the event was so negative that the producers promised never to have another character depart the same way. Colonel Sherman Potter (Harry Morgan), a doctor with a regular Army experience in the cavalry, replaced Blake as camp commander and became more both more complex and more involved with the other characters than Blake had been. Though the series was set in Korea, M*A*S*H, both the movie and the series, was initially developed as a critique of the Vietnam War. As that war dragged toward conclusion, however, the series focused more on characters than situations--a major development for situation comedy. Characters were given room to learn from their mistakes, to adapt and change. Houlihan became less the rigid military nurse and more a friend to both her subordinates and the doctors. Pierce changed from a gin-guzzling skirt chaser to a more "enlightened" male who cares about women and their issues, a reflection of Alda himself. O'Reilly outgrew his youthful innocence, and Klinger gave up his skirts and wedding dresses to assume more authority. This focus on character rather than character type set M*A*S*H apart from other comedies of the day and the style of the show departed from the norm in many other ways as well, both in terms of its style and its mode of production. While most other contemporary sitcoms took place indoors and were largely produced on videotape in front of a live audience, M*A*S*H was shot on film on location in Southern California, as well as in a closed studio set (studio #9 at 20th Century Fox). Outdoor shooting at times presented problems. While shooting the final episode, for example, forest fires destroyed the set, causing a delay in filming. The series also made innovative uses of the laugh track. In early seasons, the laugh track was employed during the entire episode. As the series developed, the laugh track was removed from scenes that occurred in the operating room. In a few episodes, the laugh track was removed entirely, another departure from sitcom conventions. The most striking technical aspect of the series is found in its aggressively cinematic visual style. Instead of relying on straight cuts and short takes episodes often used long shots with people and vehicles moving between the characters and the camera. Tracking shots moved with action, and changed direction when the story was "handed off" from one group of characters to another. These and other camera movements, wedded to complex editing techniques, enabled the series to explore character psychology in powerful ways, and to assert the preeminence of the ensemble over any single individual. In this way M*A*S*H seemed to be asserting the central fact of war, that individual human beings are caught in the tangled mesh of other lives and there must struggle to retain some sense of humanity and compassion. This approach was grounded in Altman's film style and enabled M*A*S*H to manipulate its multiple story lines and its mixture of comedy and drama with techniques that matched the complex, absurd tragedy of war itself. M*A*S*H was one of the most innovative sitcoms of the 1970s and 1980s. Its stylistic flair and narrative mix drew critical acclaim, while the solid writing and vitally drawn characters helped the series maintain high ratings. The show also made stars of it performers, none more so than Alda, who went on to a successful career in film. The popularity of M*A*S*H was quite evident in the 1978-79 season. CBS aired new episodes during prime time on Monday and programmed reruns of the series in the daytime and on Thursday late night, giving the show a remarkable seven appearances on a single network in a five day period. The series produced one unsuccessful spin-off, AfterMASH, which aired on CBS from 1983-85. The true popularity of M*A*S*H can still be seen, for the series is one of the most widely syndicated series throughout the world. Despite the historical setting, the characters and issues in this series remain fresh, funny and compelling in ways that continue to stand as excellent television. Some of the above info from the article in the Museum Of Broadcast Communications: M*A*S*H page, written by Jeff Shires. M*A*S*H Theme Song - "Suicide Is Painless" Written by Digital Tradition Mirror (Lyrics shortened for television theme) Through early morning fog I see, Visions of the things to be, The pains that are withheld for me, I realize and I can see... That suicide is painless, It brings on many changes, And I can take or leave it if I please. Ratings (Top 30 or Better) – 1972-1973:Not in Top 30 1973-1974:#4 1974-1975:#5 1975-1976:#15 1976-1977:#4 1977-1978:#9 1978-1979:#7 1979-1980:#5 1980-1981:#4 1981-1982:#9 1982-1983:#3 Telecast: CBS September 17, 1972 - September 19, 1983 Broadcast History (all times Eastern): Sep 1972 - Sep 1973, CBS Sun 8:00-8:30 Sep 1973 - Sep 1974, CBS Sat 8:30-9:00 Sep 1974 - Sep 1975, CBS Tue 8:30-9:00 Sep 1975 - Nov 1975, CBS Fri 8:30-9:00 Dec 1975 - Dec 1977, CBS Tue 9:00-9:30 Jan 1978 - Sep 1983, CBS Mon 9:00-9:30 251 Episodes In Color On Film Repeats air on Hallmark Channel.moreless

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  • Trivia & Quotes
  • Quotes (1853)

    • (Hawkeye narrating his letter to his father at the beginning of the episode) Hawkeye: Dear Dad, Hawkeye here. You said that I sounded a bit callous in my last letter, Dad. Let me see if I can put things in a better way. At this particular Mobile Army Hospital, we are not concerned with the ultimate reconstruction of the patient. We care only about getting the kid out of here alive enough for someone else to put on the fine touches. We work fast and we're not dainty...We try to play par surgery on this course. Par is a live patient.

    • Henry: This is Brigadier General Hamilton, Chief Medical Officer of the Seoul Sector! Hawkeye: Oh, hi. Gen. Hammond: Which one here's McIntyre? Trapper: Yo! Gen. Hammond: You and Pierce are both under arrest. Trapper: I'd like to get a second opinion on that.

    • (Father Mulcahy just won the raffle) Henry: Ten-hut! Gen. Hammond: Do I understand that the priest of this outfit has just won a weekend with a nurse in Tokyo? Hawkeye: It's a prayer come true.

    • Margaret: Captain Pierce! Hawkeye: Oh, I'm sorry, honey. My dance card's all full. Margaret: Where is he? Hawkeye: Who? Margaret: You know very well who. Major Burns! He's been missing for hours! Hawkeye: Oh, I thought you'd heard. Margaret: Heard what? Hawkeye: Frank's gone over to the enemy. They offered him one hundred dollars more a week and a royalty on bedpans.

    • (Radar hands Hawkeye an envelope) Hawkeye: What's this? Radar: It's the weekend passes for the raffle. Hawkeye: When did he sign these? Radar: When he thought he was ordering a ton of ice cream. Fudge ripple.

    • Radar: Yes, sir? Henry: Radar! Radar, don't do that. Radar: Yes, sir. You wanted to see me, sir? Henry: Yes, but let me say I want to see you before I see you.

    • Hawkeye: What does everybody want here? What do all these people want more than anything else? Trapper: To go home or, uh, Tokyo, whichever comes first. Hawkeye: What do they really want? Trapper: Sex. Hawkeye: Ahh. Trapper: 'Cept for those baseball perverts.

    • Radar: You guys got mail. That's Hawkeye. Trapper. Trapper: I don't feel like mail. Hawkeye: Go ahead, open it. They can't draft you again. (Trapper opens his letter) Trapper: Bad news from my wife. She still loves me. Would you believe this? She still thinks I got sent to Korea as part of some secret plot to cheat on her. Hawkeye: Well, didn't you? Trapper: Yeah, but how did she figure it out?

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    Notes (506)

    • George Morgan plays Father Mulcahy in just this episode. He would be replaced two episodes later by William Christopher.

    • The flashback scene where General Hammond recalls the romantic interlude with Margaret takes place at Ft. Benning near Columbus, Georgia. This is only scene in the entire series that takes place in The United States.

    • Gary Burghoff is the only actor appearing as a regular character in the series to reprise his role from the movie. However, two other actors in supporting roles appeared in both the movie and the series - G. Wood reprises his role as Gen. Hammond from the movie in 3 episodes (including the pilot) during the first season of the series. Timothy Brown appeared in both the movie and the series, but in different roles - he played Cpl. Judson in the movie, and Spearchucker Jones in several episodes of the first season (Fred Williamson played Spearchucker in the movie).

    • The producers were concerned about the backlash that might occur if they depicted the horrors of war too graphically. During the OR scenes in this episode, the doctors and nurses don't even have blood on their surgical gloves. This would change later in the series.

    • The 4077 staff treat Canadian soldiers in this episode. 516 Canadians were killed in the Korean War.

    • Larry Gelbart received an Emmy nomination for Outstanding Writing in a Comedy Series.

    • Gene Reynolds received an Emmy nomination for Outstanding Directing in a Comedy Series.

    • This is the first episode in which William Christopher plays Father Mulcahy. He was a replacement for George Morgan who had played him in the pilot.

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    Trivia (428)

    • When Hawkeye and Trapper are arrested by Hammond at the party there is a large crowd of people behind the General and Henry. When we cut to the shot of Margaret and Frank approaching, there is no-one in sight.

    • When it comes time for the raffle, Hawkeye tells everyone to take out their tickets. Instead of calling out a number that would match one of the tickets he calls out a name, so the ticket holders didn't need to have their tickets out to see if they won.

    • Goof: Hawkeye dances closely with Lt. Dish and has a wreath of flowers over his shoulder. In the next scene, the wreath is hanging between the two.

    • In the later episodes of M*A*S*H the surgeons wear their masks with the straps tied at their neck and near the top of the head, while the nurses wear their masks with the straps criss crossed. Here the surgeons wear their masks in the same fashion as the nurses. However, the doctors and nurses may wear their masks tied differently so you can tell from the style who's whom. Alternatively, they could have chosen to change the style to keep the mask more secure.

    • Goof: Hawkeye says Ho-Jon can stay with his parents while going to school. However, Hawkeye's Mother is dead and has been for some time.

    • Goof: When Charlie Lee greets Hawkeye and Trapper, he says, 'You guy's got the best record in the southeast Asia theater of operations?' Southeast Asia would be Vietnam. Korea is a long, long way from Vietnam.

    • Goof: When Trapper and Hawkeye go to the jeep to get the supplies at the end of the conversation Hawkeye says "Whoops." However, his mouth does not move when he says it.

    • Frank locks Hawkeye and Trapper in Henrys office. Radar cannot open the door, but after Hawkeye and Trapper have escaped by pulling down one wall of the office, Henry, followed by Frank, runs into the office without unlocking the door.

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    Allusions (180)

    • Elmer Gantry: Mentioned by Hawkeye as a description for Frank, Elmer Gantry is a book written by Sinclair Lewis about a con man who works with a female evangelist to bring religion to small-town America. The book was made into a movie that won three Academy Awards in 1960 and nominated for three more.

    • The title is a pun of the 1962 movie Requiem for a Heavyweight, starring Anthony Quinn.

    • Hawkeye says (about Trapper), "I promised Fred I'd never dance with anyone but him." This is probably a reference to actor Fred Astaire who sang and danced very well in his movies. Does this make Hawkeye his partner, Ginger Rogers?

    • When Lt. Bricker asks Hawkeye if he's done any acting, Hawkeye starts imitating James Cagney and saying, "Why you, you dirty rat ..."

    • The title "Yankee Doodle Doctor" alludes to the title of the song "Yankee Doodle Dandy" by George M. Cohen

    • When Hawkeye gets the passes to Tokyo, he said he promises peace in our time. Neville Chamberlain, England's prime minister before WW2, promised this through negotiations with Hitler.

    • Typhoid Mary: Hawkeye calls Maj. Burns 'Typhoid Mary.' That's a reference to Mary Mallon. A woman, who lived around 1900 and became (in)famous as the first person in the United States to be identified as a healthy carrier of typhoid fever. While she was immune to the disease, she infected many people.

    • When Hawkeye "narrates" Hot Lips and Frank's little maneuvers to be alone, he does so in the nasally descriptive style of the classic Pete Smith Specialties of the 1930's-40's.

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  • Fan Reviews (138)
  • Classic-helped shape my sense of humor!

    By Canuck_33, Jul 25, 2014

  • M*A*S*H

    By Loriez2014, Jul 17, 2014

  • love the show but...

    By kanesinclair, Sep 06, 2013

  • Simply the Best!

    By CrocDoc, Aug 23, 2013

  • Undeniably one of the Best!!!

    By GregBarkley, Jun 27, 2013

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