That's Life (1968)

ABC (ended 1969)
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  • Episode Guide
  • S 1 : Ep 32

    What's He Got That I Haven't Got?

    Aired 5/20/69

  • S 1 : Ep 31

    Sex and the Married Man

    Aired 5/13/69

  • S 1 : Ep 30

    The Ninth Month

    Aired 4/29/69

  • S 1 : Ep 29

    Buying The House

    Aired 4/22/69

  • S 1 : Ep 28

    The Honeymoon

    Aired 4/15/69

  • Cast & Crew
  • Shelley Berman

    Mr. Quigley

  • Robert Morse

    Robert Dickson

  • Kay Medford

    Mrs. Quigley

  • E.J. Peaker

    Gloria Quigley Dickson

  • Betty White

    Guest

  • show Description
  • Welcome to the That's Life (1968) guide at TV.com. That's Life was an attempt to blend situation and musical comedy into an hour long weekly format. The show followed the lives of a couple (Robert and Gloria) as they met, got married, bought a house, had a baby, etc. set in the mythical town of Ridgeville. Robert was played by Broadway and film star Robert Morse, and E.J. Peaker was chosen, out of 3000 actresses seen according to ABC, to play Gloria. Along the way were many guest stars, often in cameo appearances, and lots of song and dance. The music was a combination of new material (by Elliot Lawrence and Martin Charnin) and existing songs, often standards or show tunes. The show was well received, nominated for an Emmy as Outstanding Musical or Variety series in fact, but was not a ratings hit and lasted only one season. Robert Morse remarked later, "I was hurt when it only lasted one season because I liked it and believed in it." Shelley Berman and Kay Medford appeared occasionally as Gloria's parents. Stan Harris was the program's director, Elliot Lawrence was the musical director and The Tony Mordente Dancers were the resident dance corps. The show was taped in New York City in front of a live audience. On June 18, 2010 The Paley Center for Media screened an episode from the series with Morse and Peaker in attendance along with producer Lee Miller, writer Bob Ellison and producer/director Stan Harris. A nice write-up about the event can be found here: http://www.filmmusicsociety.org/news_events/features/2010/062110.html In the event the link disappears, here is the text: EVERLY HILLS, Calif.-Actors Robert Morse and E.J. Peaker participated in a rare screening of, and Q&A about, the landmark musical TV series That's Life as a part of the Paley Center for Media's "Rewind" festival Friday night at the Paley Center. That's Life, which lasted just one season on ABC in 1968-69, was a daring attempt to create a Broadway-style musical comedy every week while also combining elements of situation comedy and the variety-show format. Morse and Peaker (who was simultaneously in production for her role as Minnie Fay in the film version of Hello, Dolly!) starred as a young couple who met, fell in love, married and had a baby over the course of 26 episodes. Fans were treated to the opening sequence of the first episode, which introduced the characters played by Morse and Peaker, along with guest star George Burns; and the entire second episode – complete with commercials for Kent cigarettes and Pontiac cars – in which happy-go-lucky bachelor Morse decides to propose to his immensely likable coworker Peaker. Guests in the second episode included singer Nancy Wilson and comedians Tim Conway and Jackie Vernon. It was a special treat because That's Life has apparently never been seen since its cancellation in spring 1969. The recent success of the weekly musical Glee – which has inevitably sparked discussion about such musical-series failures as Hull High, Cop Rock and Viva Laughlin – has only heightened the curiosity of fans about this ambitious but seemingly lost 1960s classic. "There was nothing like it at the time," recalled Morse (a Tony winner for both the play Tru and the musical How to Succeed in Business Without Really Trying, and currently starring on the AMC TV series Mad Men). "We wanted it to look like Broadway, not like television," added producer-director Stan Harris. "It's timeless," said Peaker. The show was staged before a studio audience (the first three episodes, in Hollywood; the rest in New York) and shot on videotape with four cameras. All of the singing was done live, with a 20-to-24 piece orchestra also playing live in a nearby studio. (As producer Lee Miller pointed out, the balance between voices and music was easier to achieve this way.) Among the collaborators, the panelists said, were creator Marvin Marx, who had been doing Honeymooners musicals with Jackie Gleason in Miami earlier in the 1960s; composer Elliot Lawrence (a Broadway veteran who had worked with Morse on How to Succeed in Business) and lyricist Martin Charnin (a later Tony winner for Annie); choreographer Tony Mordente (who had performed in West Side Story and would go on to direct many TV shows); and set designer Robert Randolph (whose Broadway credits included Bye Bye Birdie and How to Succeed...). Peaker said the show was sold without a pilot. Morse recalled a young Marvin Hamlisch working as a rehearsal pianist on the show and begging to write songs for it, which didn't happen ("he's never spoken to me since," quipped Morse). Each episode, writer Bob Ellison said, featured six songs, including three originals and three pre-existing tunes (often standards, such as the Gershwins' "Love Is Here to Stay," which Peaker sang in episode 2). All marveled at the list of top-name guest stars who appeared on the show, including Sid Caesar, Ethel Merman, Mahalia Jackson, Louis Armstrong, Alan King, Goldie Hawn, Liza Minnelli, Dick Shawn, Shelley Winters and even the Muppets. Reminiscing about Paul Lynde's appearance, Morse broke up the entire panel; Peaker regaled the crowd with anecdotes about guest star Chita Rivera and lunching with Shelley Berman at the famous Broadway hangout Sardi's. (Left to right) That's Life producer Lee Miller, writer Bob Ellison, stars Robert Morse and E.J. Peaker, and producer-director Stan Harris. (Photo courtesy of the Paley Center for Media.) (Left to right) That's Life producer Lee Miller, writer Bob Ellison, stars Robert Morse and E.J. Peaker, and producer-director Stan Harris. Photo courtesy of the Paley Center for Media. Miller described the production process as well-organized: Rehearsals on Monday, Tuesday and Wednesday; Thursday, blocking for cameras; Friday, run-through in the morning, dress rehearsal in the afternoon and performance before an audience in the evening. Songs, he said, would often not be chosen and arranged until Sunday, meaning the performers had very little time to learn them. But, Miller added, the entire production process was much simpler in 1968. "There was no interference from the network," he said, and song negotiations were fairly easy. "It was rare that anybody objected to our use of music," he said. Music rights in that pre-DVD era, however, would not cover use for a release today, and the costs of clearing the dozens of tunes used on That's Life may mean the series will never be available commercially. "Everybody in show business was rooting for the show," noted Ellison. But despite critical acclaim, the series – which aired Tuesday nights at 10 p.m. Eastern, opposite a movie on NBC and news programming (including a new magazine show called 60 Minutes) on CBS – was mired in 82nd place by March 1969 and cancelled by ABC. As the Chicago Tribune wrote at the time, "maybe it's ahead of it's time, and in 15 years will be considered a classic." Special thanks to Tom Alger for the bulk of the episode listings.moreless

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  • Trivia & Quotes
  • Notes (8)

    • The show was pre-empted the following Tuesday (November 5, 1968) due to network coverage of the Presidential election.

    • Hines, Hines, and Dad was a dance act that consisted of Maurice Hines, Sr. and his sons Gregory and Maurice Hines.

    • Series creator Marvin Marx co-wrote this episode.

    • Robert Morse plays both Robert and Robert, Jr. in this episode.

    • This episode was screened at The Museum of Television & Radio in New York City on October 3, 2004 as part of a Musicals on Television retrospective.

    • The show was pre-empted the following Tuesday (January 14, 1969) for the NBA All Star Game.

    • This episode was nominated for an Emmy for Outstanding Electronic Camerawork.

    • This episode was shifted to air during a weekend day in, at least, one viewing market.

    Show More Notes
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