Whether they're avowed murderers, closeted murderers, proud adulterers, or just operating in a gray area of what's good for themselves and what's good for the Republic, there isn't a single character on the show who's unfazed by darkness.
The dressed-down "The Break-Up" was the perfect way to end this series, to bookend what Psych was always about: relationships between characters and a boy growing up.
"A Nightmare on State Street" pulled out all the stops that'd previously barred the doors of imagination for the sake of realism, all so we could have an orgy of horror tropes and guest stars.
So, Ali's back. How about that?
Despite their individual histories and the fact that their soul-crushing bully is heavily invested in what Alison does, the Liars continue to want Alison to come back home.
Ezra has a theory, you guys.
For so long, Joel was a rock in constantly troubled waters, staunch in principle and consistent in action. So why is he being such a dick?
... and Aria furied all over Ezra's apartment, through his lamps, into his many leathered seats, and onto his silly hipster typewriter.
It took Aria nearly four seasons, but she finally learned at least half of the truth we all suspected, that Ezra is the creepiest creep who ever creeped.
There was a lot to like about this film noir episode, but did it get us anywhere new? No, it absolutely did not.
Ezra is now more gross than ever before
It's nice to see Mona hold nothing back.
Two episodes into Season 2, and this is already exhausting.
It was a tough week at the old ball park for Spencer Hastings.