With the temporary sorta conclusion to the Monster Baby storyline, Grimm has regained its momentum and then some.
"No Way Out" made some bold moves.
I jumped on the phone with the man behind tortured babe-magnet vampire Aidan Waite for an in-depth chat about the series' final days.
"Bash" was a surprisingly mediocre episode after a string of refreshingly good ones, falling into some of Glee's old exploitative-ish patterns of relegating actual big storylines to the back burner for the sake of RACHEL OMG RACHEL SO PERF.
What did you think of how it all ended?
This week, Mary Elizabeth Mastrantonio reprised her role as Nick’s mom to help slip Adalind and Monster Baby out of the Old Country, across the pond, and back to Portlandia so that Adalind could reclaim her place as HBIC.
Glee made its full-time move to the Big Apple this week, and Ohio's newest refugees are finding themselves in surprising places. The result is a show that suddenly feels exciting, fresh, and BIG.
"House Hunting," despite sagging a bit in the middle, brought it so hard, just the way the penultimate episode of a TV series ought to.
"Heartburn" was a surprisingly self-aware episode; its copious weeping felt sincere, and once Suits decided to go with the Pearson-Specter "family" angle, well, that explained a lot.
"Mother's Little Helper" laid out some mythology and actually managed to be kind of creepy.
OMG, New Girl, what have you done?
Highs and lows abounded in Glee's last official Lima engagement.
This week, Sally found a secret room in the house and it caused all sorts of problems, so that was fun. But on a more serious note, how do you want Being Human to end?
This episode of Grimm made me so happy, even if it didn't really move the plot forward.