Blog Spotlight: Flight of the Conchords - “The New Cup”

It’s been a while since I visited Flight of the Conchords's sophomore season, having reviewed last week’s premiere back in December when it was streaming online, but I have to say that I think “New Cup” is perhaps a slight improvement on some fronts and a bit of a step back in others.

The show is, largely, back to its old self in most ways here: the Murray/band dynamic is as inspired as ever, and their seasons crackle here. The problem is that the rest of the plot doesn’t, so much: comparatively, the dialogue seems forced and tired, and the prostitution storyline felt off for me. This is a bit of a shift, though, because I found the songs superior to that in the premiere, more tied to the action; it’s just unfortunate, then, that they were tied to the part of the episode that felt the most sitcom-esque and lacked what I view as the fundamentals of the show’s usual charm.

The basics are all here, don’t get me wrong: what other show can spin off of a new cup and suddenly spiral into prostitution, lewd rap songs about genitalia, and a ripoff of Roxanne? The show is still great at showing how the mundane can be exciting, but this felt a bit too exciting for its own good by a certain point.

In terms of the songs, I’m sure that “Sugar Lumps” will be considered the breakout hit of the episode, but I’ll admit to not being a fan of the non-melodic Conchords stuff. This isn’t to say it isn’t entertaining, or that the idea of these two very white New Zealanders rapping doesn’t hold water, but rather that I kind of like it when I’m stuck humming these songs for days after the fact and this doesn’t happen with the raps for me. This is largely just a preference thing, but the song wasn’t particularly clever by any means, and still lacked that something special which marked the original conchords catalogue.

The same can go for “You Don’t Have to Be a Prostitute,” which was essentially a takeoff of Roxanne without…well, without much of anything. I found it catchy enough, but lyrically it was kind of borderline uninteresting and nothing was really done with the video surrounding it that was any different from “Sugar Lumps” (Jermaine dancing suggestively evolved to Jermaine dancing suggestively in short shorts, as an example). It really felt like they were like “Okay, we need to write two songs that relate to male prostitution,” as opposed to any real burst of creativity involved. It’s one thing to ripoff Roxanne a bit with the last one, but it never really even turned into an homage or anything but a tepid reimagining with less musical interest.

I know that seems kind of harsh, but there’s a certain standard that I don’t think we can avoid, and one that much of the rest of the episode feld up pretty well. The opening band meeting where Bret doesn’t have a guitar was complete and utter comedy gold: Murray’s definition of “Dad Guitar” and “Mom Guitar,” Murray having to look down at his notes to make sure that Bret is supposed to have a guitar, and pretty much everything else about that scene. Murray is proving to be the show’s saving grace right now: his writeups in the New Zealand Consulate newsletter were gold, his lack of understanding about the internet done but nonetheless charming, and even if they ripped off 30 Rock for its “Nigerian scam actually turning out to be real” plotline I enjoyed that the guy actually showed up and was morally outraged at prostitution. Read more

Comments (1)
Jan 30, 2009
I was a little less than impressed with the season premiere (at least the better part of what followed the 1st band meeting), however I feel FTC has been redeemed by this episode. Many laughs and much better music. I am actually much more pleased with their more rhythmic work (then again, I also wouldn't classify Jemaine as "very white"), as it actually does make me feel like shaking my rump. I found it particularly hilarious that the guy without the paying job was the one complaining about spending.

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