Contrary to popular belief, all televisions do not go black on Fridays to force us to "hang out" with our "friends" "in person." No siree! There has been some good television on Fridays recently, and good television means good credit sequences (provided your name isn't Homeland). So let's see what Friday has to offer in terms of TV hellos, shall we?
We're taking tomorrow off because Saturdays and all, but we'll be back for our last installment of the great opening credit sequence critique of 2012-2013 on Sunday.
Yes that's THE Reba McEntire singing the theme song, how'd they get her to do it? Anyway, pretty standard stuff here. Pans of the California coast, water, blue sky, expensive houses that will sink into the ocean next rainstorm. Personally I think it could use a little more actual sunshine, as the song suggests, but then again I would also like to see 30 seconds' worth of Lily Tomlin's grandma character taking bong rips, too. The show title's font choice is pretty pedestrian. I guess it's supposed to be a clash of "sophistication" and "country bumpkin"? I don't know. And I don't know why we're even spending so much time discussing this particular opening. It's not like it's Beauty and the Beast or anything. A plus for a theme song, but D everywhere else. Grade: D+
Oooh boy! This looks like a fun show, ladies! Clearly it has more Grrrrrrl power than 10 used Spice Girls CDs. If I've got this right, Janet Montgomery's Martina Garetti walks all the way from New Jersey to New York in HEELS. I tried that once and broke both ankles before I hit the Holland Tunnel. Take a cab, Martina. Bonus: If you listen to just the lyrics and ignore the bubblegum pop behind it, it sounds like the manifesto of a terrorist about to turn a key and set off a nuclear device in the middle of Times Square. But in terms of a show about a woman trying to "make it," I suppose this intro does the job. Grade: C
Cinemax used to be just about boobs, but now it's about boobs AND credit sequences. HBO's little sister has been responsible for some great openings (Strike Back's is great!), and even though this one is one of the network's weaker efforts, it's still much better than most of what's out there. The pretty pictures do a great job of giving you some detail about the actors' characters, and the show's title with the dead sheriff's badge as the "A" works for me! I'm not thrilled about the music, but then again do I even like music anymore? Who knows. Grade: B+
Like the show itself, this sequence is very deliberate and not in a rush to get anywhere fast. At 90 seconds, it's one of the season's longest and about three percent of an entire episode. At least it's pretty to look at and has a distinct message: D.C. is a horrible, horrible, horrible place and those who work there in the government should all die painful deaths. But really, let's keep it shorter next time, okay Netflix? I don't want to fast forward through the credits of Arrested Development and have four minutes of show left. Grade: B
Cops as good looking as Sears catalog models don't play by regular rules! They spend most of their time looking cool and hanging out on top of buildings, where they practice putting on and taking off sunglasses. They ro-sham-bo to see who gets to kick down doors to empty rooms. They flirt with each other with playful antics. All to the tune of rhythmic porn music, which takes this opening from subtly homoerotic to full-blown homosexual undertones. Thought I guess that's the point since this was a show about two cops who go through marriage counseling? Whatever it's trying to say, it works! Grade: B-
Not necessarily new since it premiered in Season 4's 19th episode, but it became the regular intro for Season 5 so I snuck it in here. And you're glad I did! This sequence is flat-out awesome, and one of the best the series ever produced. The traditional fringe science terms have been replaced with basic tenets of human rights (Free will! Individuality! Freedom!) to show the dystopian and oppressive future the Observers have created. In the end, the Fringe logo comes back together because Peter, Olivia, and Walter all had to fix the past by breaking the future. And that theme never gets old. Grade: A
Well, I couldn't find the actual video of the opening, but this theme song, written and performed by Reggie Watts, is amazing. Close your eyes and imagine an opening sequence. Wow! Good job! Grade: A