Welcome to Day 3 of our look at the best and worst credit sequences of the season. TGIW! I don't know what it is about Humpday, but all of a sudden the credit sequences stopped sucking. Below you'll find a sample of shorties and longies and expositionies and dubstep assaults on your senses that, by their powers combined, make for the most diverse day of the week so far. Name your personal favorites in the comments, then check back tomorrow for a look at Thursday night's offerings.
Comedies have a tendency to hold onto longer credit sequences, but this one is short because The Neighbors wants to take back to the laughs ASAP! What's on your wishlist for an opening for this show? Theremin: CHECK. Glowing green something: CHECK. Aliens Larry Bird and Reggie Jackson devouring their human neighbors: NOT A CHECK. Two out of three ain't bad. Grade: B-
Whoever created this sequence deserves a raise; it's essentially a diatribe against the commercialization of music and the dangers of fame in seven seconds. We start with a guitar, the pillar of country music, and "Nashville" in a comfortable, old-timey font. The lights flash! The guitar disappears! And "Nashville" is redone in a sleek modernized font. It isn't about the music anymore, it's about the look and blinding people with more flash than substance. That's a perfect fit for Nashville's old vs. new theme. Also, Guitar Hero and Rock Band flashbacks!!! Of all the new shows this season, Nashville probably had the best opportunity to create a flashy extended credits sequence, but this brief version is one of the better shorties of the season. Grade: A-
It's a show about animals and the best it can do is pictures of animals? Thankfully there's a good variety in there: monkeys, dogs, parrots, rats, squirrels, Bobby Lee, cats. The catchy inoffensive music plays it safe, so no grade adjustment there. And then a dog runs across the screen and StockSoundEffects.org provides the dog bark. This is about as plain as plain gets. Grade: C-
Guys With Kids
Yep, that's co-creator Jimmy Fallon (yes THAT Jimmy Fallon) singing the theme song about combining daily exercise with obsessive-compulsive impatience. The look of this is hecka dated, circa 1994, with paper cutouts and walking in place (WHY AREN'T YOU RUNNING? Can't you hear the theme song?). The guys are adequately introduced with their respective kids, but child safety is apparently not a concern as the parents get together and launch their children toward the sun. Yeah, the guys catch their offspring in kangaroo pouches, but how many takes did it take to get that shot? The Parents Television Council should be all over this. Still, that song is now stuck in my head so it must be effective. I need to listen to some Ace of Base to get it out. Grade: C-
Another one of those "Here's what the show is about" introductions, but this is the kind of show that needs it. And credit-sequence-makers, take note: If you're going to supplement your opener with clips from the pilot, use the good clips! In that sense, Beardy Oliver, exploding fire arrows, tennis-ball genocide, and Bowflex Commercial Oliver make this one a winner. The title card for Arrow was always a layup, and it's fundamentally executed with a nice choice of embossed font and a simple image of an arrowhead. Good job, Warner Bros.! Grade: B
I keep waiting for the words to explode in a giant fireball. They don't. Couldn't the show have put some Gaga over this? Or at least introduced the cast in sexy firefighter calendar style? Low effort means low grade! Grade: D-
This is like a tease for NAMBLA members. This guy is a really bad dad. He gives up on the diaper after one try and immediately uses duct tape. Hey pal, there's a safety pin right there in the show logo! And the single line used from a tween-friendly pop song ("It's amazing how the unexpected can take your life and change direction") wouldn't even make the cut at a fortune-cookie factory. But hey, this is Baby Daddy, so at least it's not promising anything the show isn't. Grade: D+
Even if you fall within the two-percent of the audience that isn't totally baked while watching this sketch show, this intro is AMAZING. Kroll Show is all about popping pop culture, and the show's title is thrown over all sorts of corporate logos and TV show title cards that slap us across the face in rapid succession while a dubsteppish tune makes our head explode. Seinfeld? Breaking Bad? In-n-Out Burger? KETTLE CHIPS!?!? It's like Nick Kroll and I share a mind! If only someone would freeze-frame all the images so we could see them at our leisure... Grade: A
I know what you're saying. "Hey, this hasn't even aired yet!" True, but I have my connections. This sequence actually debuts tonight with Episode 2, and it's spot-on! There's some great juxtaposition of American and Russian culture (the Jazzercise to the Cossack dance is aces), and the cast members' names in Russian being taped over with their American translation is a perfect touch. There's really nothing here that's not to like; the music is fitting and its runtime hits that happy medium between super short and way too long. Thankfully, this is where the Homeland comparisons stop. Grade: A
Which new Wednesday-night credit sequences do you like best?