Summer isn't looking as bleak as it has in the past, thanks to bordertown detectives, trippy 'toons, and ladies in prison.
"I'll Never Get Out of This World Alive" did a fine job of pushing the right stories forward while still producing some admittedly goofy cliffhangers.
What is this show even about anymore? And what happened to the sense of urgency promised in the beginning of this episode?
As the clock wound down on the series, it became apparent that, while Cathy Jamison was the main attraction and her death was the featured event after four seasons of buildup, the stories that seemed to matter most were those…
After a string of legitimately great episodes following the six-month mid-season hiatus, it was inevitable that Warehouse 13 would eventually hit a snag.
We're into the "more time with less characters" thing, which this good episode used to its benefit.
"The Crash" was a jumbled mess of narratives bouncing off one another at a breakneck speed that seemed to reaffirm the cynicism of the late '60s, as well as the cynicism of Don Draper and how easily it spreads to everyone he interacts with.
The Series 7 finale restored my faith in the magic of the Whoniverse, and somewhat restored my faith in this entire series.
In a lot of ways "Til Death Do Us Part" felt like a microcosm of the season as a whole.
I've found that my favorite flavor of Da Vinci's Demons is when it's completely batshit and readily embraces its weirdness, blatantly refusing to take itself too seriously.