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Sir Alec Guinness: (discussing how much he disliked working on "Star Wars" (1977) and his attempts to encourage George Lucas to kill off "Obi-Wan Kenobi") And he agreed with me. What I didn't tell him was that I just couldn't go on speaking those bloody awful, banal lines. I'd had enough of the mumbo jumbo.
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Sir Alec Guinness: I shrivel up every time someone mentions Star Wars to me.
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Sir Alec Guinness: Failure has a thousand explanations. Success doesn't need one.
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Sir Alec Guinness: We live in an age of apologies. Apologies, False or true, are expected from the descendants of Empire builders, slave owners and persecutors of heretics, and from men who, in our eyes, just got it all wrong. So, with the age of 85 coming up shortly, I want to make an apology. It appears I must apologise for being male, white, and European.
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Sir Alec Guinness: (In 1985 he told the Guardian newspaper that he hoped by the end of his life to have put everything in order) ... a kind of little bow, tied on life. And I can see myself drifting off into eternity, or nothing, or whatever it may be, with all sorts of bits of loose string hanging out of my pocket. Why didn't I say this or do that, or why didn't I reconcile myself with someone? Or make sure that someone whom I like was all right in every way, either financially or, I don't know...
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Sir Alec Guinness: I gave my best performances during the war - trying to be an officer and a gentleman.
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Sir Alec Guinness: I prefer full-length camera shots because the body can act better than the face.
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Sir Alec Guinness: I don't know what else I could do but pretend to be an actor.
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Sir Alec Guinness: Once I've done a film, it's finished. I never look at it again.
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Sir Alec Guinness: Getting to the theatre on the early side, usually about seven o'clock, changing into a dressing-gown, applying make-up, having a chat for a few minutes with other actors and then, quite unconsciously, beginning to assume another personality which would stay with me (but mostly tucked inside) until curtain down, was all I required of life. I thought it bliss.
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Sir Alec Guinness: An actor is an interpreter of other men's words, often a soul which wishes to reveal itself to the world but dare not, a craftsman, a bag of tricks, a vanity bag, a cool observer of mankind, a child, and at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerise a group of innocents.
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Sir Alec Guinness: (during the filming of "Star Wars") Apart from the money, I regret having embarked on the film. I like them well enough, but it's not an acting job, the dialogue - which is lamentable - keeps being changed and only slightly improved, and I find myself old and out of touch with the young.
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Sir Alec Guinness: I prefer full-length camera shots because the body can act better than the face.
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Sir Alec Guinness: Once I've done a film, it's finished. I never look at it again.
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Sir Alec Guinness: Personally, I have only one great regret - that I never dared enough. If at all.
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Sir Alec Guinness: (To a group of reporters upon winning his Oscar, 1958) No doorstop shenannigans for me, boys. I have a nice mantel where I'm going to display it.
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Sir Alec Guinness: (on media reports of his income from the "Star Wars" films) The Times reports I've made £4.5 million in the past year. Where do they get such nonsense?
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Sir Alec Guinness: (on the performances in "Star Wars") The only really disappointing performance was Tony Daniels as the robot - fidgety and over-elaborately spoken. Not that any of the cast can stand up to the mechanical things around them.
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Sir Alec Guinness: (on having seen the completed "Star Wars" for the first time) It's a pretty staggering film as spectacle, and technically brillant. Exciting, very noisy and warm hearted. The battle scenes at the end go on for 5 minutes too long, I feel, and some of the dialogue is excruciating and much of it is lost in noise, but it remains a vivid experience.
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Sir Alec Guinness: (while considering doing "Star Wars") Science fiction - which gives me pause - but it is to be directed by Paul Lucas, who did American Graffiti, which makes me think I should. Big part. Fairytale rubbish, but could be interesting.
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Sir Alec Guinness: (on his first lunch meeting with George Lucas) I liked him. The conversation was divided culturally by 8,000 miles and 30 years; but I think we might understand each other if I can get past his intensity.
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Sir Alec Guinness: The stage was my prime interest. I had no ambition to be a film actor and a screen career seemed unlikely to come my way. I'd done a stage adaption of Great Expectations before the war and this had been seen by David Lean and Ronald Neame. I went into the navy during the war, and when I came out they were preparing their film of Great Expectations. They remembered my performance on the stage and asked me if I'd go into their film as "Herbert Pocket." I'd thought of film as a much greater mystery than the theatre and I felt a need to begin in films with a character I knew something about."
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Sir Alec Guinness: (on The Bridge on the River Kwai (1957) The original script was ridiculous, with elephant charges and girls screaming round in the jungle. When David Lean arrived, with a new screenwriter, it became a very different thing. I saw "Nicholson" as an effective part, without ever really believing in the character. However, it paid off; it was a huge success and I got an Oscar for it, though I don't think it made an enormous difference in my career.
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Sir Alec Guinness: Essentially I'm a small part actor who's been lucky enough to play leading roles for most of his life.
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Sir Alec Guinness: Flamboyance doesn't suit me. I enjoy being elusive.