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Eddie: (denying he is the father of Mel B's baby to a Dutch reporter) We're not together any more. And I don't know whose child that is, until it comes out and has a blood test. You shouldn't jump to conclusions, sir.
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Eddie: The thing about kids is that they express emotion. They don't hold back. If they want to cry, they cry and if they are in a good mood, they're in a good mood.
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Eddie: You know, making a movie is a collaborative effort and sometimes all the ingredients don't work out. I know that every now and again I am going to make a movie that won't work.
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Eddie: In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.
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Eddie: I've made thirty movies and for the most part my movies work. In a business where success is an exception and not the rule, I've mostly been successful.
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Eddie: My life is nothing like the Daddy Day Care life. Me around the house is nothing like the Daddy Day Care dad.
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Eddie: The economy in Ireland has been rampaging ahead for the last fifteen years. Barring an international, political or natural catastrophe, things can only get better for the Irish.
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Eddie: Apparently every man was told to bring three women with them. Sounds like a ho-down.
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Eddie: The competitions are as much a part of the tradition as the actual dances.
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Eddie: Right now, we've got to stretch that dollar as far as we can.
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Eddie: He gives a tremendous amount of time to clients and is completely focused on each of their careers. He's very hands-on. He's always been a straight-up guy in any business dealings. They're not poachers and they don't home in on other people's clients.
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Eddie: My girl wants to party all the time, party all the time, party all the time...
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Eddie: If I don't die in a plane crash or something, this country has a rare opportunity to watch a great talent grow ... Saturday Night Live.
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Eddie: I'm in a whole different part of show business. I'm not even part of Shakespeare in Love.
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Eddie: I trip off it. You know what's interesting about the makeup is when you get up close and you know he's been working on your face and you see where the makeup starts and it stops and how seamless it is. You could look at it for hours.
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Eddie: There was a lot of stuff where we were doing scenes and (we would) bust out laughing - more on this movie than ever, where you can't finish scenes. I hope we didn't mess up the movie.
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Eddie: We need to be prepared to help with their rent and utilities for six months to a year. We don't want them working right now.
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Eddie: We want the same effect as if someone's house burned here. We want to give them a normal life as soon as possible.
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Eddie: In the original script, my character was a basketball player rather than a boxer. I didn't think I could pull that off. I'm a little short to be a basketball player.
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Eddie: I'm 42 and the age of a guy who has kids, so I guess I'm playing right where I'm supposed to be. I'm comfortable with that, but in the same breath I'd do something edgy. If someone came to me and offered me an edgy and funny story, then I'd do it.
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Eddie: That's a new thing for me; to have my co-star in a scene turn to me and tell me they love me. In 48 Hrs, Nick Nolte never turned to me and went, 'I love you Ed'.
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Eddie: I think in twenty years I'll be looked at like Bob Hope. Doing those president jokes and golf sh*t. It scares me.
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Eddie: I don't think more concentration is required for Robert De Niro to do what he does as for Jim Carrey to do what he does.
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Eddie: I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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Eddie: The thing about kids is that they express emotion. They don't hold back. If they want to cry, they cry and if they are in a good mood, they're in a good mood.
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Eddie: The welfare of our children is our main concern and their best interests are our first priority.
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Eddie: You know, making a movie is a collaborative effort and sometimes all the ingredients don't work out. I know that every now and again I am going to make a movie that won't work.
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Eddie: Over the past 50 years Bob Hope employed 88 joke writers who supplied him with more than one million gags, and he still couldn't make me laugh.
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Eddie: Anything you have to acquire a taste for was not meant to be eaten.
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Eddie: How can you do the moonwalk and ask a woman to dance? "Hey baby lets dance...cya later!"
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Eddie: I'd like to produce, direct, write, score, and star in a film in exactly the way Chaplin did.
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Eddie: Every bad decision I've made has been based on money. I grew up in the projects and you don't turn down money there. You take it, because you never know when it's all going to end. I made Cop III because they offered me $15 million. That $15 million was worth having Roger Ebert's thumb up my ass.
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Eddie: I'm relaxed about my career. I've been making movies for over 20 years, so I've earned at least the right to relax.