In 2007, Kathryn, along with Cold Case co-star Danny Pino, made a public service announcement for the CBS Cares campaign. They spoke on the subject of postpartum despression, and encouraged women experiencing it to get help.
In 2007, Kathryn took part in the Toyota Pro/Celebrity Race, and reached speeds of 185 mph driving an Indy race car.
Kathryn enjoys hiking and yoga.
Kathryn's favorite scenes to play, on Cold Case, are any in which Lilly's flaws creep through. She feels it makes her more relatable.
Kathryn considers the highlight of her career so far to be her appearance in the Showtime remake of Inherit the Wind, in which she worked with screen legends Jack Lemmon and George C. Scott, as well as Piper Laurie, Beau Bridges, Lane Smith, and Tom Everett Scott.
Kathryn calls herself very clumsy and not at all athletic. She finds it ironic that she always ends up playing a physically challenging role.
One of the things Kathryn loved most about working on Xena: Warrior Princess was getting to work with the horses. She did, however, get nipped in the stomach by one of them.
Kathryn called her role in Mindhunters her "Sigourney Weaver Aliens movie", in that they were both very physically challenging parts.
Kathryn appeared in a BMW commercial in 2003. The part led to her landing a role in the movie Paycheck.
Kathryn says she enjoys watching Trading Spouses, The Sopranos, Will & Grace, and Crank Yankers.
Kathryn is represented professionally by David Fleming of The Gold/Miller Company in Los Angeles.
Kathryn's theater credits include:
- Lovers and Other Strangers
- Waiting for Lefty
- The Fantasticks
- Crimes of the Heart
Kathryn Morris made her movie debut in 1991 in Cool as Ice with Vanilla Ice.
Kathryn appeared in two of director Rod Lurie's films: Deterrence and The Contender. She also worked on The Last Castle, but her scenes ended up on the cutting room floor.
She has an affinity for the work of Philip K. Dick having appeared in two films based on his work, namely Minority Report and Paycheck.
Kathryn: I think it's very unhealthy to get into a funky head space about food because it can really screw up your system forever. Wouldn't it be better if you could really enjoy what you want to eat and then have some fun exercise?
Kathryn: I would love to have a role that's so hard, it's scary. Like Cate Blanchett playing Katharine Hepburn. How terrifying, exhilarating and terrifying. I'd love to have opportunities like that.
Kathryn: I love comedy. I would love to do more of it. There have actually been so many close calls on me doing some straight-out black comedy and I've almost done some pretty substantial roles. I think comedy is much harder. But I think that if you have a really strong base in drama, then comedy is much more believable. Doing the work you do in drama, when you do a comedy it makes the comedy so much richer and so much more believable. I love both.
Kathryn: (on the "Xena" episode "Crusader") I was scared about the fighting, because I am not a large person. She's [Lucy Lawless] taller than me and she's been doing it so long and she's an expert. I just decided that we've all seen somebody like the kid in school that everybody pushes around... the small kid, if you get him mad, he goes ballistic. I decided it was more of my character's internal rage that would compensate.
Kathryn: I feel so fortunate. It's incredible to have an audience so devoted and loyal. Cold Case is on all over the world. I get letters from girls and young women in Germany, Slovenia, Paris.
Kathryn: (on appearing on Xena") It just really seemed like a campy, fun thing to do. They treated me like royalty down there. The cast and the crew on that show is just amazing, in New Zealand. My little episode, or two episodes, because they brought me back because they liked the character, I always think that was my New Zealand time. Before The Lord of the Rings, where everybody knew how stunning it was; I'd like to think it was still a secret place.
Kathryn: (on men and women) Men really mean what they're saying. You can pretty much take it at face value. It's a yes or it's a no. Either you won or you lost. 'You're gonna sleep with me or you're not.' Women are all about the gray area. We love to roll around in the gray areas.
Kathryn: I read for a lot of silly roles... that are 'the girl,' but I just try to make her more human and more of a woman. A lot of times they [the writers] really appreciate that. They write this idea of a girl, and then you bring this woman in and they say, 'Oh, it's so much more interesting that way.'
Kathryn Morris: I wish they would realize that the 'better thing' is often right down the street. I worry about some men... they should just get over themselves.
Kathryn Morris: Don't fall in love with someone's potential. You need to love them for who they are today. Don't go in for 'remodeling.'
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