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Naomi: The easiest sex scene I have done was in
Mulholland Drive because it was with another woman. There was no awkwardness. There was no sexual tension.
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Naomi: (following the birth of her first child in July 2007) For so long, I thought, 'I can't have a baby now. I've got this to do, that to do. I've got to achieve that and this.' The truth is, this just happened so quickly, and you can still do it. Honestly, have a baby. It's the best. I left it too late. I'd love to have one more. I'd love to have two more. Or three!
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Naomi: (revealing her friends tease her about her quiet life) Believe me. There's nothing natural about a red-carpet experience. People scream your name at the top of their voices, 100 of them at a time, and it just makes your heart leap out of your chest. I don't like being in loud places any more - all my friends call me Granny! My favourite thing is welcoming people in to my home.
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Naomi: That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
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Naomi (on men): I like someone thoughtful, serious and intelligent, but I also want him to be fun and silly. He has to be able to make me laugh ? if a man can do that, he's pretty well got me.
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Naomi: I mean it's weird because the thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.
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Naomi: She (Fay Wray) looked up at me and went,'You're not Ann Darrow. I am! ... At the end of the night ... she whispered in my ear 'Ann Darrow is in good hands.' Those were great parting words.
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Naomi: I want to start a family. I want to make room in my life for other things.
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Naomi: I've slept with a few directors but still didn't get the part. Isn't that strange?
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Naomi Watts: The parallels are being drawn between me as a mother and Samara's mother and what I have done to my child and what was done to her by her mother, ... So there's things for the audience there to play with and look into, and that's clearly why Samara's drawn to me.
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Naomi Watts: If those two men (Kong and Driscoll) were welded into one, that would definitely make the perfect man. Adrien Brody plays the writer. He has all the words. Kong has all the soul, and all the power as well.
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Naomi: I've had people who've seen 21 Grams say, Wow, you're so brave to be looking like that". This shocks me. I think that's what an actor's job is, to lose yourself in a role.
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Naomi: For the record, I am actually British as well as Australian. People always think I'm Australian but I'm happy for the Brits to claim me back. I'm offering myself up.
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Naomi: On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.
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Naomi: There's nothing as strong as King Kong.
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Naomi: Pain is such an important thing in life. I think that as an artist you have to experience suffering.
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Naomi says: "There was a time I was very much blaming the way I felt on L.A, that it was a vacuum of creativity, of humor or anything organic, and I was really angry at the place. But then today I feel completely different - I love L.A.!"