Norman Lear

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Biography

Recent Role:
Himself on Make 'Em Laugh: The Funny Business of America
Gender:
Male
Born:
7-22-1922
Birthplace:
New Haven, CT
Birth Name:
Norman S. Lear

Norman Lear was born on 7/27/22 in New Haven, Connecticut.

He produced countless TV shows in the 1960s and 1970s, and a few TV shows and movies after that.

Ben Stein writes in his 1978 book Dreemz about Norman Lear: He produces and partly writes nine television shows. He develops new television shows constantly. He gives speeches and receives awards. He is constantly producing, creating, inventing, getting things done.

He recognizes no limits on human potential.

The studio head is strong because he is flexible. He does not establish







More himself to dominate or to overbear. He listens and he adapts. He is a willow, adjusting to the wind and blossoming year after year, in every kind of weather.

He could not possibly be less pompous.

He is always producing, gathering up material, digesting it, rearranging it in dramatic forms. He lives to create and to produce... In the land where everything depends on what you get done, he is king, because he can do the most.

He generates a way of life that is informed, cheerful and concerned. He acts good to me. He looks good. I have never heard him raise his voice to anyone an that example is followed throughout the studio. His life is his finest creation. (pg. 118-119)

Lear turned 80 years old in July, 2002.

"I think this is the golden age of television," Lear told columnist Tim Cuprisin in August, 2002. "A, because it's the moment we're alive. And, B, if you want something great in any category, it exists. You just have to work harder for it."

"The greatest bonding experience I have with my 14-year-old son is 'South Park.' It's comedy that is doing edgy, cause-oriented, problem-oriented cultural pieces. I think those kids are brilliant and gutsy as hell," he says of "South Park" creators Trey Parker and Matt Stone."

His current favorites include Martin Short's "Primetime Glick" as well as HBO's "Six Feet Under" and Larry David's "Curb Your Enthusiasm."



Lear occasionally tunes in to his shows. "I am one of those people who will turn on the TV at 3 in the morning for 20 minutes, and it will help me get to sleep better," he says. After all these years, the sitcoms still crack him up. "It's always the performers," he says. "They were all commedia dell'arte performers, and that transcends time."

Lear, who has grown children from a previous marriage and a 14-year-old son and 7-year-old twin daughters with his current wife, Lyn, has no plans for going anywhere. His legacy is for others to judge. "I will be satisfied," Lear says of his legacy, "if it is, 'He cared and felt he mattered, and therefore, he did.'"

(C) 2002 Daniel J. Cohn Productions All Rights Reserved No portion of this can be re produced with out
prior written consent of Daniel J. Cohn Productions 3995 Park Ave. Fairfield, CT. 06825

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  •  
    10 Perfect
    "I wish that life came with a laugh track. That way people who can't see how funny life really is can at least pretend they get it."

    Tony Figueroa hide show

    Where’s Norman Lear now that we need him?

    We are the only country in the world that uses laugh tracks on comedy shows when they are not filmed in front of a live audience. It seems like it's done just so the stupid people won't feel bad, or dare I say, stupid when they don't get the joke.I have a friend whom once missed pronounced "Sit-Com" by adding an "H". He paused when he realized what he just said, and responded with, "You know what? Freud once said, there are no accidents".

    The fate of the sitcom is uncertain. This is sad, painful, and concerning to me.
    Sad, because my goal in life is to write, produce and star in my own sit-com.
    Painful because most of the sit-coms that we have left are just bad. It's painful to even watch them. No new ideas, bad acting, and bad writing. Instead of a plot they string together a bunch of sexual innuendoes and call it "sophisticated". That's not a sit-com. That's a burlesque show.For example, the girl with the large breasts is dumb and the girl with the small breasts is smart. But the girl with the small breasts is still jealous of the girl with the large breasts because she has large breasts. I guess that's more sophisticated than what we did in the old days when the blond was dumb and the brunette was smart. Or we see, Enter smart black guy. He greets stupid white guy. Within a few seconds we hear, "You know, some of my best friends are black".
    All of this concerns me, so I have to ask, "Where are today’s Norman Lears, Larry Gelbarts and Susan Harriss? People who used comedy to talk about war, prejudice, and the issues of the day". Now don't shout out your answers, it’s a rhetorical question. I know where they are. They're telling stories in coffeehouses STORY SALON. They're making underground comedy albums that make fun of the current administration. They're in 99 seat houses doing controversial plays. They’re everywhere just not on TV. Why? Some say that it’s the dumming down of the TV viewer who would rather see a bikini clad girl in a tank filled with electric eels or a guy eating goat testicles than something that requires them to think. In the process, this puts talented actors and writers out of work. Others feel that in this current political climate anything topical especially when it is mocking or criticizing the current administration is considered dissent, treasonous or just down right Un-American. We can debate this forever, but the third and most practical reason is that this is a business and topical sit-coms do not do well in syndication where the money is.

    On a very personal note: After 9/11 I kept hearing all these great singers sing "God Bless America". Then something in my Child of Television mind clicked while watching the memorial service at the National Cathedral in Washington D.C. I remembered a few months prior to the attacks, Carroll O'Connor, who created the role of Archie Bunker in All in the Family, had died. In all the television tributes to Mr. O’Connor one scene was shown repeatedly. The scene from All in the Family where Archie sings God Bless America. So while this mezzo-soprano sang her beautiful rendition of God Bless America, in the back of my head I heard Archie Bunker singing, "God bless America you dumb Pollack!" And I had my first laugh since the tragedy. It started as a snicker. Then I actually looked around my living room as if I was in church to make sure no one saw me laugh. The absurdity of the situation caused me to laugh louder. All of a sudden, during a very solemn occasion I became Mary Richards at Chuckles the Clown’s funeral.

    Thank you Norman Lear and God Bless Carroll O'Connor.

    To quote David Hyde Pierce in his Emmy acceptance speech, "I heard that the sit-com as we know it is changing. When it changes back, please call me".

    Stay Tuned

    Tony Figueroa

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