His trademark is that his films often have transsexuals and strong female characters. His other trademark is he often uses symbolism and metaphorical techniques to portray circular storylines.
Pedro Almodovar [on his experience in the Catholic boarding school he lived in as a young man and on which Mala educación, La (2004) is based]: The education we received was about guilt, sin, punishment.
Pedro Almodovar: My first ambition was to be a writer. I have always been very interested in writing. But it seems to me that I have more capacity for telling a story with images. It seems I have more talent for filmaking than for writing a novel, which is my dream. I have always found it easy to let my imagination go. You do not just need imagination for filmaking, you also need a lot of passion. When I discovered filmaking as a way of telling stories, I felt that I had found something that was in my nature. I am glad that I had this ambition to be a novelist because it has helped me in filmaking.
Pedro Almodovar: In the last decade you can count the number of Hollywood dramas that have revolved around women. The studios have forgotten that women are fascinating.