Robin: It's been a sequence. With Good Morning, Vietnam, people said, 'Ah, at last he's found a way to be funny and still be a little restrained.' With Dead Poet's Society, they went, 'Oh, this is interesting--he's even more restrained.' And with Awakenings, it'll be, 'Look! He's medicated! He's gone even further. What's he playing next? He's playing a door. And after that? A black hole'.