Although the episode's conclusion was a slight letdown, it moved quite a few elements into play, neatly concluding one segment while at the same time providing much-needed exposition for future developmentsmoreless
7.5
"Good"
Pacing. Honestly, how important is it that a television show (or, for that matter, any form of entertainment or performance) be well-paced? The answer: more important than you'd think. You can't barrage a viewer with non-stop action with little to no substance making up the story. That just doesn't make compelling TV. And, in addition, the audience would soon suffer from something known as 'combat fatigue'. They need something other than just over the top battles and fighting. Therefore, you gotta mix things up. Throw in some character development every now and again, a funny scene here, a suspenseful one there. The only goal, really, is to create something that feels balanced, equal, and, most importantly, complete. However, such a formula will only work if every element is of top quality; each aspect has to be interesting to watch or the other parts will ultimately fall apart as well. I'll give 24 credit for almost always nailing its pace. Even with episodes that contain a lot of action, the writers still allot time to other scenes that aren't as combat-oriented. And, for the most part they work well. Not as much with this episode, unfortunately.
Here's why. Remember last episode, where Jack handed himself over to the Sergei's mob of Russians solely for the cause of his mission? Well, they're convinced he's a cop, and, unless he talks and tells them who's his superior, one of Bazhaev's men is gonna put the hurt on in the form of electrocution. And, as Jack's all so used to it, he doesn't even bat an eyelid (well, for the most part at least). Jack's warden is obviously oblivious to that: "Everybody has limit, don't worry." For heaven's sake, he spent years held in captivity by the Chinese and never talked once, so, honestly, does anyone expect him to even wince at the torture of one lone henchman? Anyway, it doesn't take long for Jack to initiate bad-ass mode and knock the guy the out with his own torture devices. And then, with Jack struggling to find a way out of his shackles, we're sent to commercial break. Cool I though, we can create some suspense of the commercial break and reconnect with Jack after a few short minutes. Oh, was I wrong. Instead, we're given a rather dry scene of Hassan and his daughter arguing. Boo. What this did, rather than increasing tension, was dampen the episode's tempo. It was progressing along nicely, and, rather than letting the set-piece take its course, it was broken up a little too often. With moments like these, I could understand why 24 works better on DVD without commercials (thankfully, I'm watching the episodes on iTunes).
But the writers made that feeling all the much better when they finally reconvened with Jack. I'll get to the that later, though. We've gotta touch on Dana's story for a bit, the one where predictability and stupidity reigns supreme. Okay, Dana. Let me ask you something. Did you honestly expect these goons to give up now? They've already shown that they can manipulate and get the better of you; what's to make them think that they can't do the same thing once again? Stupid, stupid, stupid, Dana. She's useless at CTU and apparently useless at having any sort of foresight. But she proceeds on, making one bad decision after the other and very rarely will she get back to her damn job, shut the hell up and do something worthwhile!
But, believe it or not, there's a shimmer of hope in this awful side plot: its days are numbered. Dana is looking finally to take matters into her own hands, and, if next week's episode is any indication, she'll end her past for herself by taking out some rednecks. After that, Dana, will you please get back to work?
And then there's Jack. Once he finally releases himself from his cuffs, it's evident that he has a plan in mind. And boy, he doesn't waste one bit of time after that, taking out every one of Sergei's men through an assortment of creative ways and then securing a shotgun-wielding Bazhaev by throwing a dinner table on him. Quite a spectacular action sequence that, for me, tops last week's.
When CTU arrives at Sergei's restaurant to clean things up, Sergei and Jack have a little talk, and, in exchange for full immunity for both his son and he (24 fans should be used to this situation by now), attempts to hand the uranium rods over. Josef, on the other hand, complicates matters, stealing the materials for himself by raiding the vans before Cole and his team can get to them. Apparently, Josef didn't take his father murdering Oleg lightly, and, through aligning with Farhad, wants to make his father pay.
It was a long time coming, but at last we received an episode that was almost entirely about Jack. After Renee in the spotlight for a few weeks, Mr. Bauer was more than overdo for his own share of the action, and, almost solely because of the main plot, hour eight was solid. Although the episode's conclusion was a slight letdown, it moved quite a few elements into play, neatly concluding one segment while at the same time providing much-needed exposition for future developments. Let's hope that includes Dana getting back to work.moreless