Season 8 Episode 9

Day 8: 12:00 A.M. - 1:00 A.M.

Aired Monday 8:00 PM Feb 22, 2010 on FOX
out of 10
User Rating
303 votes

By TV.com Users

Episode Summary

Farhad Hassan and Josef Bazhaev prepare to complete the Uranium transaction, while Sergei Bazhaev tries to prevent it. Rob Weiss suggests to Brian Hastings that Renee Walker should be blamed for the terrorists getting a hold of the weapons. Dana Walsh takes matters into her own hands in order to deal with Kevin Wade, but Cole Ortiz back at CTU get suspicious.moreless

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  • Loving the 24 action like always but definitely interested to see where this relationship between Jack and Renee is going...

    I'm loving all the 24 action like always. Mostly I'm definitely interested to see where this relationship between Jack and Renee is going. He says she has him, which last time i checked wasn't a platonic phrase. Jack must like being stabbed. What happened to Audrey??! I miss her, oh well I guess she's gone since the actress is now on Grey's Anatomy. She was great on the show, i think the show should have tried to keep her on. Renee is definitely an interesting character but I don't find her very likeable. Hopefully as the season progresses I'll learn to like her character more.moreless
  • Another dull episode of 24, Jack tries in vain to save Renee from criminal charges and gets away with criminal charges as usual. The Terroist still have the Rod Stewarts and not sure how to use them ?moreless

    The series has really given up now the Cole and Dana relationship is the most interesting subplot because you can't wait to see how more stupid it gets. The Rod Stewart subpolt is going nowhere where is the threat and the action none, the terroists need to put a ad on the terroist website bomber needed ASAP and you just know that jack will try foil the attack if not him then the new kid on block has to do it.

    Last season was brillant yes it was a bit far fetched but plausiable but this season makes the season with jack family seem like a classic , I watch one more hour to see if it gets better but if not I can't take any more !moreless
  • Season 8 at its worst!

    I have to say that if the show got so good last hour, this present episode has just dissappointed me too much.

    The plot that involves Dana and Cole is so predictable and without any tension or interest.

    The same with Farhad, very poor the scene and the tension when his people change his plans...

    The same thing ocurres in the general plot of the episode wich is so boring and without quality.

    I was thinking to put this episode down, because this one is really dissappointing and so quietly and predictable.

    It´s pure transitional, but in the worst way.

    But the episode manages to survive just in the edge thanking the plot of Renee´s interrogation.

    It´s the only interesting thing that makes that this episode get a 5 and it´s the best of the this hour.moreless
  • As this episode proved, all that was necessary for season eight was a little more character development.

    And there goes another one. Short-lived performances are no stranger to a show such as 24, somewhat adding to its well-known value of unpredictability. Often, a character is only given but a few episodes to establish himself before he is pinned down. Josef Bazhaev was obviously next on the list.

    We left him last episode as he was on his way to deliver the rods to Farhad, attempting to seek some degree of redemption against his father for the murder Oleg. It was obvious from the start that Josef was apprehensive about things, unsure if his actions would truly set things right, and second thoughts were even further conveyed in his conversation with Jack and Sergei. The fleeting eye movements and nervous expressions were totally believable, and much credit should go to David Anders for his brief yet wholly enjoyable role. In an effort to strike a deal with the Josef, they offer him as well full immunity; a chance to undo his poorly considered work. And, just as he agrees to the offer, he is shot from across the street by Farhad and another man named Samir. Naturally, Chloe had been tapping the line the whole time in an effort to track the location of the rods. No dice, as it is hastily ground into the asphalt by Samir.

    Now, I think it's time to take a brief intermission in the review before we get into the rest of the episode, because I have something important to comment on. No, I'm not the first to notice the idiosyncrasy but I'm seven reviews in and I haven't commented on this annoyance once. Brian Hastings… your posture is awful! How are you supposed to support anyone at CTU when you can't even support yourself? Ah, that's right; you're unable to do neither! Yes, Brian's lack of loyalty is explored even further in hour nine. Rob Weiss at the White House gives Hastings a call, and, in a surprisingly intimidating tone, manipulates Hastings into permitting a female interrogator from the Department of Justice to drill Renee, hopefully finding a way to make her take full responsibility of the death of Vladimir. Apparently he was the White House's only lead. In reality, if the interrogation is successful, Renee would be taking the blame for CTU's failed mission. And Hastings agrees to let it happen.

    Five minutes later (At 20 past midnight! They couldn't have sent her in the morning!?! And, in addition, the crisis is still ongoing! Wouldn't it have made more sense to see if things can wrap up cleanly by the end of the day, denying the need for ANY process? Such logic boggles the mind), she shows up, makes her way to medical and begins the attack. She's been prepped, and she's determined to get the job done. Surprisingly, this scene was one of my favorites of the entire episode. The questions, while basic, were delivered well and gave things a sinister undertone. As time pressed on, I felt the tension between the two rise, and, as the look on Renee's face changed as Kristin kept talking, I too stared on, truly engaged. At one point, I even considered the possibility of Renee killing or injuring the woman who sat across the table from her. It may have very well been an interesting turn of events. But, the scene still concluded in a satisfying way, with Jack bursting through the door, throwing the interrogator against the wall and placing her into a chokehold. And it was at this point where Jack's true feelings for Renee began to show.

    Later on in the episode, the point is brought up once more as Jack, turned away from CTU by Hastings because of his behavior, is given the opportunity to return. But he does so under only one condition: that Renee is freed from any further prosecutions. Hastings soon agrees, though only after Jack promises to remain at CTU for the duration of the day's events, demonstrating Hasting's competence for once. Perhaps Brian character will earn some greater backbone in future episodes? Hmmm… maybe that stoop has a deeper meaning? But that's not what is significant here. No, it's Jack's consistent emphasis on Renee. In essence, much of hour nine served to further show a developing connection between the two, and develop something of an inner-conflict for Jack and the audience. Is Jack struggling for his country, or instead Renee? Where, truly, is his heart in all of this? Only time will tell.

    I've been looking forward to this paragraph all-season, and it is with great pleasure that I write it. Dana's side-story looks to be coming to an end. Yes, my friends, Dumb and Dumber are dead, and really, no one is upset at that. Dana, finally showing some degree of resourcefulness, tracks the two down, silenced pistol in hand. She walks closer and closer to the van where her ex and his friend are inside, certainly enjoying themselves with the two women they picked up at a grimy strip-club last episode. And what do you know? Cole shows up in the nick of time, 'following up on a lead' (completely leaving the rest of his team when his country is in danger) and gives his fiancée a talkin'-to. It is within a conveniently-placed commercial break where Dana, at last, reveals who true identity. So, after hearing her story, what does Cole do? Makes his way for the van himself, tells the two to leave the state with the $120,000 and never return. In which event he will have to kill them both. The group reluctantly agrees, and, as far as Cole and Dana are concerned, the problem is solved. Not so. The slower of two idiots stabs Kevin, grabs a revolver from the trunk and makes a move on Cole, who, after being alerted by the injured Kevin, spins around and takes a shot at the oncoming assailant, killing him instantly. Dana rushes over to Kevin, almost helpless as he dies sprawled out on the ground. The scene, while predictably bland, wrapped up a hugely disappointing side-plot, and, save for a possible clean up scene next episode, I'm hoping that we can quickly forget this atrocious misstep in the season.

    And that's that. A pretty fulfilling episode, all things considered, that opens things up quite nicely for a cleaner continuation. Admittedly, the season found itself faltering quite frequently in the past few episodes, but, as this entry proved, a little more character development was all that was necessary. So, now that things are almost into play, maybe we can finally get things really into motion next time. Fingers crossed.moreless
  • Welcome to the wonderful, wacky world of 24 where high-ranking government operatives are able to bunk off work in order to smite their illicit ex-lovers, with whom they committed criminal acts that were conveniently glossed over in their job applications.moreless

    Welcome to the wonderful, wacky world of 24 where high-ranking government officials in highly important and risk-heavy jobs are able to bunk off work in order to smite their illicit ex-lovers, with whom they committed criminal acts that were conveniently glossed over in their job applications. Where the current lovers of said individuals, who work within the same department and arguably have even more important jobs, can abandon their posts under the flimsy excuse of 'following a lead' in order to track down their partner and engage them in an emotional showdown, forgetting all about the pesky little matter of a nation-wide terrorist threat. Where supposedly competent staff writers and experienced executive producers actually seem to believe that this sort of pointless, unbelievable and excrutatingly abysmal storyline is the stuff of good drama; so much so, in fact, that they devote an entire final act, arguably the most important segment of the episode (if you want to maintain your viewing audience, at any rate), to its resolution. It's really hard to believe after eight years and 177 hours, but what do you know, Alex Gansa, Chip Johnnassen and Patrick Harbinson all seem to believe that this is what we need; that we're all just dying to see how Kevin, Dana and Cole are going to get out of this week's crazy scrape. Well frankly, they're stark raving bonkers. There isn't a single shred of enjoyment to be derived from even a milisecond of this hopeless narrative; its continued presence merely amplifies an already substantial level of irritation, distracting the viewer from the central plot and sending the momentum screeching to an almighty, indignant halt. The only saving grace at close of play here is that both Kevin and his ridiculously incompetent and patently unrealistic cohort (oh yes, I know what to do now that we've been rumbled... stab my mate in cold blood and attempt to shoot the highly skilled, bad a*s CTU agent(s) while drunk and most probably high! Makes perfect sense, no?) are dead as doornails, but sadly, it doesn't seem likely that this signals the end of the story. We have the small matter of Cole's repugnance to pay-off; he certainly isn't happy with Jenny's behaviour (and nor should he be) and given the prominence that this intrapersonal aspect has already been granted, it seems almost a given that this will be explored further in the coming weeks. We'll probably see some tired, woeful arc in which he calls off the wedding, decides never to speak to her again (except when forced to work with her, natch), this will come back to bite them both in the a*s when it begins affecting their job performance and Hunchback Hastings notices, someone will discover the bodies, despite Cole and Dana burying/dumping them somewhere, and through the Miracle Technology(TM) available in 24 world, will connect them to the CTU agents, and then they'll be forced to face the possibility of one or both winding up behind bars. Which will probably bring them back together again. Or something. Whatever happens, there is no trajectory that would be even remotely rewarding, other than to completely brush the story aside and enable them to concentrate on the terrorist threat... which, you know, isn't exactly outside the realms of possibility given that all of this occurs within a single day. The likelihood of this occurring, unfortunately, is about as great as Queen Elizabeth showing up at my door tomorrow morning with a selection of sex aids; no, this is going to drag on and on, filling in more time while the actual suspenseful elements of the plot take a back seat. Hell, now that the evil Iranians (sorry, Kamistanis) have decided to change tactics and denotate Rod Stewart on American soil, they need a few hours to acquire all the necessary materials... so we'll need to fill the episodes out with more extraneous incident! Hooray! As a result of this, you can bet your bottom dollar that we're going to see more of the depressingly familiar bueracracy storyline as Hastings will be forced to answer for the fact that he's made a duplicituous deal to get Renee off the hook. Yes, one-dimensional cardboard politician Rob Weiss will bear down on the one-dimensional cardboard head of CTU in the least exciting clash of wills in television history. Honestly, a single plank of wood could probably out-act both of these two; how awful is their telephone conversation? Weiss is just far too obvious, outlining the fact that his plan is duplicitous without so much as the tiniest of reservations, and uttering woefully cringeworthy lines like "you're my guy!" in the least organic manner possible. Honestly, who talks like that?! The less seen of these two the better really but it doesn't look like the story is going to go away any time soon. And while Annie Wersching continues to put in a stellar performance as the emotionally broken and battered Renee (how good is she while being interrogated and also in her gentle moment with Jack?), the idea of 'sending someone over from Justice' - in five minutes, natch! - to get in the way of necessary plot progression naturally does nothing other than infuriate the viewer. We don't want to see the individuals who are so obviously the key protagonists, the story's heroes, thrown obstacle after obstacle and forced to jump through a series of well-worn, tiresome hoops. Why does anyone have to 'take the blame' for the failure to retrieve the rods after all of two hours anyway? How about we just chalk it up to a poor set of circumstances? Being out of everyone's control? There's still plenty time to acquire them yet... nothing's bleeding well happened! But no, we need to inject some forced, grafted-on drama into proceedings in order to beef up the narrative. Oh, and to fulfil the perceived need for emotional gravitas since it allows Jack to swoop in and save his damsel in distress, demonstrating just how attached and devoted he is to the woman despite having only ever spent time with her for less than two days. Still, he attempts to choke the buerecrat, which we'd all like to do to be honest, and goes bats**t crazy on the poor, unsuspecting security guard for the first time in nine episodes. Look, he's so honourably bad a*s! He'll do anything for his woman! It's something of a groan-enducer this, although arguably worth it for the brilliant "son, you're gonna get hurt" and the subsequent tasering that Bauer's subjected to, knocking him down a peg. Nice. When '12am - 1am' gets round to the business of dealing with the actual plot, things improve somewhat. There are a number of pleasingly unexpected twists peppered throughout the hour that lift the quality of the storyline: poor David Anders's summary execution comes out of left field, especially given that he seemed to be ready to step up to the plate at the end of the last hour and that he's one of the finest actors currently working on the show. Still, what he does get here is rather enjoyable: having Bauer and Sergei be upfront with Josef is a nice angle and leads to some enjoyably realistic exchanges between father and son. It's also completely logical for the kid to decide to let CTU bring him in, rather than espouse some worthless cause... just as Farhad unexpectedly does later in the episode. I gotta say, I didn't see this one coming at all. Kudos to the production crew for framing the plot in such a way as to cause the viewer to infer that the Evil Generic Kamistanis are going to do away with Farhad (the look between the leader and the guy that walks him off is conventionally telling), and then taking completely the opposite route. Again, the guy's reluctance to be involved in a patently terrorist act is completely in line with his character and adds a greater level of complexity, and tension, to events. It's refreshing to see bad guys who aren't simply indicative of the traditional 'we hate America!' paradigm, although this does seem to be where the story's headed in future episodes. It's worth noting too that the music and cinematography are excellent throughout these sequences, particularly as the Rod Stewarts are being unloaded. Unfortunately, a number of frustrating niggles remain, although they aren't anywhere near as objectionable as certain other aspects of the narrative. The ease with which Farhad is able to contact CTU seems a bit ludicrous, given that they're supposed to be a fortified, top secret (well, ish) organisation; what, does he just have Chloe's direct line on speed dial? Then there's the ease with which CTU are able to acquire a 'voice match' for Farhad... it takes ten seconds, for God's sake! Why must all technology be ludicrously advanced on this show? Why must the solutions be this easy? And why must villains be so stupid as to answer their private mobile telephones, on which they are doing duplicitous business, with the name of their benefactors when they don't even know who it is that's calling? Josef assumes Farhad is the guy ringing him at the opening of the episode and answers, 'Farhad, you're late', only to find his dad on the other end! Surely, if there was no name, a simple 'hello' would suffice? Ack! Still, at least these are gripes rather than grievances, small problems rather than huge gaffes. For the most part, the progression of the central plot point, the presence of nuclear rods on US soil, is solid and engaging, containing a number of surprising twists that keep us all hooked and on the edge of our seats. It's a pity, then, that everything else pretty much makes us get out of them and stick the kettle on. There's simply far too much extraneous incident in '12am - 1am' for the episode to prove rewarding; the script spends a great deal of its time p*****g around with utterly redundant storylines that do nothing of any consequence and go absolutely nowhere of any interest. The involvement of a buerecrat from the White House is the sort of worn out trope that should've been consigned to the scrapheap six seasons ago, serving to do nothing other than irritate. Worse still is the Kevin/Dana/Cole garbage which, frankly, nobody gives a flying frack about because a) we haven't spent enough time with the characters for it to have any impact and b) it slows the momentum down to a snail's pace, failing to generate any suspense whatsoever by virtue of its appalling execution and scripting. As Kevin goes all Forrest Gump and cries "JENNNYYYYYYY!!" in his final moments, it's hard not to laugh at how patently ludicrous this whole sorry scenario is. And don't fool yourself into thinking it's over now that the bad guys are dead; this is going to linger and linger, like that rash you never got treated years ago, sucking the life and soul out of the show until someone catches a clue and shoots all parties involved. But hell, at least no cougars showed up out of those woods, eh?moreless
Merle Dandridge

Merle Dandridge

Kristen Smith

Guest Star

Ethan Rains

Ethan Rains


Guest Star

Rami Malek

Rami Malek

Marcos Al-Zacar

Guest Star

Clayne Crawford

Clayne Crawford

Kevin Wade

Recurring Role

Jürgen Prochnow

Jürgen Prochnow

Sergei Bazhaev

Recurring Role

Akbar Kurtha

Akbar Kurtha

Farhad Hassan

Recurring Role

Trivia, Notes, Quotes and Allusions