The Good and the Bad
9.5
As a whole, this episode had excellent production value. It was skillfully shot and edited together to immerse the audience into several, seemingly disparate story lines that converged towards the end of the episode. The acting was brilliant in this episode as well, particularly with regard to Judy's hallucination segment.
The primary element that other reviewers (myself included) seem to be disappointed with is the direction the story took. It was also difficult to follow the progression of time in this episode. However, there are logistical reasons that shed light onto why many of the events in this episode occurred. As a result of this, I didn't feel right giving the episode a lower score. The production and acting was so fantastic, it would have been unfair of me to do. Sure, the plot got all kinds of freaky isn't this the American Horror Story we have come to know and love? I feel as if I tune into this show because of the many surprises that make you say to yourself, "They did not go there!" Well news to everyone, yes they did! The plot developments may be difficult to accept and even understand, but they are not unreasonable. Let's delve into each section of this episode one-by-one...
(1) Alma, Grace, and Kit
The inclusion of a semi-polygamous relationship was a very odd, but unique idea. Kit was torn in the very beginning of the season by his situation (being pinned as Bloody Face and thrown into Briarcliff) but it was clear that he had been very much in love with his wife, Alma. When Kit and Grace developed a close relationship together, the audience was taken for a ride where they likely excluded Alma from the picture and kept Grace at the forefront. But Kit is not a member of the audience, he likely had unresolved feelings and couldn't just forget Alma! With her back in the picture, living in the same home, it made sense that Kit was gravitating more towards her. Yet, he was still torn inside to an extent and that is why the polygamous aspect made sense here.
Grace's end was almost poetic, and very fitting considering the nature the crime that had her committed to Briarcliff in the first place. She murdered her family with an ax, and so she was murdered with an ax. Even considering this, I was genuinely disappointed that she was murdered by Alma. Alma, what were you thinking? Remember, you have two kids in the house, one of which happens to be Grace's child. Bad example!
(2) Judy
Now this was a piece of work in terms of writing, production, and acting. While I understand the sentiments of previous reviewers that a lot of what happened didn't seem to make sense, the point of this entire segment was to put you, the audience, into Judy's mind state. As a psychologist, I think this worked extremely well. While we all don't trust the Monsignor, he duped us and Judy into having the smallest sense that maybe he did care about her a little bit. After all, he could have just left and said nothing. With this in the back of our minds (because obviously we don't trust him enough to see this is credible), the scene was set for a magnificent hallucination sequence. I paused my DVR when I saw Frances Conroy as an inmate. I just didn't get it at was she there? But I knew all too quick that something was obviously up here. Recall the episode titled, "The Name Game," when Judy had a mega hallucination and there should be no surprise that her descent into madness might produce more hallucinations. After all, she was also locked up in solitary confinement. That does not help the mind one bit. It seemed that Judy was disillusioned and detached from reality almost entirely. I got that sense as a viewer. It all lead up to a climactic scene in Dr. Crump's office (the old office of Sister Jude) where the elements of Jessica Lange's acting and the show's production drew me in and made me feel like I was going crazy in the room with her. We fast forwarded several years? Pepper is dead? The Monsignor (excuse me, Cardinal) never came back? It was as if you were watching the misery, confusion, and anguish swim in Judy's head. I really felt for her here, but kudos to Jessica is definitely winning awards this year.
(3) Lana
Lana banana is no longer shaping up to be the heroine she seemed to be all season. While I did not like her lying in her book and abandoning her friends, I think that the show is hitting a very important point here. Lana no longer has anything after leaving Briarcliff. Her lover was dead, she had given up on Judy, and she had birthed a child she never wanted. She was essentially as alone as could be. So she filled that hole with money fueled by the truth mixed with embellishment in the form of lies and stretching of the truth. It is a classic media move and it fits her personality profile after all that she has gone through, and what she is left with. So shame on Lana for transforming into a megabitch in this episode. But credit to the writers for picking up this story arc, it makes all the sense in the world.