Angel

When Wolfram & Hart are reviewing the tape of Lorne passing the note to Angel, the magnified view is not quite the same shot as the view they paused on initially. Also in that shot, Linwood says to "magnify 100 times". In reality, the first magnification is about 6.25 times (i.e., 2.5 times in each direction). When he says "again", the magnification is about 16 times...or about 100 times between the two. Had it actually been 100 times in both cases, we would have seen only a small portion of the note filling the entire screen.

While Angel is spouting off the plan for him to run off with the baby, the blanket is covering the baby's face. This might be because the baby is in fact the teddy bear and the real baby is elsewhere. It is generally a bad idea to smother one's child with his own blanket.

Lilah Morgan's Wolfram & Hart clearance number is 0112773, which is also her elevator access code (as seen in other episodes).

Just before Angel tells Wesley to stall when he's fleeing with the bomb, the camera angle switches to a closer shot, and the bomb switches from arm to arm.

Why does Angel talk to the fake "baby" in the car while leading everyone away from the hotel and the real child? I can understand that it works for the dramatic tension and making the audience think that the baby is really in danger, but within the actual Whedon-verse it makes no sense. Unless Angel assumes his car has been bugged too, but there's no indication that he thinks that or that Wolfram & Hart ever went near his car. What's the deal with that?

When Angel is driving his car being chased by all the monsters, for a short clip the car's roof is gone.

The tape of Lorne handing Angel the note and the real Lorne giving Angel the note don't match up. Lorne gives Angel the note earlier in the tape than he actually does.

In some wide shots of the Hyperion, the signs indicating the real name of the site, Los Altos Hotel and Apts, are clearly visible. The signs also switch from being lit to unlit.

The hospital seem curiously unconcerned about a battered, bruised group of people coming in with a child, saying the mother is gone, and having the father race in at the last minute to claim the child without displaying any kind of I.D.

The fake baby stand-in is noticeably smaller and stiffer than the real baby in the other shots.

Angel climbs out of a square sewer access tunnel that has a round manhole cover.