Season 1 Episode 3

In the Dark

Aired Wednesday 9:00 PM Oct 19, 1999 on The WB
out of 10
User Rating
538 votes

By Users

Episode Summary

Oz visits L.A. with a present for Angel from Buffy. It’s the Gem of Amarra, a ring which has been a vampire myth for millennia. While wearing it, a vampire is immune to crosses, stakes, and can even walk in daylight. It isn’t long before Spike arrives in town, searching for the ring. And he has no plans of leaving until he gets it.moreless

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  • In the Dark

    "In the Dark," one of several cross-over episodes with parent show Buffy the Vampire Slayer is the first in a series of episodes that carry significant elements and characters from one show to another with the central purpose of helping the new and emerging spin-off show get on its feet. I guess we know we're in Whedonland when it's just this good.

    Picking up where BtVS, "The Harsh Light of Day" left off, this episode of AtS follows Spike and Oz as they depart Sunnydale for . Oz has come to the city for a gig with his band, but stops by the offices of Angel Investigations with a special package from Buffy: the Ring of Amarra. A ring that constitutes the Holy Grail for vampires which, when worn by one, renders them invincible against stakes, crosses, holy water and even sunlight. Spike, the greedy and mindless entropy fan he is, has followed Oz, having unearthed the ring in a plot to kill Buffy not days earlier in the fictional universe's time line. This is the set-up.

    It's just a testament to the show's writers that these two worlds mesh so well; only two episodes in up to this point, and AtS already has a distinctly different tone, yet nothing feels out of place. Maybe it's just that writer Douglas Petrie really does write Spike better than the rest. Some rock solid proof appears right away in the teaser scene before the credits, where Spike gut-bustingly mocks Angel as he watches his former ally save a young girl in an alley.

    There's a subtle layer beneath Spike's self-appreciated jibes too, as he is ever more intuitive than anyone around him guesses throughout his entire time in the Whedonverse. Even back in S2 of Buffy, his practicality and common sense stuck out and made him more than just the blind-fighting killer he appeared to be, and during his time with the Scoobies he could see their tight bonds falling apart while no one else could. In S5 of Angel, he's the only one, and right from the start, who doesn't delude himself with the company line about how Wolfram and Hart was changing because of Angel's new regime. He truthfully observed: "a place like this doesn't change, it changes

    Here, his snarky comments about Angel scratch a delicate surface, and the sarcasm of the "fluffy puppy" line nails it: Angel is who he is, soul or not, and a large part of this season has him dealing with that and how it ties in to his history with Buffy. In fact, how he deals is a big part of this episode, along with the main theme of the entire series: Redemption. More specifically here: earning it.

    The B plot involving the aforementioned girl named Rachel whom Angel saved in the alley doesn't do a whole lot, but serves as a fair parallel for the A plot. It also continues to lay a solid foundation for Angel's true mission of saving souls. When her abusive boyfriend has been released from jail, Rachel calls Angel in desperation, pleading to him to save her from herself; she always goes back to this man like an addict. Angel gives her his console, and tells her she can choose to go with another quick fix and wait and bleed through the consequences again, or take the longer, more painful road that ultimately has a better place for her at the end. This is just a shadow of what's to come as Angel is soon to face the same choice.

    Oz shows up in . with the ring, and I'd like to point out how much I love this little guy and how wonderful he is no matter how little he talks; we always get what he's about and his brief exchanges with the team are enjoyable. Shame there isn't more of him. After a brief confrontation, Angel tracks down Spike and is subsequently captured, and it is here that the real meat of the episode kicks in.

    Spike has hired a vampire who specializes in torture to get the location of the ring out of Angel, smugly explaining that this man, Marcus, invented some of the torture Despite the painful nature of it, the torture isn't all that gruesome, but pain seems to get the job done. Angel resists as boldly as he can all the while Marcus repeatedly asks him, 'what do you want, Angel?' trying to crack him by exposing deepest desires. The self-important, philosophical psychotic has been done to death so I was put off by this concept at first, but some good acting from all three 'vampires' and the strength of the writing made me enjoy the sequence as a whole.

    In stark contrast to later seasons of Buffy the Vampire Slayer, Spike really does feel threatening throughout this episode too. I felt genuine concern for Doyle and Cordelia's safety when he confronted them in the office. And, as is his style, his determination for a goal is tough to break; we watch him egg Marcus on, periodically becoming delighted, bored and angry by the length and method of the torture and Angel's lack of response. But, is it really lacking? Even a vampire can only take so much and when Angel gives in to Marcus it's like a beautiful release; both chilling and pure. He tells his captor that he wants forgiveness, and Marcus is pleased with this truth. He knows that Angel often takes the high road too, and that he wishes to earn his redemption. This is where the Ring of Amarra ties in.

    For Angel, it represents the same choice Rachel had to make: The quick fix versus the righteous path. Invulnerability and an enhanced bonus on top of his immortality would make Angel feel akin to a God, and this type of power easily corrupts. More importantly, as Marcus said, Angel feels he has to earn his 'freedom' from his past and it's through the pain he suffers that he realizes the cost of this, and learns to face it. And when Angel faces Marcus, then stepping into the sunlight with the ring on his hand, he takes a long look and truly sees what he's giving up, and still does it.

    I really liked seeing him watch one last sunset before destroying the ring and thematically, it was moving. But, it does bother me a little. Now, from a storytelling standpoint it makes sense; you can't have an invincible hero because it would become impossibly boring, but much the same way Buffy stored the Troll God's hammer from an earlier episode for use against Glory in BtVS "The Gift" Angel could've stored this very powerful weapon away for the one most crucial moment. Just a necessity of the writing, I guess, however disappointing. Although, I have seen it pointed out that having such an item could bring Angel too close to true happiness, and the thought of Angelus with the Ring of Amarra is downright terrifying.

    One last item of note is that Doyle and Cordelia get something important to do at last. They start to bond while hiding out at Doyle's place, and show their true colours in a crisis. Spike uses Angel's life as a bartering chip to scare them in to handing over the ring, but right away they know it's not an option. This seems a small thing, but it's important, as it starts to define the difference between Angel Investigations and the Scooby Gang.

    From a metaphorical standpoint, they're more grown up; S1 of Angel focuses on the metaphor of life in one's early twenties, while Buffy S4 is about the college life. The only winning option for them is to cheat Spike out of the ring while rescuing Angel, as opposed to say, what Buffy and Co. did for Willow in BtVS "Choices" handing over the Box of Gavrock to the Mayor without a second thought when Willow's life was at stake. They're willing to give up even Angel to do what's right; another high road.

    In the end, this is a really good episode that suffers from only a few minor nitpick items. Marcus himself was a good treat, making for an interesting play on the 'quiet psycho' archetype. And the exceptional blend of action, character development and thematic relevance, as well as the very entertaining presence of Spike make it memorable and fun; his mockery of Angel is one of the funniest moments in the Whedonverse.moreless
  • In the dark


    The Good;

    Spike mocking Angel is excellent, lovely to see Oz and a great rescue and final battle at the pier. Nice end coda too. The Cordy/Oz/Angel scenes are hysterical, as Willow observes both she and Buffy know the love of 2 taciturn men.

    The Bad;

    Very little, strong ep. Boy Spike is dumb but funnily so. Everyone at the pier seems to take the 2 guys jumping off the end on fire very calmly.

    Best line:

    Doyle (to Angel); Long time between sunsets huh?

    Jeez, how did they get away with that?

    Well, Angel get's tortured to nearly death for the majority of the episode. Spike also hints that Marcus has an interest in the kids beyond just eating them. Reputedly this is the ep that got the Angel season 1 dvd boxset an 18 rating in the UK. I don't disagree but what makes this worse than 'Hellbound' which only got a 15 rating?

    Apocalypses: 4

    Angel Cliches

    Damsel in distress; yep, that makes 2

    Inverting the Hollywood cliche; rather than play the unbreakable tough guy Angel admits that with a little more torture he'd have told Marcus everything. Cordy notes the Gem isn't in the freezer or toilet tank as it would be in the movies.

    In disguise; no

    DB get's his shirt off; no but we get some torso action, Marcus commenting he has 'little external damage'.

    Fang Gang in bondage: yep, Angel for virtually the whole ep

    Cordy: 5

    Angel: 5

    Wes: 1

    Fang gang knocked out:

    Cordy: 6

    Angel: 6

    Wes: 1


    Cordy: none this ep. 3 vamps, a demon from her time in Sunnydale

    Angel: Another vamp for Angel. So that gives Angel 8 vamps, 2 demons, 1 human.

    Fang Gang go evil:

    Cordy: 1

    Angel: 1

    Alternate Fang Gang:

    Cordy: 1

    Angel: 3

    Characters killed: only Marcus


    Total number of Angel Investigations:

    3, Angel, Doyle and Cordy

    Angel Investigations shot: no

    Angel: 4,

    Notches on Fang Gang bedpost:

    Cordy: 1?

    Angel: 1;Buffy

    Kinky dinky:

    Spike refers to Buffy as 'slutty the vampire slayer' and teases Angel over Buffy's affair with Parker.

    Captain Subtext;

    Spike's speech on Angel is full of ***phobia. He also asks if Angel and Marcus would like to be alone when running his hands over Angel's naked torso. Spike comments that Buffy is 'cute when she's hurting', you wonder did he always have a thing for her? Such a shame we never get to meet Doyle's wonderfully named friend 'Frankie Tripod'.

    Buffy characters appearing in Angel; (unless someone can correct me no original Angel character ever appears on Buffy?)

    4; Angel, Cordy, Oz, Spike

    Questions and observations;

    Why does Angel grab his neck when Marcus puts the chain around it? Surely he doesn't breathe? Marcus wears glasses which presumably like Dalton in Buffy are for sentimental reasons. Doyle has read Angela's Ashes and it reduces him to tears (the novel focuses on the shiftless father so it may appeal to Doyle who never knew his). Angel once again beats his way to what he wants, without Buffy's influence he tends to be a lot more brutal. It's a great performance from Kevin West who is a very familar face on TV (although I thought he was in Scrubs and Ally McBeal but he isn't, that's Robert Clendenin another actor with a similar look). Marcus wears a Bond style Nehru jacket. Angel knows Doyle's mother. This is Angel investigations first walk-in client and her problem for once is just a very human jerk ex-boyfriend rather than anything supernatural. Ok so the ring makes vamps unkillable, even if you cut their heads' off?

    Marks out of 5; 3/5

  • A Ring of Endless Anti-Sunlight

    The second part of a storyline started in the Buffy episode The Harsh Light of Day, In the Dark begins with Spike crashing into LA searching for the mystical Gem of Amarra, a ring which renders the vampire wearer invincible and able to walk in sunlight. Spike previously got hold of the ring but Buffy managed to retrieve it, asking Oz, who was heading to LA for a gig, to give it to Angel.

    As with the two episodes before it, In the Dark is another mix of comedy and gruesome horror. The opening scene, in which Spike narrates what Angel and his latest damsel in distress Rachel are saying is absolutely hilarious. His various quips, "off to the Angelmobile, away!" "I'm almost out of that nancy-boy hair gel I love so much" are so funny.

    Oz and Spike fit into the LA setting well and it only takes another 4 years for the latter to become a regular.

    Marcus is also a very creepy villain. A silent torturer with a thing for children, he eventually gets hold of the Gem and goes to a beach, planning to prey on little kids.

    There are also some hilarious scenes where Oz tells Angel how pale he is when he's in the sunlight and one where Spike's hair accidentally catches on fire.

    All the cast give brilliant performances and the final scene, in which Angel smashes the Gem, is heartbreaking. A stand-out episode and a real Angel classic.

    Director: Bruce Seth Green

    Writer: Douglas Petrie

    Rating: B+moreless
  • Hullo, Spoike. :)

    Episodes like this intrigue me.

    They make me ask questions like "How much did who know and when?"

    In the entire course of the episode, no one introduced Doyle to Spike as "Doyle."

    Fast forward to S5, when Lindsey is presenting himself to Spike as a connection to the PTB, he calls himself "Doyle" and of course Spike has no reference on the name.

    Is it even possible that in the third episode of "Angel," Joss actually had S5 storylines in mind?

    Or was Spike never catching Doyle's name just a strange coincidence?

    These are questions one asks oneself in a review of a mighty fine episode.

    I'd not remembered this one being this good. I enjoyed, as did everyone, Spike's rooftop color commentary on Angel and Rachel. And with everything going on in this episode, it's amazing they had the time they did to follow up with her, to talk about her addiction to the abusive relationship.

    "Addiction. Everyone's got one," Spike said to Angel as part of a strangely introspective episode, which raised the very good question: "You're a detective?" I loved that exchange. "What's next? Vampire cowboy? Vampire dentist? Vampire ballerina?"

    Which was blocked very badly because Angel saying he liked working with his legs too broadly telegraphed his next move in the fight. But beyond that one crappy lapse, most of the fight scenes were pretty intense. Certainly the torture scene was. And how contextually Angel was played on his way into that trap -- the "slip of the tongue" by one of Doyle's contacts, and then from there.

    I know Spike is the only one who knows where they've got Angel. But that needed to be said out loud once. There were too many good opportunities for someone to stake Spike and no one did.

    I hate that I got all the way to this paragraph before mentioning Oz, but thus has it shaken out. I loved Oz in this eppy. I think if they'd sent the ring with just about anyone else, Cordy and [whoever else] would have more to say to each other. But that was a good awkward point of illustration saying "Hey -- living some independent lives here on independent shows."

    That and Oz got to burst in and save the day. And then Angel, still in daylight, still recovering from soul-searing torture, saves the children from Marcus.

    Spike was very well written in this episode. His writing was much better than his makeup, which reminded me of the Insane Clown Posse. But y'know what? Damn' decent performance all the same. His itchiness with Marcus and his break-in at Angel's were some very cool scenes.

    No bothersome visions to overanalyze -- Rachel was a walk-in -- and Doyle's suggestion that they're not always going to be paid for the help they provide is an interesting point. But it's cool that they've tracked down enough of a small business loan for Cordy to have a computer on her desk and a printer. Go Cordy -- get that office set up with yo' bad self.

    I wish Angel hadn't smashed the ring. There's situations where it would've come in handy. But then, when your main character is entirely invulnerable, that can get boring to write and really boring to watch. All the same, which his rationalization was reasonably good storywise, I'm afraid the fact remains that Angel had a powerful weapon in his arsenal and he destroyed it.

    But then, that went in the direction of who he was, who he was going to be. He wasn't going to be Superman. He was going to earn his redemption the hard way. And part of that "forgiveness" he said he wanted, part of that redemption, was living the guilt and pain and experiencing the limitations of vampire existence as well as the benefits. Like I said -- nice bit of introspection.

    All in all, for all of my kvetching, I truly enjoyed this episode. Lots going on, good writing, nice ties to Sunnydale and good to see Spike and Oz on the soundstage.

    Well done, everyone. :)moreless
  • 'I don't know about you, but I had a nice day. You know, except for the bulk of it, where I was nearly tortured to death. '

    ‘In The Dark’ continues the gem storyline that began in ‘The Harsh Light Of Day’, the episode is certainly not as good as the past two but is still better than the Buffy version.

    The intro was extremely fun to watch, a girl named Rachel is being chased by her abusive boyfriend but saved by Angel. While he and Rachel talk, Spike is watching them and imitates to be them. ‘Up, to the Angel mobile. Away!’

    Meanwhile Oz comes to visit LA. If Spike were smart, he’d attack Oz but he really isn’t. Anyway, Oz sees Cordy again and it’s so fun to see them together. He also meets Doyle and they make such a good team, too bad Oz never joined the cast because they would have been so much fun. But anyway, Oz gives Angel the ring but Angel reacts a bit strange. He stays alone behind and hides the ring in the sewers.

    After Angel gets a call from Rachel, he decides to save her but then gets a visit from his buddy Spike. They fight along and Spike meets Angel’s followers. But then Spike leaves after he realise he doesn’t stand a chance, while Angel goes to talk to Rachel, Doyle Takes Cordy over to his place. He asks Cordy if Spike is really someone to sweat over and she says that he really is.

    While Angel goes to clubs to find Spike, when he finally does someone captures Angel from behind. His name is Marcus, a torturer who loves children. He plays some bloody Mozart and bores Angel to death while he’s not poking him with hot pokers.

    Spike is tired of it and goes to find his ring, there he sees Doyle and Cordy. He tells them to give him the ring or he will kill Angel, they find it because of Doyle turning into the demon and Cordy says she could hug him, but he’s not lucky enough to be hugged.

    But what we learn about Angel and why he wants it the hard way, is that he really wants to atone for his crimes in the past, he wants forgiveness but not the hard way. Then he tries to kill Marcus and promises it but Spike comes along and saves Marcus, then they work together and torturing Angel.

    After Doyle and Cordelia go to save Angel, they make Spike fetch the ring and Oz comes in his van to save Angel, they escape but when spike goes to find his ring, it’s gone. Marcus took it to some kids. In the van, Angel tells Oz to turn back because he knows that Marcus likes little children. They go back and Angel jumps out of the car and becomes a vampire torch, he pushes Marcus into the water. They fight and then Angel puts Marcus on a stake, then takes off his ring and Marcus dusts.

    At the end of the day, Doyle and Angel are talking when the sun goes down. Angel says he doesn’t want the ring because he wants to save people at night, when it’s dark. And the ring just seems like it helps but it doesn’t, it’s too easy. Angel then destroys the ring.

    ‘In The Dark’ was a good episode, we learn a lot more about Angel’s feelings and it was a blast to see Oz in L.A. I wasn’t crazy about Spike however, but I did enjoy watching his hair on fire.


Trivia, Notes, Quotes and Allusions


  • TRIVIA (11)

    • Fire accelerant is visible on Angel's back when he runs into the sun and catches on fire.

    • When Oz and everyone is in Angel's apartment, Doyle leaves, then Cordelia turns to leave. As she does, the top of the tattoo on the small of Charisma's back can be seen. Her skirt appears to have been pulled up in an attempt to hide it.

    • When Oz crashes through the wall in his van, the barrels crash into Spike and knock him into the wall. But, when Oz pulls out the crossbows and yells, "Spike!" he's on the other side of the room.

    • Spike's reflection can be seen on Angel's car.

    • The first thing Marcus does to Angel is impale him with a hot poker. This poker is not pulled out until the crew is making a get-away in Oz's van. Yet, when Angel is fighting Marcus beneath the boardwalk, one can clearly see through the hole in the back of his shirt (made by the poker, originally) that there is no wound. Even Angel does not heal that quickly.

    • In the part where Angel is reaching for the piece of wood Spike threw down, when he gets it over to his area he is wearing tie shoes. Then while he tries to stake Marcus, Spike grabs his feet. Just for a moment or two you can see that they are different shoes. They are black zip-up boot shoes with no shoe laces.

    • Take a look at Angel's hands when he hanging in the chains. They are hooked into them with his fingers bent over the cuffs. If Angel were to straighten his fingers he woud be able to slip through the cuffs to get out of them.

    • Time Index 36:03, after Angel puts on the ring and the gang is talking to him - Boom Mic is visible near the top left-hand corner of screen.

    • Time Index 08:54 - The shadow of the boom can be seen on the wall in the top right hand corner of the screen.

    • It's not hard to see that when Marcus supposedly puts the poker into Angel's leg, he's aiming off to the side.

    • Marcus shoves a single red-hot poker into Angel, then the shot shifts to Spike. When it shifts back to Angel a moment later, he has two pokers in him.

  • QUOTES (30)

    • Angel: So, you and I duke it out, huh? This your big strategy for getting the ring back?
      Spike: I had a plan.
      Angel: You? A plan?
      Spike: A good plan. Carefully laid out. But I got bored. All that watching, waiting. My legs started to cramp. I hate to quip. Just tell me where the damn ring is.
      Angel: It wouldn't go with your outfit.

    • Spike: Cordelia, you look smashing. Did you lose weight?
      Cordelia: Yeah! Actually there is this great gym on...(catches on) HEY!

    • Doyle: So what, you don't get the ring because your period of self-flagellation isn't over yet? I mean think of all the daytime people you could help between nine and five.
      Angel: They have help. The whole world is designed for them, so much that they have no idea what goes on around them after dark. They don't see the weak ones lost in the night or the things that prey on them. If I joined them, maybe I'd stop seeing too.
      Doyle: (clearly moved, but at a loss for words) And who'd look out for all the insomniacs?

    • Cordelia: Oh! And this one time, he and Dru raised this demon that burned people alive from the inside. It was this whole weird thing with an arm in a box.

    • Angel: You're at a crossroads right now, I know. It's either go with the easy fix and wait for the consequences, or take the hard road and go with faith.
      Rachel: Oh God… You're not from that freaky church on Sunset, are you?
      Angel: In yourself . That -- that kind of faith.

    • Doyle: You got a real addiction to the brooding part of life, did anyone ever tell ya that?
      Angel: Once or twice.

    • Cordelia: (to Angel) It's daylight, and you're ringless. Unless you're changing the act to human torch, I don't think so!

    • Cordelia: How'd you do that?
      Doyle: Well, you gotta get lucky sometimes.
      Cordelia: I could hug you! (Doyle stretches out to hug her) Not that lucky.

    • Doyle: Where's Angel?
      Spike: Um, tall, brooding guy? Cave Man brow? He's having the living hell tortured out of him.

    • Cordelia: When you're through giving the place the full Johnny Depp-over, I hope you have the cash to pay for all this.
      Spike: Cordelia, love the hair.
      Cordelia: Wish I could say the same to you.

    • Marcus: What do you want, Angel?
      Angel: House in the country. A good pair of running shoes you can also wear out to dinner.

    • Marcus: His skin.
      Spike: Annoying isn't it? Still attached.
      Marcus: Over 200 years of living and so little external damage. What about internal?
      Spike: Do you two need to be alone? Or can we get on with the ouchie part?

    • Angel: Might as well go home, Spike. The Gem of Amarra stays with me.
      Spike: Why? Cuz you're Angel, Vamp Detective now? Ooo. I'm so scared. What's next? Vampire cowboy? Vampire fireman? Oh! Vampire ballerina!
      Angel: I do like to work with my legs.

    • Doyle: You know what'd feel really good right now? One of those mind-numbing, head-cracking visions that I get from time to time. Because that'd really kill me. What, is there some kind of trick to this?
      Cordelia: I think the trick is laying off the ale before you start quoting Angela's Ashes and weeping like a baby man.
      Doyle: Hey, that's a good book.
      Cordelia: So I've heard. But I doubt very much that the main characters are Betty and Barney Rubble, as you so vehemently insisted last night. Also, I don't think Oz appreciated being called My Little Bam Bam all night.

    • Cordelia: Hey, Buffy. How is good old Buffy anyway?
      Oz: She's....
      Cordelia: What? Still the brave little Slayer? Or is she moping around in the dark like... (notices Angel glaring at her) nobody around here.

    • Oz: You guys are, like, detectives?
      Cordelia: No. I'm an actress.
      Doyle: And quite a captivating one at that.
      Cordelia: And between my many gigs, I sometimes choose to help Angel.
      Doyle: He's the detective.
      Oz: Does he have a hat and gun?
      Cordelia: Just fangs.
      Oz: Well, that works.

    • Doyle: All I'm saying is, if you and I ever hope to take that cruise to the Bahamas together, we're going to need a lot more clients with means.
      Cordelia: And an alternate reality in which you're Matthew McConaughey.

    • Oz: (about Angel) He's very pale. Paler than most people.

    • Cordelia: I couldn't get comfortable in here if the floor was lined with mink. How can you live like this?
      Doyle: I didn't until last week. Then I saw what you did with your place and I just had to call my decorator.
      Cordelia: No way. My apartment is nowhere near this yucky. It smells like bong-water in here.

    • Doyle: Manny the Pig said he didn't know anything about a vampire called Spike.
      Angel: So?
      Doyle: Yeah, well that was before I said anything about Spike.
      Angel: I'll start with Manny the Pig then.

    • Cordelia: (on searching for the ring) This isn't a needle in a haystack. This is a needle in Kansas.

    • Spike: To quote a popular Sunnydale phrase, "duh!"

    • (after Angel gets a ring that makes him unkillable)
      Doyle: Why don't you put it on and I'll stake you. It'll be fun!
      Angel: Maybe later.
      Doyle: What, are you out of your mind?
      Angel: I said, maybe later.
      Doyle: Yeah, but...
      Angel: Doyle!

    • Angel: Oz.
      Oz: Angel.
      Angel: Nice surprise.
      Oz: Thanks.
      Angel: Staying long?
      Oz: Few days.
      (long pause)
      Doyle: (to Cordelia) They always like this?
      Oz: No, we're usually laconic.

    • Oz: Hello, LA.
      Cordelia: Oz? Oh my god. Oz. It's so good to see you. Good old Oz. Oz. Oz!
      Doyle: Lets me just take a stab at it, you'd be Oz?
      Oz: Good guess.

    • Cordelia: This is so cool! I mean, here you are in LA and you're the total embodiment of all things Sunnydale.
      Oz: It's a burden, but I manage.
      Cordelia: We have some serious catching up to do. How is everything? How's, how's the Bronze?
      Oz: The same.
      Cordelia: And the gang?
      Oz: They're good.
      Cordelia: Good? Good! Good.
      Oz: Are we done?
      Cordelia: Completely.

    • Spike: It's called addiction, Angel. We all have them. I believe yours is named Slutty the Vampire Slayer. Thank you. Speaking of little Buff...I ran into her recently. Your name didn't come up. Although, she has been awful busy...jumping the bones of the very first lunkhead who came along. Good-looking fellow. Used her shamelessly. She is cute when she's hurting, isn't she?
      Angel: I think she's cuter when she's kicking your ass.

    • Oz: Yeah. Your buddy Spike dug up Sunnydale looking for (the Gem). Got a fistful of Buffy and left it behind.

    • Angel: I don't know about you, but I had a nice day. You know, except for the bulk of it, where I was nearly tortured to death.
      Doyle: Yeah, well, you stood up.
      Angel: Oh, God. I was this close to telling him everything. I mean, one more hot poker and I was giving him the ring, your mom, everything.
      (pause) How is your mom?

    • Spike: (as Rachel) How can I thank you, you mysterious black-clad hunk of a night thing?
      (as Angel) No need, little lady, your tears of gratitude are enough for me. You see, I was once a badass vampire, but love and a pesky curse defanged me. Now I'm just a big, fluffy puppy with bad teeth. No, not the hair! Never the hair!
      (as Rachel) But there must be some way I can show my appreciation?
      (as Angel) No, helping those in need is my job, and working up a load of sexual tension and prancing away like a magnificent poof is truly thanks enough.
      (as Rachel) I understand. I have a nephew who is gay, so...
      (as Angel) Say no more. Evil is still afoot. And I'm almost out of that nancy-boy hair-gel I like so much. Quickly, to the Angel-mobile, away!

  • NOTES (3)

    • The opening scene where Rachel is cowering to Lenny is shown in the opening credits of each episode.

    • Music:
      As Oz is driving into town -- "Smoker's Revenge" by Professor Angel Dust & The PH Force

      While Angel is being tortured -- "Symphony No.41" by Mozart

    • This episode is the second part of the story begun in the Buffy the Vampire Slayer episode "The Harsh Light of Day" (4x03). The two episodes were originally aired back-to-back.


    • Cordelia: It's daylight and you're ringless. Unless you're changing the act to human torch, I don't think so. The Human Torch is one of Marvel Comics' "The Fantastic Four." Johnny Storm, one of four astronauts caught in a cosmic ray storm, returned to Earth to find he had gained the superhuman power to burst into flame and fly with no harm to himself. This character was also referenced by Xander in the Buffy the Vampire Slayer episode "The Witch" (1x03).

    • Spike: Lucy, I'm home.
      This is a famous quote from Desi Arnaz as Ricky Ricardo in the 1951 comedy TV series I Love Lucy, which he would often call to his wife Lucy as he walked into their home.

    • Cordelia: When you are done giving the place the Johnny Depp once-over, I hope you have the cash to pay for all of this.
      Johnny Depp is a photogenic Hollywood enigma renowned for turning down commercial scripts. Depp came to Hollywood with his Florida rock band The Kids, but ended up becoming a teen idol via Fox TV's fluffy teen-detective drama 21 Jump Street. While staying at New York's Mark Hotel in September 1994, he trashed $9,767 worth of furniture and was carted off before TV news cameras to spend a night in jail. Damages were paid for and no charges were brought.

    • Cordelia: But I doubt that the main characters are Betty and Barney Rubble as you so vehemently insisted last night. Also I don't think Oz appreciated being called "my little Bam-Bam" all night.
      Betty and Barney Rubble are the neighbors of Wilma and Fred Flintstone in the cartoon The Flintstones. The Rubbles' son, who is very strong, is Bam-bam.

    • Cordelia: I think the trick is laying off the ale before you start quoting Angela's Ashes and weeping like a baby man.
      Angela's Ashes is a 1996 book by Frank McCourt about an Irish family moving from Ireland to America, seen through the eyes of a child. In 1999 it was made into a film of the same name starring Emily Watson.

    • Spike: Quickly, to the Angelmobile, away!
      The Batmobile is a vehicle used by Batman, a costumed crime fighter from DC Comics that inspired several TV shows, cartoons and films.