Words cannot do justice to "The Man Who Killed Batman". It deftly combines a gritty, noir-ish atmosphere that typifies what is so perfect about this series with a story jam-packed with alluring characters, dark humour and a moody score. Above all else, it's fun, a gripping adventure that made me want to jump out of my seat and applaud.
Usually I hate flashbacks, but to this episode's credit they keep the suspense alive at every act break and make you ponder how Sid the Squid will wriggle out of his dilemma. And what a dilemma. With the Joker, Harley Quinn, Rupert Thorne and various thugs monitoring his ascent to fame in the Gotham Underworld, he learns first-hand the consequences of messing with the status quo, with incredible results. Focusing on the criminal's reactions to Batman's demise was fantastic. Paul Dini excels at this stuff. The script is laced with powerful quotes that resonate because of the stupendous voice-acting. Mark Hamill in particular gives us a Joker who's unsure of his place in Gotham with Batman, the one person who gave meaning to his insanity, gone, while his interaction with Harley Quinn provides some intruiging insight into how the domestic violence aspect their relationship kicked off.
There are lots of telling things in here, but the art and animation are what truly propel this episode onto the list of B:TAS' finest gems. What better way to start a mysterious episode such as this than with a sweeping pan of Gotham City in the darkness, as lightning crackles away in the sky? This is one of the most satisfying episodes where film noir is concerned. And the Joker, who, throughout the series, is victim to being rendered constantly off-model by the animators, is given a look by the shadows thrown across his face that makes him appear as scary, sinister and malevolent as a shark. No racoon eyes to be found here.
The plot constantly kept me guessing and when I saw the pangs of grief in the Joker, I had to wonder if Batman was gone for good.
Yeah, right. :P The final scene (barring the prison sequence) shows that that isn't the case. Batman bursts in and decks Thorne in one of the most rousing scenes in the entire series. The rendition of the Batman theme music, coupled with the organ music used at the beginning of the episode, makes this moment magnificent. Not only that, but there was a moment where I actually believed that Rupert Thorne had shot Sid - Sid's horrified then bemused reaction speaks for itself, and why this episode often descends into hilarity.
While fans may take issue with how abrupt Sid's rescue from the Joker is, this ultimately does not matter, nor does it need to be explained. Given how satisfying the final explanation is, our minds can fill in the blanks with the less important stuff. It's funny to think that such a remarkable feat of story-telling could revolve around the brief disappearance of Batman, but it's not in the least surprising when Paul Dini avoided looking at things from the perspective of Batman and his allies, when that would have diffused the tension.
There are odd animation flaws, particularly during the climax, but if people are willing to overlook the ones in "Heart of Ice", then they'll surely overlook the ones here. And these are more than made up for by the Joker's speech, which is so intimidating yet side-splittingly funny that you can't help but worship Mark Hamill's portrayal of him.
This episode is more than worth the price of admission. It's too often overlooked, and I'd urge even the casual fans to check it out. It indirectly gets to the heart of Batman's guiding presence to the people of Gotham, and puts an ordinary man in an extraordinary situation for 20 minutes of unadulterated fun.





