(PART 1) The absolute, very best of what this show has yet accomplished
10
"Perfect"
Once I saw that Paul Dini was doing the writing for this week's Batman: the Brave and the Bold, I knew that this was going to be an amazing episode right off the bat. You didn't need the awesome sneak peeks on YouTube or the guest performance by Paul Reubens for the constantly annoying and unfittingly cartoon-wise Bat-Mite to prove that to me. I had all the evidence I needed to see that this week was going to be the best out of all the previous cross-referenced and consistently hilarious BtBatB adventures. On the contrary, I'm actually even more-than shocked as to see that this journey is even far, far better than I had expected, dosing any sort of flaw that I thought possible with adding Bat-Mite into the episode's main plot and having a serious, more storytelling-infused writer like Paul Dini handle all of this craziness. Not only is Bat-Mite by far (and in most cases ironically) the most entertaining, unique and hilarious character I've ever seen on this show yet, but since Paul Dini wrote and came up with the entire episode, he's done a fantastic job of creating the most over-the-top action scenes, worlds, and villains that we've ever seen in the show yet. This week's prologue segment, featuring CatMan (yeah, you heard it correctly) is by far the funniest in the show's collection. The ironic auctioning of a lion, the arrival of Batman's dog-sidekick Ace (also in Batman Beyond as a guard dog), and a great and very funny one-liner by Batman prove as the highlights and great moments to this intro. What really tops this one up against all the rest of them is a defeat where CatMan surrenders and climbs up on a tree away from Bats and Ace in the form of cat fear. Oh, just how well and how perfect the strange reality was in this sort of situation. While taking care of another gang of goons on a jewel heist, Batman hears a strange, squeaky voice with powers that can either increasing and one-upping thugs or transforming them into killer ninjas by the power of voice. A wonderful start and a brilliant introduction to the character Bat-Mite-the invisible squeaky voice-as his villainous irony to see Batman whip serious can while leaving his life on the line and his loyalty and scary/annoying stalking deficiency to make Batman a better hero while literally following in on his footsteps are instantly played into the episode right after the main adventure's first action scene. Then, we get a laugh-out-loud stroke of genius with an outstanding Calendar Man cameo, featuring some killer huge easter bunnies, biker santas, and "Uber-patriotic Uncle Sams." The off-the-wall over-the-top sentences that I have to come up with have only just begun. We're also handed with a Batman makeover involving Bat-Mite and a consistently chuckle-worthy giggle-tastic 5th Dimension comic-con with all the Batman comic, movie, and cartoon suit references you can handle (did I forget to mind you about the Bruce Timm and Paul Dini look-a-likes in the Harley Quinn and Joker jumpoffs?) Lastly, this trip takes us to a TAS introduction spoof, a widly subtle defeat of Gorilla Grodd (CAMEO!), and an over-the-top-of-the-top battle against most of Batman's most dangerous foes in classic 90's WB cartoon style (Featuring Mr. Pokadott, the Pokadott Man!) Most episodes are known to have half of their greatness due to the epilogues, but if "Legends of the Dark-Mite" were to stand on its known, it'd be walking on air. This episode is a masterpiece in every synch of the imagination. Almost every scene that I explained just now are of cartoon perfection. Bat-Mite's capabilities are used for the most outrageous worlds, situations, and, most importantly, laughs that the show has ever come up with. The comic convention explained before has a cartoon-styled Bruce Timm who hilariously compares this show to his former Batman works in one word, and there's a fantastic "Batman Forever/Batman & Robin" movie reference in the makeover scene ("Too icky! LOL.) One of the best parts of this episode is when Bat-Mite tries to use Batman as a toy and Batman eventually stops by sitting down on a rock, one leg over his lap and arms shrugged. I laughed so hard the firs time I saw it. The best part of having all this play out in such a show is that it all molds perfectly with the tone that this show intends to work with in mainly each episode. They're just as over-the-top as the writers expect it to be, but it still feels like that Batman cross-reference show that began with killer clock robot ducks. Paul Dini's excellent references make this episode unique in every fathom of the imagination, and does a brilliant job of meshing the show that he's writing with the whole entire decade of great WB-licensed '90s cartoons (TAS, Animaniacs, you name it.) Lastly, Paul Reubens makes Bat-Mite appearance on cartoon TV in years the very best in history. The squeaky, irritating voice, the freaky stalking, and the crazy attitude towards neglect and rejection are perfectly implemented and put to hysterical use by Reuben's authentic voice talent. The dialogue between Reubens and Diedrich Bader as Batman make for the best in the series yet, and by far the funniest. These two together keep the whole scheme of things going perfectly without dropping a single fluid of gas, and I couldn't think of a better matchup of actors to fill in these respected roles any better. There are so many jokes, gags, and reference in this episode that are so good, writing them down on a list would make my hand hurt. That is when you know that you've seen the true definition of Batman: the Brave and the Bold. Bat-Mite is perfectly cast, perfectly acted, and perfectly used to create the most out of this world adventure in the series to date. The Batman that this show has been trying to realize is played out better than ever. Other than that, there's not a single gag or piece of comedy in "Legends of the Dark Mite" that doesn't work. In fact, all the story stops, all the jokes, all the references, and all the scenes in this week's episode come together like a masterpiece. You wanted zainy, edge-of-your-seat craziness at the top of its game, well you finally got, and its in Batman: the Brave and the Bold opera that never stops even when the fat lady sings. And Bruce Timm couldn't disagree more.