A New Day Requires New Thinking
8.0
"Great"
With the survivors of the Cylon stronghold now safely back with the fleet, and the ‘collaborators’ onboard too, things start to heat up as both are thrown into a tightly crowded Galactica, still recovering form the rescue mission and struggling to find normality as it once was over a year ago. ‘Collaborators’ takes us on a journey through that transitional period, showing us the cost of such brutal captivity. It shows us that even as the humans are freed from their cells and prisons, their minds are still very much bound to the past and held captive by their lust for vengeance. Some are more willing to move on than others however, and so the battle ensues.
The episode begins with the execution of Jammer by the newly founded ‘circle’ which consists of Tigh, Tyrol & Anders amongst three others whom I didn’t necessarily recognise. We immediately are led to believe that such proceedings are happening legitimately because of these characters involvement but there is certainly a stench of seediness and darkness about the whole thing that doesn’t seem right as soon as we see the environment and the hear the words the circle speak. As we have followed Jammer’s path throughout the past 5 weeks (most prominently in the webisodes) we do feel a certain degree of sympathy for him. In the end he begs for his life with forgiveness and the circle reject his pleas behind a plane of glass that distances them both even further. One member eventually presses the airlock release button and Jammer is sent out to death. We are shown the circle’s reaction to the event and there is definitely some questionable emotions on display but by the rules the six members follow, their emotion of good can’t overcome their sense of ‘justice’. It raises an interesting question that I won’t go into here but nonetheless, deserves some thought. When exactly should emotion be implemented when dealing out ‘justice’? Never? Always? And if so, then what emotion, positive or negative? Both?
Baltar then awakes from a rather amusing dream involving himself, Adama, Tigh and Roslin. He finds himself on a Cylon base ship, looking around confused yet at the same time knowing exactly what he has done. It’s effective in that Baltar has woken from normality in his dream and been thrown into a nightmare which is real and that he himself has created.
Following this we get a short scene where Kara is unpacking her things as Anders tries to talk to her. We immediately get a sense of rejection from Starbuck towards Sam, as she tries to distance herself from him. It obviously has something to do with the child she ‘lost’ and the ‘love’ that she forced into on New Caprica. It would seem that maybe she seeks a new start, wanting to forget the past yet again, in an attempt to move on. The scene is performed brilliantly by both actors and starts up a small arc for the episode that reaches its conclusion later on.
Now we are introduced to the new president of the Colonies Tom Zarek (gasp!) talking with Roslin on board the Colonial One. I thought this idea was far too rushed and subtle, especially for introducing the audience to the new president. Especially seeing as a whole double episode that ended the second season was centred around the election of Baltar. On the other hand however it is suited to the restraints the episode places such as it being 3 days after the escape. It turns out though that Zarek is offering up his position to Roslin after a certain amount of short time in trade of being vice president. It’s an interesting move in itself to be honest, but not one that I can figure out the reasons for. Hopefully there will be resonating effects in the future as a result but as of now, his actions remain mysterious.
On board the bridge of the Galactica, Gaeta reports to fix telecommunications under the order of Adama. Tigh notices him and begins to hurl comments on his collaborative actions back on New Caprica. It’s not exactly constructive criticism to say the least but that isn’t really Tigh’s thing is it? It’s also quite comforting to see that Tigh is back to his old self, probably half drunk and asserting his power wherever he can as ‘big bad ass Colonel Tigh’. “Do you know where my eye is?!” he questions Gaeta to which he remains quiet and reserved. He knows he is on dangerous waters and he doesn’t want to make them any worse, especially with Tigh who is no doubt taking it all a little too personally through his injury and loss. Adama enters and orders him to cool off before Tigh rejects it, even refusing a form of comfort from Adama which echoes friction in both characters both personally and professionally. You can tell from this scene that there is a lot to talked about and resolved between the two friends and co-workers; Adama knows it too from the look on his face as Tigh walks away.
Back in the company of ‘the circle’, a meeting is being held where all members quickly vote guilty on a collaborator. One of the low-profile members of the group makes an abashed statement that makes him sound like he cares little for any facts, but simply wants to stamp ‘guilty’ on any collaborator’s head. Tigh is quick to correct the man, pushing his head down on the desk explaining that what they are doing isn’t revenge and takes time before they can implement any justice. I wanted to believe his words but as an outsider looking in, I know that even though these people did commit terrible acts of betrayal to the colony, there’s more to take into consideration than words on a sheet of paper. Next up on the execution list comes Gaeta, a situation that forms the real foundation and focus point of the episode’s major theme. Immediately Tigh states that Gaeta was the real person responsible for the collaborations, assuming that he was the ‘brains of the operation’. He and most of the people take his premature assumptions as truth and even decides that ‘everyone knows it’. Tyrol however questions Tigh’s beliefs asking him if has even seen him doing such things, if he has any proof. Tigh cunningly strikes back with a signature from Gaeta himself, on the execution list that had Cally’s name on it. It’s just another instance of many throughout the episode’s scenes with the circle that we hear personal issues arise as some sort of justification for justice, that instead cloud their vision to one of revenge and hatred. Tyrol reacts just as any man would, in disbelief that his doubt in a friend had come true and he becomes suddenly speechless. It’s perfectly performed by Aaron Douglas and portrays Chief’s sense of shock effectively. Eventually conflict gets the better of the group and an argument ensues leaving the circle one Anders short and a decision half-baked.
Meanwhile Baltar is visited by D’Anna onboard the Cylon base ship. I didn’t particularly enjoy this scene and felt it perhaps the weakest of ‘Collaborators’ mainly because D’Anna plays too much like Six throughout the encounter and it comes off as forced. Lawless certainly tries to pull it off but ultimately it just falls flat on its face and seems like a dream in itself. In fact I think Baltar’s dream at the beginning of the episode was more believable than this sequence and I’m not joking. I don’t know what the director was thinking at the time but I think there was some sort of cog missing when it came to film this. We learn that a similar vote is being held on the Cylon ship as to whether or not Baltar can stay on board. One has to question where the other 5 models are and where they’ve been all this time. Hopefully when they are revealed it won’t be as tacked on as season two’s revealing and they will have some sort of reasonable reason why we hadn’t seen them before with the others. It’s ultimately a useless plot device and fails in creating much tension because we know that more than likely, Six will turn the vote in Baltar’s favour. I would have rather seen the tension created from the acceptance of Baltar by the majority of the vote. That could have been interesting but instead we’re told to wait with Baltar more or less alone for the episode which in turn isn’t too involving.
We are taken to a dining area where Gaeta sits alone in a crowded room. Kara spots him and sits across from the subdued Gaeta and a conversation ensues where Kara eventually accuses him of turning a blind eye to the suffering of his people and not doing anything to stop it. Eventually Gaeta cracks and his reign of silence comes to an end when he tells Starbuck of all the things he done to help the resistance. As Kara knows more or less nothing about the rescue operation and all involved, this doesn’t have that much of an effect and she simply replies with a typical Starbuck dose of sarcasm naming him “a frakkin’ hero’’. It’s certainly a heated argument that takes place but you can no doubt tell Gaeta is holding back from speaking his mind in order to avoid even more punishment for his misunderstood actions. Instead he stands up and walks away, solitary through a group of on-looking crewmembers and we feel the loneliness involved with conviction. We also see through Gaeta the restriction conviction employs on a person, when they fear that speaking their true opinion will only anger the vengeful more and make matters worse. Most of all we witness the ugly side of Galactica again, full of heated revenge, quenched by nothing but grudges and pain. The scene ends with one of the circle members witnessing the event and we sense that we might just be seeing Kara in the next meeting. This is bad news for Gaeta but even worse news for my respect and belief in this system of justice taking place. Now it seems members are chosen because of their current alignment and opinion of the colaberators; People who are blinded and stricken by their grievances rather than by pure fact and belief.
Our suspicion is certified when we see Kara in the next meeting, eventually voting guilty on Gaeta. The vote finally rests on Tyrol during which Tigh makes an interesting speech. He claims that the Chief won’t vote guilty because he sees him as a ‘good guy’. Tigh then proclaims and reminds everyone that his wife whom he liked a whole lot more was executed because of her actions, which in turn makes a very solid case for Tigh. What Tigh does wrong however is that he uses it to persuade Tyrol. Would Tyrol have done the same to Cally? I sincerely doubt it, even though he is military minded, I don’t believe he is as closed off to emotional attachment as Tigh, so there is deffinate difference that should have been reminded to Chief too, but it wasn’t and so in the end he is swayed by Tigh’s story of ultimate justice and votes guilty.
Meanwhile Anders and Kara share words outside the meeting taking place where Anders is questioning why she took his place when it is obviously a corrupted system. Kara claims that someone has to pay for the Cylon’s crimes and the closer they were to the root, the better. She then goes on to calmly explain that she sees the world differently now; that she has changed. She confesses to just wanting to hurt someone and most shockingly she would hurt Anders just for the sake of releasing the urge. What did Anders do? Well, nothing but practically save her. It’s clear here in this scene that we truly see that Kara just wants someone to pay, it doesn’t matter who or why, she just wants revenge bitter and sweet. It’s all played brilliantly by both actors and I felt a strong sense of something coming to an end, even though I never really felt for their relationship, the ending of it really did strike some emotion in me. They share one last kiss before Starbuck walks away. Always in control came into my mind as I saw it happening; Kara seems to be a nicer person when she’s weak.
The circle eventually kidnap Gaeta and take him to the holding bay that Jammer was executed in. We get a real sense of Déjà vu as all the actions are carried out in the same manner only this time we feel more involved and dread in what is about to unfold because we have seen what does on here. We also feel closer to the character having known him since the very beginning instead of around 10 minutes scattered around a few episodes. Tyrol urges him to talk and plead but as was the case with the two scenes earlier, we know that Gaeta already evaluated the situation in the ship and what his words mean inside it. Instead he remains dignified as he proclaims the worthlessness of speaking and that he won’t beg for their mercy. It’s a real juxtaposition to the opening scene and it does it well with some great acting, direction and dialogue. In this very moment, Gaeta stands taller on his knees than the six members of the circle do standing on top of each other and we see clearly the two oppositions for what they really are. None are bad, and none are good. Simply put, both are just scared. Kara then demands that he beg for his life before going over all the things Gaeta told her in his defence as a way to mock him. It’s a powerful moment where Kara is at her most ruthless and sadistic, seeking nothing but revenge for her loss. Chief overhears the things he done for the resistance and realises Gaeta was the inside man that was feeding information. A sense of relief comes over us as Tyrol cuts the restraints off Gaeta and even more so it seems with the rest of the circle, particularly the Chief who looks as if he almost killed himself. Gaeta walks away from the executors but not unscathed. Meanwhile the rest of the group stand still, not knowing where to look as the questions arise in their heads and their sense of pure justice seems to fade. Finally it seems justice has been served properly but certainly not in the manner the circle originally envisioned.
The show comes to an end with Roslin being sworn into presidency again and as her first actions she halts all further proceedings and trials of the collaborators. Throughout her speech of moving forward, we are shown both Tigh and Kara hanging up their past in closets, rather symbolically reflective of what they must do in order to move on with their lives without the past clouding their minds. Finally in the dining room yet again, Gaeta sits alone as he eats his food before Tyrol comes in and takes up a seat beside him. Both never look each other in the face nor share words but it serves as one of the most powerful scenes of the episodes conveying the act of forgiveness, compassion and understanding perfectly marking a new beginning in the fleet.
As an episode, ‘Colabertors’ does well in resolving key issues that episode four ended with still intact, and does so more often than not, to perfection. The greatest thing about the episode was certainly the performances by the majority of the cast and the quality of script. As I discussed earlier, the direction could have been better at some points and certainly Baltar’s moments on the Cylon base ship could have been far more dramatic and involving. As a whole however, 'Collaberators' is a great hour of characterisation, plot development and moral debate to engage with.