Big O follows Roger Smith, negotiator in Paradigm City, a city without memories older than 40 years. Roger, teamed with his giant robot, a Megadeus called Big O, fights to save the city from harm. But what happened, that caused a city to lose all of those
10
"Perfect"
The Big O is a series for the thinker. It is not your ordinary anime in the least. Developed by those who helped create Batman: The Animated Series and Mobile Suit Gundam, Big O mixes American animation style with Japanese ideas.
The story is complex, and due to the final 26 episodes of Big O having never been completed, it is impossible to tell how things should end. However, one is still able to enjoy the storyline, and have fun coming up with one’s own theory on how Big O final act would play out.
The two seasons share many similarities and differences; therefore, it is necessary to view them both together and apart.
Season One introduced us to the characters and the storyline. We meet Roger Smith, the ‘top negotiator’ in Paradigm City, and R. Dorothy, an android who crosses the borderline between being human and being a machine. Other characters, like Roger’s butler, Norman Burg, Roger’s friend, Major Dan Dastun, the mysterious Angel, and more side characters are introduced. In Season One, the characters’ personalities are developed, so the viewer can get a feel for each one, how they should act, and who they are. The storyline is told in a structure similar to what has been done in Ghost in the Shell: Stand Alone Complex. Some episodes act on their own, and give more toward character development, while a few build toward the main plot, and the big question of Season One: what really happened, 40 years ago? The final episode of the Season ends on a cliffhanger, and the fans of Big O pushed its creators to finish the story.
Season Two gets right to the chase, picking up where Season One left off. A new animation style gives a new shine to the then four year old series, and gives it more of an anime-like appearance. Gone is the focus on character development, the viewer already knows about all of that; Big O now focuses on the plot alone. Roger continues to search for the answers in Paradigm City, about his past and about the city’s past. He learns, however, something that he himself had said in Season One: that life needs to be lived in the present to prepare for the future, and not to let the past, or the lack of a past, to hold one back. Roger faces something similar to a final judgment in the last episode, and once again, the viewer is left confused with the ending.
I myself have not watched the Seasons together, all 26 episodes, in one go. I at this time do not own the Second Season DVDs, so I have had to wait for episodes to air on Adult Swim nightly or weekly to see the storyline. However, it is still obvious that there are big things that can be seen between the two seasons. Toward the end of Season One, Big O begins to pickup speed, and throughout Season Two, it is like a mad rush to get to an ending that the viewer never gets to see. While episodes in Season One many times were their own individual stories, those of Season Two are nearly all connected, leaving one aching to see what happens next again and again. The change in animation style does not seem to cause much of a problem, because (in the exception of the VA for Norman Burg) the Voice Actors and Actresses remain the same, and keep the series flowing. The lack of individual episodes in Season Two makes one wish that more had been made, for while the storyline could not be expressed very well in any other way, many Big O fans miss ‘the little things,’ like R. Dorothy’s “you’re a louse, Roger Smith.” Overall, one can feel the change between the two seasons, but it is not that rocky.
It has been proven that a follow-up Season Three of 26 episodes was supposed to be made to finish the series, but a lack of funding from Cartoon Network, the company that brought Big O back to life, has kept Big O fans beyond reach. There is no telling for the future, however. Not many were even expecting to get a Season Two.
I give Big O a rating of 10. Big O gives me everything I want from an anime just short of female character fan service (which it does better to do without). I enjoy the action of the Megadeus battles, the mystery when Roger must go undercover, the humor that characters like Norman can present, the entire idea of the world being a stage, where people are simply unknowing actors doing as those above them direct (think The Truman Show). I can’t get enough of Big O. Perhaps I never will, if the final season is not made. That doesn’t mean, however, that one cannot enjoy the 26 episodes that already exist!
I suggest watching the first four episodes in a row, if you are unsure about Big O. It may not be the key to capturing you, but I believe they are a good preview of the rest of the series.