I, too, was one of those who was terribly disappointed with "Yanks in the UK" and I did expect more from "Man in the Outhouse". Fortunately, it did deliver more and it was a lot more pleasant to watch than the previous episode.
There was sexual tension during the two first scenes with Brennan and Booth. It's good that it's evident.
Bedhead Brennan was cute. It's a touch that allows us a look at our characters during more personal moments.
Although Booth almost always projects himself as obnoxious(in varying degrees), his expressions while meeting Mark were comical and the dialogue made me laugh.
It's nice to notice the intimacy between Temperance and Seeley. It solidifies the relationship to where it is comfortable enough to give way to the next reasonable step. And that's what we find attractive about the B&B relationship.
I've noticed that the show itself has a musical score that is really light and perky and goofy, and it just accentuates the silliness in the script way too much.
Also, the show tends to stay on the surface of too many of the heavier issues. It doesn't follow through on events impacting enough to leave behind pieces to pick up. For example, the emotional effects of the near-death of Booth (when he took a bullet for T) in both of them, and what that would have revealed to them about their feelings for each other; The amnesia about the kiss...it would be nice to have heard them talk about it by now. The more recent events: Zach, what he did and him not being around anymore; the breakup of A&H (which was quite simplistic in my opinion) and Cam's involvement...there's a lot to deal with right there.
The general feeling of the show is light and silly, and yet the whole point of the show is that it deals with dark, intellectual, sinister and intimate situations like death, murder, and all the things that lead to that. I think that is a main weakness because there's no balance there.
The show needs to mature more quickly because it's becoming monotonous. I have a feeling this is the intention with this 4th season, but I think it will make it only if the writing starts taking responsibility for the situations in which they put the characters, and if it starts picking up the pieces of those situations.
Good work on the the storyline about Brennan's Dad and family. That was a nice arch to follow.
The Gormogon arch was great too.
Back to "Man in the Outhouse". Emily looks beautiful the whole time. She appears more fluid in her tone and less quick to react defensively. You can also see how her experiences are enlightening her about the non-rational part of life.
Booth has to stop being so in-your-face all the time.
The new assistant is just too fake with the annoying angle she plays.
Ok, Booth whipes his mouth with his tie...how caveman can he be? One more of those details that are totally out of character. It's unrealistic behaviour for a guy that looks like Booth and carries himself the way he does. Unrealistic behaviour is not always funny. It has to be done right. I think Boreanaz plays darker characters a lot better. Booth should be more melancholic...
Lately, Sweets has been the guy delivering the most sincere interpretation of his character. When he's funny, he's funny (most of the time), and he has the best lines.
Sweets: "Let me guess...that one's the botanist."
Sweets: "What? Did they go into a bar?"
Noel, the stalker. Funny guy.
I liked the girl talk between Temperance, Cam and Angela (although unrealistic to me because there should be tension between Cam and Angela, since Cam is moderately responsible for Angela's breakup with Hodgins) I thought the final scene was good. It was really pleasant to see Booth being sincere. He needs to be sincere more often. It reminds you that he isn't a neanderthal. He's unattractive when he tries so hard to be an obnoxious, flag waving bully. Also, it doesn't seem like Temperance would be attracted to a guy that thinks that acting dumb is attractive so, when he acts dumb, it's disappointing. I really love it when Booth says and does things that get Temperance to look up to him. That's when things move forward and it's wonderful to watch.





