In the series premiere, Dr. Temperance Brennan (or "Bones" as Booth calls her), a forensic anthropologist, is asked by FBI Special Agent Seeley Booth to identify a set of bones that were deliberately hidden in a lake. However, after identifying the bones, imprisoning the murderer will be politically tricky. Booth and Brennan must find further evidence to link the victim to the murderer, and Booth will have to weigh his duties against his ego when Brennan challenges him.moreless
Special Agent Seeley Booth
Dr. Temperance Brennan
Dr. Jack Hodgins
Dr. Daniel Goodman
Dr. Brennan's second sentence to Booth is: "Don't call me 'Bones'" (which becomes a running theme for the beginning of the series).
Another catch phrase of hers is introduced in this episode: "I don't know what that means." She usually says this when someone makes a popular culture allusion or remark.
When Zack is takes photographs of the corpse, the video footage clearly mirrors, as can be seen by the positions and letters on the patches on his jacket. Additionally, Zack is holds the camera lens with his right hand and shoots the photos with his left. Cameras are designed the opposite way.
In this episode and in many of the episodes after this, when Booth and Brennan are driving, Booth does not wear his seatbelt - only Brennan does.
Goof: The opening shot of Brennan's plane getting in could not possibly have been Dulles International Airport, as was claimed. Dulles is located in Virginia, 26 miles west of Washington, D.C., and there is no view of the Capitol building from there. This is actually a shot of Reagan Washington Airport.
Goof: In the first post-credit scene, just as the music stops, Temperance is kneeling and holding a camera. The patch on her shoulder is reversed, showing the footage was flopped (mirrored).
Goof: When Brennan finally leaves the Jeffersonian to get back home, we see three shots of her: one crossing the Jeffersonian Park and two others in Washington streets. But while she is holding two bags in the first shot, one suddenly disappears and is not in the other two shots.
Goof: Thompson appears to be pouring gas all over the fish room. Gas fumes are extremely flammable. When Brennan shoots, the flash from the gun would have sparked a fireball given as much gas as the guy was splashing around.
Goof: Right before Brennan shoots Thompson, he pulls a lighter out of his left pants pocket with his left hand and lights it. But when they show the bullet hit his leg, his hand is near his pocket like he is reaching for the lighter. No lighter can be seen as he falls to the floor.
Goof: When Oliver does not want to hold pressure on Thompson's wound, Booth says "That guy bleeds to death, Bones will go on trial for attempted murder." If he bled to death, the charges would be murder or manslaughter, not "attempted" murder.
Goof: The long shot of the funeral appears to be a composite. It shows the rear of the Lincoln Memorial in the distance, with a row of trees leading up to the cemetery. But the Potomic River is immediately behind the Lincoln Memorial.
Goof: At the funeral, Brennan walks over to the coffin and lays a rose on the right hand end of the coffin, on top of a few other roses. Later in the same scene, Cleo's parents lay roses down in the same spot, but there are no other roses there yet.
Brennan: (seeing Angela flashing her chest to an airport worker who's ignoring her) Tell me you tried "excuse me" first.
Angela: Ah Sweetie. Yes I did. Welcome home. Are you exhausted? Was Guatemala awful? Was it horribly backward?
Brennan: And yet I was never reduced to flashing my boobs for information.
Angela: Flashing for any fun reasons?
DHS Officer: You were illegally transporting human remains ma'am. And you assaulted a Homeland Security agent.
Brennan: Look I'm sorry if I embarrassed you in front of your friends but next time you should identify yourself before attacking me.
DHS Officer: Most people in this situation, what they do, is sweat.
Brennan: Guatemala. Genocide. How are you scary after that?
DHS Officer: Fine. She's all yours.
Booth: (to Brennan) Okay let's grab your skull, and let's vamoose.
Brennan: What? That's it? She's all yours? Why did you stop me?
Booth: What does it matter? You're free to go. Let's just grab your bags.
Brennan: You set me up. (to the DHS Officer) You got a "hold for questioning request" from the FBI, didn't you?
DHS Officer: (smiles at Brennan) I love this [Brennan's] book.
Brennan: That's the best you can do?
Booth: (innocently) What?
Brennan: Getting homeland security to snatch me so you can stage a fake rescue.
Booth: At least I picked you up at the airport.
Booth: A decomposed corpse was found this morning at Arlington National Cemetery ...
Brennan: Arlington National Cemetery is full of decomposed corpses. It's a cemetery.
Booth: Yeah, but this one is your type of corpse. It wasn't in a casket.
Booth: What can you tell me?
Brennan: Not much. She was a young woman, probably between 18 and 22. Approximately five foot three, race unknown, delicate features.
Booth: That's all?
Brennan: Tennis player.
Booth: How do you get a pretty tennis player out of that yuck?
Brennan: Those people deserved the truth.
Booth: Their daughter was murdered; they deserved the kindness of a lie.
Booth: You're great at what you do, but you don't solve murders ... guys like we do.
Cullen: So, you guaranteed a squint a field role in an active murder investigation?
Booth: Yes sir.
Cullen: The one that wrote the book?
Booth: Yes sir.
Cullen: I thought you said she wouldn't work with you anymore?
Booth: Well, the last case we worked she provided a description of the murder weapon and the murderer, but I didn't give her much credence.
Cullen: Why not?
Booth: Because she did it by looking at the victim's autopsy x-rays.
Cullen: Well, I wouldn't have given it much credence, either.
Booth: Turns out she was right on both. Plus the pond victim, (he hands the file to Cullen) Brennan gives me the victim's age, sex, and favorite sport.
Cullen: Huh, which is?
Cullen: She's good.
Booth: No, she's amazing. If the only way I can get her back on my side is to bring her out in the field, I'm willing.
Cullen: Fine. She's on you. Take a squint out in the field, she's your responsibility.
Booth: Yes sir.
Angela: Lenny Kravitz or Vanessa Williams?
Brennan: I don't know what that means.
Booth: You know, if it weren't for you, those people would have never known what happened to their daughter. It's gotta be worse than the truth.
Brennan: I know exactly how the Ellers felt about Cleo. My parents disappeared when I was 15 and nobody knows what happened to them.
Booth: Being a sniper, I took a lot of lives. What I'd like to do before I'm done is to try and catch at least that many murderers.
Brennan: Please. You don't think there's some kind of cosmic balance sheet. (Booth looks hurt) I'd like to help you with that.
Booth: You know, you being a good shot, doing martial arts, it's all your way of dealing. I mean, who knows better than you how fragile life can be.
Brennan: Maybe an Army Ranger sniper who became an FBI homicide investigator.
Angela: You must know about her family. Both parents vanished when she was fifteen? Probably counts as the real world.
Booth: Yeah. I know the story. I've read the file. The cops never found out anything.
Angela: Yeah. Brennan figures that if maybe somebody like her had been there.
Booth: Well, for somebody who hates psychology she sure has a lot of it.
Booth: You okay?
Brennan: Don't be nice to me after I got you in trouble.
Booth: Your heart was in the right place.
Brennan: No. I'm not a heart person, you're a heart person. I'm a brain person. You vouched for me.
Booth: Forget it.
Brennan: No, I won't.
Booth: Getting information out of alive people is a lot different than getting information out of a pile of bones. You have to offer up something of yourself first.
Brennan: What exactly did you do in the military?
Booth: You see? You see what you did right there, Bones? You asked a personal question without offering anything personal in return. And since I'm not a skeleton, you get zilch. Sorry!
Angela: (to Brennan about her book) Who you captured perfectly is Booth. Buttoned down, but buckets of sexual confidence which I, for one, would love to tap.
Zack: It's not right to discuss tapping asses in front of a soaker.
Brennan: I find you very condescending.
Booth: Me? I'm condescending? I'm not the one who's gotta mention that she's got a doctorate every five min–
Brennan: I am the one with the doctorate.
Booth: Yeah, well, you know what? I'm the one with the badge and the gun, huh?
Hodgins: Is it paranoia that Monica Lewinsky was a KGB-trained-sex-agent mole?
Angela: Is the FBI gonna lay charges against Brennan?
Hodgins: She only shot him in the leg... once.
Booth: She didn't give him a warning. She just shot him... with alcohol on her breath.
Dr. Goodman: It was her first shooting, you can't expect her to be perfect right out of the gate.
Zack: How much warning did you give people before you sniped them?
Booth: Temperance, partners share things. Builds trust.
Brennan: Since when are we partners?
Booth: I apologize for the assumption.
Brennan: What if Booth is right? What if I'm only good with bones and lousy with people?
Angela: People like you.
Brennan: I don't care if men like me.
Angela: Okay, interesting, from people to men, but I'm sure it means nothing.
Brennan: I hate psychology. My most meaningful relationships are with (laughs) dead people.
Hodgins: The Senator, ah, he is smart. He gets an intern pregnant, then murders her when it threatens his career, and he has the connections to get away with it.
Brennan: (laughs) I hate it when you make paranoia plausible. It's like sliding off a cliff.
Dr. Goodman: As a federally funded institution, the Jeffersonian must seize every opportunity to prove our worth to our friends in Congress. Which means I loan you out as I see fit, especially to federal agencies.
Brennan: "Loan out" implies property Dr. Goodman, and the FBI will never respect mere property.
Dr. Goodman: I do not view you as property, Dr. Brennan. You are one of the Jeffersonian's most valuable assets.
Zack: An asset is, by definition, property.
Dr. Goodman: What's the rule, Mr. Addy?
Zack: You only converse with PhD's. You realize I'm halfway through two doctorates? Two halves make a whole so, mathematically speaking ...
Dr. Goodman: Go polish a bone, Mr. Addy.
Booth: You know in my line of work, no clothes usually means sex crime.
Brennan: In my line of work, it could also mean the victim favored natural fibers.
Zack: Your suit, for example, will outlast your bones by decades.
Booth: When did she die?
Brennan: Uh ...
Zack: Uh ...
Booth: What does that even mean?
Zack: It means wait until our bug and slime guy takes a look.
Booth: He's got no sense of discretion, that kid, typical squint.
Brennan: I don't know what that means.
Booth: When cops get stuck we bring in people like you, ya know? Squints, you know, squint at things.
Brennan: Oh you mean people with very high IQs and basic reasoning skills?
Booth: Bones identifies bodies for us.
Brennan: Don't call me Bones, and I do more than identify.
Booth: You expect me, a federal agent, to declare war on a United States senator based on your little holographic crystal ball?
Brennan: It's not magic. It's a logical recreation of events based on evidence.
Oliver: Did he kill Cleo?
Booth: Yeah, he killed Cleo.
Oliver: Okay. Then I'm down with him bleeding to death.
Booth: That guy bleeds to death, Bones will go on trial for attempted murder. You don't want that now, do you?
Oliver: I wouldn't want that.
Booth: No. Besides, you know, applying pressure, that can be very painful. (Oliver shuffles over to stop the bleeding)
Booth: What's it going to take?
Brennan: Full participation in the case.
Brennan: Not just lab work. Everything.
Booth: What? You want me to spit in my hand? We're Scully and Mulder.
Brennan: I don't know what that means.
"Collide" by Howie Day (as Brennan fits the pieces of the skull together)
"Pain On Pain" by Feeder (as Brennan looks at the holograph)
"Gone" by Thirteen Senses (at the funeral)
"Roll It Up" by The Crystal Method
(Syndicated and DVD releases made some changes to the songs, presumably because of licensing issues. On the season one DVD [Region 1] "Collide" is replaced with "Broken Bridge" by Daughter Darling. US syndication on some channels replaced "Pain on Pain" with "Stay For Life" by Andy Abraham.)
The show's theme song is simply titled "Bones Theme" and is written and performed by The Crystal Method. The band also created a full version of the song, titled "Bones Theme (DJ Corporate Remix)."
John M. Jackson makes an uncredited appearance as FBI Deputy Director Sam Cullen.
In the cast credits at the end of the episode, actress Naja Hill was credited as playing the character Cleo Hill, but the character is in fact named Cleo Eller, the murder victim.
The main character's name in Brennan's book is Kathy Reichs, the real-life author who created the Temperance Brennan character and whose life inspires the show.
Brennan's ex-boyfriend in this episode is named Pete, mirroring Tempe's ex-husband in Kathy Reichs' book series.
The scene at the beginning of the episode, where Brennan gets taken into custody at the airport, was actually filmed in the Los Angeles Convention Center.
The house used for the Eller house is on the same block of houses as the house used to film Charmed.
The outside shots of the building where Brennan and her team work, called "The Jeffersonian Institute" in the show, are actually shots of The Museum of Natural Sciences at the University of Southern California, according to the show's DVD commentary.
Most of the show is filmed in Los Angeles, California despite the fact that it's mainly set in Washington, D.C., where the fictional Jeffersonian Institution is located. The interiors of the Jeffersonian Institution were specially built on a large soundstage at the 20th Century Fox lot in Century City, California.
Third (or second) main role for David Boreanaz; he starred in both series Buffy the Vampire Slayer and Angel as the character "Angel."
The audio commentary on the season 1 DVD for this episode is provided by Executive Producer Barry Josephson and Series Creator Hart Hanson.
The German episode title for this episode is "Die Frau im Teich," which means "The Woman In The Pond."
International Air Dates:
Denmark: Tuesday February 7th, 2006 on TV3
Norway: Thursday June 8th, 2006 on TV3
Germany: Thursday October 19th, 2006 on RTL
Belgium: Friday April 27th, 2007 on RTL-TVI
Crew Additions and Specifications: The Crystal Method (main title theme performed by), Jim Chory (produced by), Kathy Reichs (inspired by the life of forensic anthropologist and author), Mellanie Bradford (script supervisor)
Company Credits: Fotokem/Keep Me Posted LLC (film laboratory & hi def post production services), Todd-AO/Soundelux (post production sound services), Ignite Creative (visual effects), CBS Digital (visual effects), Otto Nemez (Camera Systems & Lenses)
Brennan: What exactly am I supposed to be squinting at?
Booth: Ah, you know, it's like pornography. You'll know it when you see it.
This is a reference to Justice Potter Stewart, who during the obscenity case of Jacobellis v. Ohio (1964) said that hardcore pornography is hard to define, but "I know it when I see it."
Booth: You know you're not the only forensic anthropologist in town.
Brennan: (laughs) Yes, I am. The next nearest is in Montreal. Parlez-vous français?
This is a reference the fact that the character Temperance Brennan in Kathy Reich's books (on which the series is based), though originally from North Carolina, also works part time in Montreal. The real Kathy Reichs divides her time between academic duties at the University of North Carolina and her duties at the Laboratoire des Sciences Judiciaires et de Médecine Légale in the province of Quebec, Canada.
Booth: What, you want me to spit in my hand? We're Scully and Mulder.
Booth is referring to Fox's show, The X-Files. Another FBI, female and male partnership.
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