Full Review of "Fly"
8.5
"Fly" is the most distinct Breaking Bad episode so far in the series' run. It's bold and strives to be different. Only Bryan Cranston and Aaron Paul feature, and the vast majority of the hour takes place inside the meth lab. Putting it bluntly, virtually nothing happens in the episode. It's also a self-contained episode, if you ignore one spoken exchange at the end. Instead, "Fly" is a character study, giving insights into the mind of Walt and the current relationship between him and Jesse. You could skip it without much consequence, but you'll be missing out on learning more about these layered characters and some terrific acting from Cranston.
Yes, the pace of the episode is rather slow. Walt is obsessed with catching a mere roaming housefly that he claims is contaminating his lab, and pretty much the entire hour--at its simplest--documents his and Jesse's attempts at killing it. This distraction might not seem particularly exciting, but it becomes more interesting when you consider how this scenario reflects Walt's life at the moment.
Try as he may, Walt can't catch one single pest. He's not in control. Now think back to when he first got into drug manufacturing in the first season. All he wanted to do was earn an abundance of cash to support his family before succumbing to his cancer. There wasn't supposed to be any consequences, yet this season especially has seen his actions severely affect the people that he knows. Hank was on the verge of being killed, having taken four bullets. He's now preparing for physiotherapy to regain use of his legs. Marie, his wife, is visibly distraught, while also having to deal with financial worries as a result of the shootout, which Skyler offers to solve. A depressed Donald Margolis was responsible for the collision of two planes in the sky, killing close to 200 passengers, after the preventable death of his daughter, Jane. And Skyler, having found out about Walt's double life, can't stand to live under the same roof as him, filing for a divorce. Walt believes he's responsible for all of these things to some extent, but he's frustrated that he's unable to fix anything, despite having more money than he knows how to spend. The fly could be interpreted as the consequences--or maybe even his guilt--that Walt can't swat away.
The other fairly obvious symbolic moment comes when Jesse puts a gas mask on top of his head, as he prepares to sneakily start cooking without Walt's knowledge or consent. The pink respirators as well as Jesse's dark clothes make him somewhat resemble a fly. In fact, Walt even swats him when he spots what Jesse is trying to do. This perhaps hints that the one aspect Walt does have a measure of control over is his cooking partner. A few episodes back, Jesse was intending to cook and sell his own blue meth against Walt's wishes, and later on, he was pressing charges against Hank. Now, Walt is able to keep an eye on Jesse; he reined him in by convincing him to be part of this large meth operation. Of course, Jesse is not completely under Walt's control. He's been skimming the batches of meth to sell himself, annoyed at the low cut their boss Gus is giving the pair. Despite Walt warning that he won't be able to protect him if Gus finds out, Jesse appears to ignore him.
It seems that Walt fears Gus to some extent. In the conversations we've seen between the pair throughout the season, Walt often gives off a confident aura, yet speaking candidly to Jesse in his determination to get rid of the fly, he comments: "We need to destroy it and every trace of it so we can cook. Failing that, we're dead. There is no more room for error, not with these people." It's easier to understand Jesse's perspective that the fly shouldn't matter--the consumers aren't going to be that picky about the meth, so why care so much?--but Walt is meticulous and is at a part of his life where he wants things to go smoothly and right. He won't stop until he emerges victorious. Jesse, realising that the agitated Walt has had very little sleep, attempts to calm him down by slipping a few sleeping pills into his coffee. It is at this point where Walt--in a drug-induced state--starts to freely speak his mind as he slowly drifts into unconsciousness.
Walt talks about how he expected to be dead by now. If everything had gone according to plan, he would have left Skyler, Walter Jr., and Holly with enough money for them to live comfortably for the foreseeable future. On top of that, he would have been missed; Skyler wouldn't have discovered his illegal activities. If he had departed the world before he left his home on the night when he met Donald at the pub--after the $1.2 million deal with Gus, but before he went to Jesse's place--he would have considered that perfect timing. Not only was he responsible for Jane's death that night, which in turn contributed to the heavy disaster weeks later in the sky, but he also wouldn't have inadvertently slipped about the second cell phone to his wife and kick-started her investigation. Walt looks back with regret. For starters, he struggles to grasp how his marriage fell apart. No matter what he told Skyler, she remained adamant that what he did was completely and morally wrong. Always believing that there is a solution, he says: "There must exist certain words in a specific order that would explain all of this."
Then, Walt moves onto his next regret: what happened with Jane. He comes perilously close to revealing his involvement in her death to Jesse. In fact, with the way the scene is set up--Jesse is standing on top of an unstable and rocking stepladder trying to swat the fly up high, as Walt tries to hold it steady--I was expecting him to tell the truth. The stepladder could be seen as representing their relationship. Walt telling Jesse what happened with Jane would be the equivalent of him failing to keep the stepladder still. If that were to happen, Jesse would fall off, and their relationship would be no more. Instead of that happening, though, Walt keeps the swatting Jesse safe and only goes as far as apologising profusely, with Jesse responding sincerely: "It's not your fault." Walt follows this up by trying to convince Jesse to "let [the fly] go". He's accepted that he can't control everything, and that he's got to live with the consequences. But just moments later, Jesse finally kills the fly. He's there for Walt, willing to help with his problems. No matter what differences they've had in the past, no matter how different they are as people, to me it symbolises that Walt and Jesse are true partners. They care for each other's wellbeing, and this could be a significant factor as we head towards the third season's finale.
A lot of people probably won't have the patience for this episode, and it's understandable why. After all, it does take a long time for the real meat to get going. Before Walt's monologues, though, "Fly" relies on humour to remain engaging. From Jesse mistaking a dead fly for a raisin to him shouting "el axe-o!", there are a few laughs to be had before the serious tone really kicks in. In addition, Cranston and Paul are excellent, successfully carrying a whole episode about one fly. Cranston deserves more of the plaudits; his meandering confessions while drugged up were both touching and attention-grabbing. Rian Johnson, who was responsible for Brick (a low-budget film that I'm rather partial to), directed the episode and similarly does a great job; in particular, he conveys Walt's dour mood extremely well. "Fly" may not have much consequential value in terms of the entire season, and it could be perceived as filler, but the added layers that it gives to the characters, particularly Walt, are extremely worthwhile and fascinating. I don't consider it to be a throwaway episode at all.moreless