Who’s afraid of the big bad Buffy?
9.4
Buffy doesn’t get a Crap Birthday this season, but we do get another Hallowe’en episode. This time it’s not a chaos-worshipper who causes the, erm, chaos but a random pentagram and an accidental spot of blood which instigate the proceedings. It’s also the last of the dressing up episodes and even Giles has got in on the act, donning a sombrero and a poncho in order to hand out candy to local foolhardy kids. Xander, mindful of the last Hallowe’en ep, is dressed as someone to whom he aspires (James Bond), Willow’s confidence has come on leaps and bounds; from Season Two’s Eskimo and ghost to this year’s Jean d’Arc, accompanied by a minimalist Oz-God with complementary blasphemous jokes. Buffy, who dressed as an 18th Century lady to impress Angel, has now reverted back to childhood in the same Red Riding Hood costume she wore when trick or treating with Hank in her youth. The Hank reference is a clever one since this episode is similar to Nightmares (fears becoming real) and Buffy’s horror in that ep was her father losing interest in her. Which, by this point, has come true. We see that Buffy’s neediness with men may stem from her relationship with her father, her dread of being dispensable.
Buffy’s return to Joyce gives an opportunity for her, so depressed that she's starting to compare herself to pumpkins, to receive a pep-talk from Joyce, who, now that Buffy has left home, seems more able to mother her properly. She talks about how she was afraid when she came to Sunnydale (“I didn’t believe I could trust anyone anymore”) but now she is happy and has a large circle of (unseen) friends. She reminds Buffy that she has her friends and Giles, which is a little ironic given what follows.
Meanwhile, Anya is back. Xander wants some more booty time, but now they’ve had sex they can get better acquainted and they arrange a date at the party. Similarly, we see Riley and Buffy also slowly getting to know each another rather than the faux-deep relationship she had with Poophead Parker, who, in his own shallow way, sets up an important scene. In the refrectory, Willow is upset by her friends warning her about witchcraft and Oz compares it to his wolfieness: he doesn’t want her to get out of control. Buffy sees Parker eating and laughing at a table and bails, upset once again by his dismissal of her. These, and Xander’s anxiety over not being invited to the student party (exacerbated by the first of many many many many tactless remarks by Anya), themes are more fully explored when they get to the frat party. Amongst the real-life spiders and the CGI bats, Xander’s fear of being ignored becomes real as the gang can’t hear or see him, which feeds into Buffy’s anxiety about being abandoned. Willow’s fear of being forever Buffy’s sidekick also comes into Buffy's fear of rejection as Willow stomps off in a strop after the Slayer refuses to allow her to help the Scoobs escape the frat party from hell. Cleverly, these fears are not only explored in this ep but set the themes for the rest of the season. The gang are arguing and separated, their bond is already starting to break down as they literally go their separate ways. Xander feeling invisible and left out of the gang leads him to becoming less involved in their lives and more with Anya and the world of work. Oz is obsessed with not losing control as his wolf takes over – and of course this is explored further in Wild at Heart, leading to his departure, Willow, also scared of not being able to control the dark side of herself and her magicks going wrong, is also terrified of Oz leaving her - both of which come true. More interesting though is her comment about not being the Slayer’s sidekick. At college, she is the confident, popular one and we see her not wanting to relinquish this - she wants to be the powerful one, the one who can save them. This is a new side to Willow and this episode sets the S6 Dark Willow wheels in motion.
Meanwhile, as Buffy wanders through the party trying to go through small doors like Alice (in Hell-land), the fear demon whispers to her: “No matter how hard you fight, you’ll just end up in the same place”, explaining that she can’t get out of the house, but this is really about her emotional state. The fear demon is like the voices schizophrenics hear telling them that they’re worthless or that they’ll never get over their depression or that they’ll never escape the voices – but Buffy needs to address the voices, to get over her terrors. Hallowe’en itself is about facing one’s fears - for one night the ghosts and the goblins are real so that people can deal with the nasties and move on. Buffy shows that she is still strong - whilst the rest of the party is comatose with fear, Buffy (and once again, it is the slayer part of her keeping her tough) is trying to find a way out, a solution. But she needs her friends to do so.
Meanwhile Anya dressed in an adorable bunny costume (setting up the running rabbit joke), approaches the house, sees someone screaming and the house closing itself up to feed on the fear of those trapped inside, and thinks: “Xander!” The girl is nothing if not single-minded. Finding Giles absently eating sweets she urges him to help, thus turning him from Politically Incorrect Latino into Chain Saw Massacrist. Let’s hope he doesn’t have to pay for the damage to the house, although frat houses probably have insurance for mystical occurrence damage. The gang have to work together to fight Gachnar the fear demon, and in a brilliant visual joke, as Gachnar rises, he turns out to be the “actual size” of the picture in the book and his speech about being the “Dark lord of nightmares, the bringer of fear:- tremble before me!” doesn’t really work in a falsetto and Buffy stamps on him; she is stamping out her fear, the obvious metaphor being the title of the episode: you have nothing to fear but fear itself.