The new Principal, Snyder, forces Buffy, Xander and Willow to take part in the annual talent show, ran by Giles. As if that wasn't bad enough, Buffy must face her fear of puppets when it appears that one is alive and harvesting body parts. Pretty good...moreless
9.0
"Superb"
This review contains spoilers.
Well, you might think you've seen the whole "possessed killer dummy" in a dozen cheap 1980s horror movies, but, in true 'Buffy the Vampire Slayer' style, here is it given a real twist.
This is the latest in a number of first season episodes with no Angel, no Master or overall season plot arc mention, or indeed any vampires at all. While this fact alone seems to instantly put a lot of fans off of these first season episodes, personally (as I've said in several previous reviews) I like it, as I feel it gives the show a lot more variety and real wonder of what's coming next, over the later open-ended, more "emotional" stories (though don't get me wrong, I like those too).
But either way, on the plus side, we get the return of Cordelia in this episode, after she was absent for a few stories. Her terrible singing alone makes this episode worth watching.
This episode is probably most notable for the introduction of Armin Shimerman ('Star Trek: Deep Space Nine's Quark) as the replacement Principal, Snyder, after Principal Flutie was eaten (!) in "The Pack". Shimerman is perfectly snide as the aptly named Snyder, although (as mentioned on my review for "The Pack"), I did kinda wish that Principal Flutie had continued for longer, as I felt the character had more mileage in him.
Anyway, this is one of those quirky comedy-drama-horror blends that the series did so well in its early days, before it became more of an on-going horror soap opera.
The school talent(less) show, which Giles has been collared into running, is pretty amusing, as is Buffy, Willow and Xander being forced into taking part. Of course, there is the weekly monster on the loose to take their minds off of it a little!
The story plays out as a real "whodunit" (or should that be "whoisit"?), with us wondering if puppet Sid, his "owner" Morgan, or even Principal Snyder (whom we've only just met), is the real culprit.
The concept of the lecherous possessed puppet, Sid, is interesting, although does start to get old after a while. Long before Buffy and co. cotton onto it, I was kinda "Okay, the puppet is possessed, we get it already!". Although this plays out well, it did start to be stretched slightly later on, but thankfully, about 3/4 of the way through, there is the great twist that probably nobody saw coming possessed puppet Sid is actually a good guy; he was cursed into living in the wooden body until he manages to kill off "the last of the Brotherhood of Seven", a morphing demon whom he thinks is Buffy (hence sneaking into her bedroom to try and kill her in the middle of the night)! In an episode where I was starting to tire of what I thought was a predictable plot, this came as a welcome surprise twist.
When it is finally revealed that the true demon is someone totally different involved with the talent show, I did kinda wish that a few more subtle clues had been given bearing in mind this was supposed to be a whodunit, it kinda came out of nowhere; but it does lead to a very exciting climax, where the gang must save Giles from having his head loped off in a guillotine "trick".
There are some really nice touches in this episode it is ironic that, considering the wide array of monsters she battles, Buffy is afraid of puppets (even before meeting a possessed one); I love Giles getting rid of Cordelia by staring at her hair; and I actually felt kinda sad when, breaking the curse, Sid finally "died" at the end. It is maybe strange that Sid was never used again in the series (I believe he was used in some of the graphic novels and console games, but I've never seen them).
Then, to cap it all, there is the hilarious close. The closing credits sequence, with Buffy, Xander and Willow giving very wooden (no pun intended) performances in the talent show, gets all the recognition, but even prior to that, I love how the curtains open in the aftermath of the battle with the demon, with Snyder bemusedly wondering "What is it avant-garde?".
In all, this isn't one of my all-time favourite 'Buffy' episodes, but on its own merits, it is a very good one. There are others in the season that I like better, and the whole "Is the puppet the killer?" thing is maybe stretched out a bit before the welcome twist, but there is enough going for this one for me to give it a decent 9/10.moreless