"After meeting you Buffy, I realised the Handbook would be of no use in your case" - Giles
9.9
"Superb"
What a lot happens in this episode! After watching the first half of the two-parter, I that assumed this episode would resolve the cliff-hangers and explain the Slayer #2, but that’s only the bare bones of it. We get the notion of what a slayer is, love and romance in all of its twisted forms, the beginnings of the Angel/Dru/Spike triangle, naked torture, rôle reversals, religious metaphors, quite a lot of revenge and an utterly stupendous false ending.
So, the cliff-hangers. Buffy discovers that she is only one of the Chosen Two as Kendra reveals that she has been sent to Sunnydale by her Watcher, Mr Tsebuto, to stop a dark power rising. This begs the question as to why Mr T didn’t contact Mr G, or even the Watchers’ Council. I bet Giles had to file a report about the whole Buffy rising from the dead thing – I’m sure the Council would want to know about the Master. And wouldn’t Kendra’s Watcher have told her about the previous Slayer and how she died - in fact who was the Slayer(s) between Nikki Wood and Buffy Summers? It is a question that only Dark Horse can answer, I imagine.
Anyway, this is pedantry. I’m not sure the Watchers Council even “existed” at this point. We’ve only just found out about the Slayer Handbook! Although I’m as disappointed as Willow that there aren’t t-shirts. Kendra turns out to be a model slayer, full of obedience (even Giles looks perturbed when she calls him Sir), duty, book-learning and lack of interest in boys. Buffy is immediately put out that Kendra is more the perfect slayer than herself. Kendra has no friends, family, school or boyfriend to distract her, she is pure fighting machine. However, her black-and-white philosophy does not allow for grey shades or even consequences:- her locking of Angel in the cage in Willie’s Bar - which leads to the events of this episode - is going to come back to haunt her in a very big way.
Buffy stops feeling sorry for herself for almost 10 minutes as she realises that Kendra, whilst not having to juggle many different lives, has *no* other life and is thus worse off than herself. Even though she has to keep her supernatural life a secret from Joyce, at least her parents didn’t deposit her with Giles from an early age. Buffy may be impulsive, unruly and disobedient, but she has begun to analyse what a Slayer is, something Joss and his team will continue for the next 5 seasons. Already there are the beginnings of the idea that a Slayer being controlled by men is not quite right and that Watcher guidance leading to independence is the key to a successful Slayer. The concept of another Slayer rising is convenient for the fellows of the Watchers’ Council because it means that the Slayers are expendable, not quite human. Buffy is not as keen on being the Slayer as Kendra is, but she is a lot better at it – another question is raised in my mind as to what would have happened to Kendra had she not been called. She was identified as a Potential from an early age, but presumably so were many others. If another had been chosen, would she have been discarded like a puppy outgrown its cuteness? Anyway, apart from her accent making Spike or Dru’s cod cockney look good, it also takes her appearance to make Buffy value her place in the world. Someone else threatening her position makes her appreciate that position. Still, Buffy has a lot to learn. Her impulsiveness makes her run off into a trap – as it does in Becoming I – and Kendra is shown to be right when she goes to find Giles and the gang. Kendra might disapprove of Buffy having a Scooby Gang, but they’re useful when needed. And as Buffy points out, imagination and resourcefulness are as important as strength and fighting ability. When they are battling with Spike and Patrice the evil Policewoman, Kendra and Buffy swap enemies in an amazing stunt as Buffy rolls across Kendra’s back, showing both inventiveness and the importance of using emotion - Buffy battles Spike better than Kendra because she hates him, he has almost killed her boyfriend. There are echoes of "Never Kill A Boy On A First Date" (and that is the episode where Giles says that there is no Slayer Handbook) as Buffy goes into anger overdrive at the thought of anyone harming Angel “You can attack me, you can send assassins after me, that’s fine – but nobody messes with my boyfriend”. In the end, Buffy and Kendra make an excellent team – playing Bad Cop and Bad Cop with Willie, Kendra saving Buffy (and poor Jonathan) from Patrice at school and finally using her anger (and teenage girl obsession with clothes?) to kick the policewoman’s bum after she rips her top: “Dat’s me favourite shirt! Dat’s me only shirt!” She and Buffy bond (without hugging) and she leaves Buffy with some words of wisdom: “You talk about slaying, as if it’s a job. It’s not. It’s who you are”, something Buffy is just starting to learn and which answers her question about careers, especially as law enforcement is looking like a dodgy option.
The crushing and burning of Spike and Dru is a fabulous ending and the epilogue draws a distinction between the tenderness of Buffy rescuing Angel and the other relationships in the episode. As equally touching is Willow’s encounter with slacker Oz who is exceptionally clever but whose only ambition is to play E b dim 9. The fact that he took a bullet in his guitar playing arm to save Willow when Patrice goes mental is terribly heroic and his selflessness immediately initiates him into the gang. Their cuteness together is contrasted with Cordelia and Xander’s love/hate relationship which goes something like:
”Coward!”
”Moron”
“I hate you!”
“I hate you!”
SNOG
C&X take their bickering relationship to the next level. Ever since Willow and Cor got stuck in the cupboard in School Hard, they’ve not had a problem with each other – it’s Cordy and Xander who’ve been trading insults in a non-platonic manner. It was bound to end up like this (I do have a little sympathy with Xander – Norman Pfister did not look ‘normal’ as Cordy insists – his name, voice and appearance are very Hitchcockian). Although Xander is eager to point the hose at Cordelia’s, erm, skirt (and hey, real not CGI bugs on poor old Cordelia), when they are back with the gang, neither of them shows much enthusiasm for the other. Xander is trying to crack onto Kendra and is still bickering with Cordelia in the research session. Still, they get to bond during their revenge on Norman Bugman as they glue him to the floor. The scene in which Cordy tries to avoid Xander in the hall and he looks left and right to make sure no-one has seen them as they go into a classroom shows perfectly why Xander and Willow could never date. He is always going to be attracted to the not-so-nice girl and he likes a bit of hard work, not puppy love. As we see the beginnings of the love triangle involving Spike, Dru and Angel, both Xander and Willow are moving away from their isosceles with Buffy.
The fourth love interest in the episode is of course the strange and twisted Spike/Dru relationship. He is wholly committed to her (“my black goddess, my ripe wicked plum”) and her cure whilst she gets her kicks torturing a wholly gratuitous half-naked Angel.…[pause in reverie]….showing a nice knack for revenge as she reminds him of how he murdered her family. Not that I imagine she's so bothered about that – but she knows that he is. She and Spike kiss and caress whilst Angel is tied up, which of course is what Darla and Angel did whilst the human Dru whimpered for her life in the corner. He is suffering for his sins. Angel also knows how to get his own back on the twosome by mocking Spike by saying Dru prefers him sexually, foreshadowing the threesome to come. This has a double purpose as he is trying to provoke Spike into killing him, which will save Buffy and Sunnydale from the wrath of Dru. His crucifix position whilst being tortured and his further torment in the (of all places) church is more Jesusy than an arc-load of Methodists. Of course this again foreshadows his death at the end of S2 - which just happens to save the world.
After the epilogues is the entirely brilliant and inspired post-epilogue. Spike and Dru were supposed to die in this episode but Joss reprieved them - thank God! Where would the rest of this series and indeed Seasons 4 and 5 have been without Spike? It also makes a fantastic ending – and a completely pyrrhic victory for Buffy. She may have saved Angel, but the “dark power” has still risen, Dru is restored and stronger than ever and she and Spike have the element of surprise from now on. From here on in, the roles are reversed, everything is as possibly changed as it could be. Or is it? We have a new Drusilla, hinted to be the ultimate Big Bad – or is she?