• 21
    Petticoat Junction

    Petticoat Junction

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    CBS (ended 1970)
    Petticoat Junction centered around Kate Bradley, who ran the Shady Rest Hotel, located directly between the farming valley of Hooterville and its only slightly more "evolved" neighbor of Pixley. The only way to reach the place was by the Hooterville Cannonball, an old train which made regular stops along the way, though never adhered to a strict schedule so as to better assist those living along the rail line. Kate, an expert cook and ever hospitable, had three beautiful daughters, Billie Jo (the eldest, blonde and generally boy-crazy), Bobbie Jo (the brunette, astute and literate) and Betty Jo (the redheaded, a tomboy). Also living at the hotel was Uncle Joe Carson, a genial old gentleman who fancied himself the hotel's "General Manager", though when work was to be done, would find any way of getting out of it. In 1965, the series was changed to color and also marked the change to a different actress playing Billie Jo and Bobbie Jo. A year later, another actress took over the role of Billie Jo. Then in 1967, Bea Benaderet fell ill from cancer complications, and Kate Bradley was then seen only occasionally until her death in 1968. At that point, Uncle Joe took over running the Shady Rest (though still managed to get out of work) and June Lockhart was introduced as a lady doctor whose office was located right in the lobby. Other characters included Charlie & Floyd who were the engineer and conductor of the Cannonball. Steve was the former Air Force pilot turned crop duster who eventually won the heart of Betty Jo in 1967. They eventually wed and had a daughter, Kathy Jo. Sam Drucker ran the General Store in town. Homer Bedloe was the recurring "villain", who worked for the C&FW Railroad, and incessively attempted to shutdown the Cannonball. Petticoat Junction was one of a number of rural comedies to emerge in the 1960's. It came about due to Paul Henning's success with The Beverly Hillbillies. He was essentially given carte blanche with making a "sister" series for the show, not even needing to shoot a pilot. Paul intended to make the series a vehicle for Bea Benaderet, who had been playing the recurring role of Cousin Pearl on "Hillbillies". He also loosely based it upon his wife's youth living in a hotel in the midwest. First Telecast: September 24, 1963 Last Telecast: September 12, 1970 Episodes: 222 Episodes (74 B&W and 148 Color) Spinoff: Green Acres CBS Broadcast History September 1963-September 1964----Tuesdays----9:00 p.m. September 1964-August 1967----Tuesdays----9:30 p.m. September 1967-September 1970----Saturdays----9:30 p.m. Nielsen Ratings: (Top 25 or Better) #4 in the 1963-1964 Season #15 in the 1964-1965 Season #21 in the 1965-1966 Season #23 in the 1966-1967 Seasonmoreless
  • 22
    The Muppet Show

    The Muppet Show

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    (ended 1981)
    After the success of Sesame Street in 1969, Muppet creator Jim Henson wanted to have a chance at his own series. In 1974, Henson shot a Muppet special called The Muppets' Valentine Show, which would later become a precursor for The Muppet Show. The special starred famous muppet, Kermit the Frog, with a cast of new muppets including: George the Janitor, Droop the Anteater, Crazy Donald (later named Crazy Harry), Brewsters the oldtimer, Mildred the goose, and Rufus (later named Muppy). Many of these characters were used during the first season of The Muppet Show, and quickly faded away to background characters. The special featured actress Mia Farrow, who taught the muppets about love, and that everyone loves something. Afterwards in 1975, Henson shot the failed pilot for the Muppet Show: Sex and Violence. Amazingly, Kermit the Frog was not in the pilot at all! Instead, the host was wimpy, Nigel, who Jim Henson wrote out of the show soon afterwards. After about a year, the muppet team went to the United Kingdom and were given the green light for the Muppet Show. The show became one of the top syndicated comedies of all time! The show featured a new group of Muppet characters including: Fozzie Bear, Miss Piggy, Gonzo, Scooter, Beauregard, Rowlf the Dog, and The Electric Mayhem. Each show featured a celebrity guest star, who were either personal friends of Henson, or his manager. The Muppet Show lasted for 5 years, and 120 episodes, two spin offs, and several movies. Theme Song: It's time to play the music It's time to light the lights It's time to meet the Muppets On the Muppet Show tonight It's time to put on makeup It's time to dress up right It's time to raise the curtain On the Muppet Show tonight Why do we always come here I guess we'll never know It's like a kind of torture To have to watch the show And now lets get things started Why don't you get things started It's time to get things started On the most sensational Inspirational Celebrational Muppetational This is what we call the Muppet Show! Characters Kermit the Frog Originally from "Sam & Friends" (1955), then later Sesame Street (1969), Kermit is the host of The Muppet Show. Miss Piggy Self-centered, yet very persuasive. Wants to marry Kermit. Fozzie Bear Furry, fuzzy, funny, fabulous, free-willing, fast, and frantic....he's Fozzie Bear. The Great Gonzo A "whatever". Scooter the Go-Fer Kermit's stage assistant. Rizzo the Rat Gonzo's sidekick. A rat with rat-itude. Rowlf the Dog Originally from The Jimmy Dean Show, Rowlf is a piano playing dog, and the first muppet to become a national star. Statler and Waldorf The two old-timers who sat in the balcony. Doctor Bunsen Honeydew The Muppet Show's scientist. Beeker Meep Meep Meep's meep. Beauregard: The Muppet Show's slow-witted janitor. Pops: Greeted the guests at the begining. The Swedish Chef Bork bork bork. The Eletric Mayhem The Muppet Show's band including: Dr. Teeth (lead vocalist and piano player), Sgt. Floyd Pepper (Bass, and Janice's boyfriend), Janice (guitarist, Floyd's girlfriend), Zoot (sax is his act), Lips (trumpet player), and Animal (HE WANT TO BAT DRUM!) First Telecast: September 27, 1976 Last Telecast: June 8, 1981 Episodes: 120 color episodes Spin-Offs: Muppet Babies and Muppets Tonight! Spin Offs: * Muppet Babies was Jim Henson's first animated series. The show featured familiar Muppet faces, only as babies. New characters included Nanny (the nanny of the nursery), and Skeeter (Scooter's twin sister). * Muppets Tonight! was basically a modern remake of The Muppet Show, featuring celebrity guest stars who at the peak of perfection at the time. New characters included: Pepe (the king prawn, okay?), Clifford (the cool hippie muppet)and Johnny Fiami and Sal Movies * The Muppet Movie (1979) * The Great Muppet Caper (1981) * The Muppets Take Manhattan (1984) * The Muppet Christmas Carol (1993) * Muppet Treasure Island (1996) * Muppets From Space (1999) * Kermit's Swamp Years (2002) * It's a Very Merry Muppet Christmas Movie (2002) * The Muppets' Wonderful Wizard of Oz (2005)moreless
  • 23
    Looney Tunes

    Looney Tunes

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    Cartoon Network
    Looney Tunes is a show that reruns classic cartoons featuring Bugs Bunny, Daffy Duck, Tweety, Sylvester, Pepe le Pew, Road Runner, Wile E. Coyote, Foghorn Leghorn and more. These classic characters were featured in 1000+ theatrical cartoons and many prime-time specials made for TV as well as numerous classic cartoon excerpts. Looney Tunes was originally aimed at an adult audience when it aired for the first time in 1955, but unfortunately it was censored. It eventually became a show for children known as The Bugs Bunny Show in 1960, which aired on ABC. Looney Tunes made it's way to Nickelodeon along with numerous Warner Bros. classic cartoons including some of their oldest black-and-whites and almost their complete canon of '60s cartoons. This show started in 1988 and ended in 1999. Now, the Boomerang block on Cartoon Network is the only place in the US where you can still see these timeless classic characters and their animated antics.moreless
  • 24
    The Flintstones

    The Flintstones

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    ABC (ended 2001)
    The Flintstones was a parody on modern suburban life, set in the Stone Age. The characters in the cartoon series all behaved and spoke in a contemporary manner, though they lived in the prehistoric city of Bedrock. Fred worked as operator of a dinosaur-powered crane at Rock Hard & Quarry Cave Construction Co. (slogan: "Own Your Own Cave and Be Secure"). Around their split-level cave the Flintstones enjoyed such conveniences as Wilma's Stoneway piano, a hi-fi on which Fred could play his "rock" music (it consisted of a turntable and a bird with a long beak to serve as a needle), a vacuum cleaner (a baby elephant with a long trunk), and an automatic garbage disposal unit (a famished buzzard stashed under the sink). Their car, which sported tail fins, also came equipped with steamroller wheels--to smooth out the rocky road. Then one day in 1963 they were blessed with a baby daughter, whom they named Pebbles. Not to be outdone, their neighbors the Rubbles adopted an orphan boy named Bamm Bamm. (The two kids later had a Saturday morning cartoon series of their own, Pebbles and Bamm Bamm.) The Flintstones was always as much adult satire as children's fun. In many respects it resembled Jackie Gleason's popular Honeymooners, especially in the relationships of the principals. A wide range of caricatures passed through the stories: Lollobrickida, a pretty cook; Ann-Margrock, whose voice was supplied by Ann-Margret; attorney Perry Masonry (he never lost a case); Ed Sullystone, a TV host; Eppy Brianstone, a teenage impresario; and Weirdly and Creepella Gruesome, the strange couple who with their son Goblin moved into a cave nearby (this was a parody on The Addams Family and The Munsters, then popular). The Gruesomes thought that they were normal, and everyone else in Bedrock was odd. The Flintstones and its spin-offs had a highly successful run on Saturday mornings--on NBC from January 1967-September 1970, on CBS from September 1972-January 1974, back on NBC from February 1979-September 1984, and on ABC with The Flintstone Kids from September 1986-September 1989. This series has also many movies and specials (about 10 specials). Some of them are:"A Flintstones Christmas Carol", a flintstones version of the famous Charles Dickens book, "A Flintstones Christmas" where Fred replaces Santa Claus (Pebbles and Bamm Bamm are speaking now), "I Yabba Dabba Do" where Pebbles and Bamm Bamm are grown up and get married, and "Holly-Rock-a-bye Baby" where Pebbles gives birth.moreless
  • 25
    Taxi

    Taxi

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    ABC (ended 1983)
    Taxi's television history is filled with contradictions. Produced by some of television comedy's most well-regarded talent, the show was canceled by two different networks. Despite winning fourteen Emmy Awards in only five seasons, the program's ratings were rock-bottom for its final seasons. Although it thrives in syndication and is still well-loved by many viewers, Taxi will be best remembered as the ancestral bridge between two of the most successful sit-coms of all time: The Mary Tyler Moore Show and Cheers. In the mid-1970s, MTM Productions had achieved huge success with both popularity and critical appraisal. So it was an unexpected move when four of the company's finest writers and producers, James L. Brooks, Stan Daniels, David Davis, and Ed. Weinberger, jumped off the stable ship of MTM in 1978 to form their own production company, John Charles Walters Company. To launch their new venture, they looked back to an idea that Brooks and Davis had previously considered with MTM: the daily life of a New York City taxi company. From MTM head Grant Tinker they purchased the rights to the newspaper article that had initiated the concept and began producing this new show at Paramount for ABC. They brought a few other MTM veterans along for the ride, including director James Burrows and writer/producers Glen and Les Charles. Although Taxi certainly bore many of the trademark signs of "quality television" as exemplified by MTM, other changes in style and focus distinguished this from an MTM product. After working on the middle-class female-centered worlds of The Mary Tyler Moore Show, Rhoda, and Phyllis for years, the group at John Charles Walters wanted to create a program focusing on blue-collar male experience. MTM programs all had clearly defined settings, but Taxi's creators wanted a show that was firmly rooted in a city's identity--Taxi's situations and mood were distinctly New York. Despite MTM Productions innovations in creating ensemble character comedy, there was always one central star around which the ensemble revolved. In Taxi Judd Hirsch's Alex Reiger was a main character, but his importance seemed secondary to the centrality of the ensemble and the Sunshine Cab Company itself. While The Mary Tyler Moore Show proudly proclaimed that "you're going to make it on your own," the destitute drivers of Taxi were doomed to perpetual failure; the closest any of them came to happiness was Reiger's content acceptance of his lot in life--to be a cabby. Taxi debuted on 12 September 1978, amidst a strong ABC Tuesday night line-up. It followed Three's Company, a wildly-successful example of the type of show MTM "quality" sit-coms reacted against. Taxi used this strong position to end the season ninth in the ratings and garner its first of three straight Emmys for Outstanding Comedy Series. The show's success was due to its excellent writing, Burrows's award-winning directing using his innovative four-camera technique, and its largely unknown but talented cast. Danny DeVito's Louie DePalma soon became one of the most despised men on television--possibly the most unredeemable and worthless louse of a character ever to reside on the small screen. Andy Kaufman's foreign mechanic Latka Gravas provided over-the-top comedy within an ensemble emphasizing subtle character humor. But Kaufman sometimes also brought a demonic edge to the character, an echo of his infamous appearances on Saturday Night Live as a macho wrestler of women and Mighty Mouse lip-syncher. In the second season Christopher Lloyd's Reverend Jim Ignatowski was added to the group as television's first drugged-out '60s burn-out character. But Lloyd's Emmy-winning performance created in Jim more than just a storehouse of fried brain cells; he established a deep, complex humanity that moved far beyond mere caricature. The program launched successful movie careers for DeVito and Lloyd, as well as the fairly-notable television careers of Tony Danza and Marilu Henner; Kaufman's controversial career would certainly have continued had he not died of cancer in 1984. In its third season ABC moved Taxi from beneath Three's Company's protective wing to a more competitive Wednesday night slot; the ratings plummeted and Taxi finished the next two years in 53rd place. ABC canceled the show in early 1982 as part of a larger network push away from "quality" and toward the Aaron Spelling-produced popular fare of Dynasty and The Love Boat. HBO bid for the show, looking for it to become the first ongoing sitcom for the pay channel, but lost out to NBC, which scheduled the series for the 1982-83 season. Ironically, this reunited the show's executive producers with their former boss Tinker, who had taken over NBC. Tinker's reign at NBC was focused, not surprisingly, on "quality" programming which he hoped would attract viewers to the perennially last-place network. Taxi was partnered with a very compatible show on Thursday night--Cheers, created by Taxi veterans Charles, Burrows, and Charles. Although this line-up featured some of the great programs in television history--the comedies were sandwiched by dramas Fame and Hill St. Blues--the ratings were dreadful and Taxi finished the season in 73rd place. NBC was willing to stick by Cheers for another chance, but felt Taxi had run its course and canceled it at the end of the season. Had Taxi been given another year or two, it would have been part of one of the most successful nights on television, featuring The Cosby Show (co-created by Taxi creator Weinberger), Family Ties, Hill St. Blues, L.A. Law, and eventual powerhouse Cheers. Taxi lives on in syndication, but its most significant place in television history is as the middle generation between The Mary Tyler Moore Show and Cheers. It served as a transition between the star-driven middle-class character comedy of MTM programs and the location-centered ensemble comedy inhabited by the losers of Cheers and Taxi. Considered one of the great sit-coms of its era, Taxi stands as a prime example of the constant tension in television programming between standards of "quality" and reliance on high ratings to determine success. --Jason Mittel The Museum of Broadcast Communicationsmoreless
  • 26
    The Honeymooners

    The Honeymooners

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    CBS (ended 1978)
    328 Chauncey Street, Bensonhurst, Brooklyn, New York is where the apartment residences of the Kramdens and the Nortons stand. These four people, fifteen years after the depression are still struggling to make ends meet. Ralph Kramden and Alice Gibson married following his acquiring employment as a bus driver with the Gotham Bus Company. Edward Lillywhite Norton, a sewer worker, and his wife, Thelma 'Trixie', live above the Kramdens. The stories depict the sincere attempts of two men attempting to better their lives, and the ensuing frustrations when their schemes to strike it rich inevitably backfire. Although "The Honeymooners" is one of the best remembered comedy highlights of TV's golden age, it was seen for most of its history as a segment within other programs. In 1951, "The Honeymooners" was first seen as a sketch within DuMont's "Cavalcade of Stars", with Pert Kelton originating the role of Alice and with Art Carney's first appearance as a cop. (See season 12 - Special: Really Lost Debut Episodes). In 1952, Jackie moved his show to CBS as "The Jackie Gleason Show" (see seasons 1-3), Audrey Meadows assumed the role of Alice. On 3/30/1952 Jackie Gleason and Art Carney perform a 10 minute "Honeymooners" sketch on "Toast of the Town" (Season 5, Episode 30) titled "The Ring". Ralph is Jealous of Joe the Jeweler. This sketch can be found on rare "Best of Ed Sullivan" VHS's that float around the internet through various traders. On 5/4/52 Jackie Gleason, Art Carney & Pert Kelton perform a 10 minute "Honeymooners" sketch on "Toast of the Town" (Season 5, Episode 35) titled "The Dance". Ralph & Alice getting dressed for a night out. This sketch can be found on rare "Best of Ed Sullivan" VHS's that float around the internet through various traders. Note: This would be the last time Pert Kelton would portray Alice. In 1955 Gleason wanted a respite from the full-hour live weekly variety show. Thus the "Classic 39" were born (see season 4). It was decided to film a full season of half-hour Honeymooners shows. In 1956, after the less-than-anticipated response to the filmed "Honeymooners", Gleason returned to a regular variety format for 1 additional season (see season 5). In 1957 as part of the final season of "The Jackie Gleason Show", Jackie brought aboard Jerry Bresler & Lyn Duddy to create what is now known as the 1957 - Trip To Europe musical episodes. On 1/26/1958 Audrey Meadows, Jack Benny and Dennis Day perform a "Honeymooners" sketch on "The Jack Benny Program". Jack Benny portrays Ralph & Dennis Day portrays Ed. This sketch can be found on very scarce "Best of Jack Benny" VHS's that float around the internet. In 1962, after a 5 year hiatus from Television, Jackie returned to TV with "Jackie Gleason and His American Scene Magazine" (see season 6). From 1962 to 1964 this show was from New York. Only 2 "Honeymooners" sketches were performed with Sue Ann Langdon taking on the role of Alice and Patricia Wilson as Trixie. In 1964 Jackie moved his "American Scene Magazine" from NY to Miami. To move the entire crew and staff Jackie chartered a train of 14 cars for over 100 passengers and dubbed it "The Great Gleason Express". This would be where the remaining "Honeymooners" would be filmed, though still set in Bensonhurst. In 1966, Audrey Meadows returned for 1 special episode, "The Adoption", a classic Jerry Bresler & Lyn Duddy musical episode featuring Ralph & Alice's attempt to adopt a baby. This would be the last episode filmed in black & white and is a precursor to what is now known as the "Color Honeymooners" over the next 4 seasons. From 1966 to 1970, the majority of these episodes were Jerry Bresler & Lyn Duddy mini-musicals, now known as the "Color Honeymooners". Sheila MacRea would portray Alice and Jane Kean as Trixie. These episodes can be seen on the "American Life TV Network" with all 4 seasons now on DVD. On 1/7/1967 Audrey Meadows & Ray Bolger portray Alice & Ralph Kramden in a "Honeymooners" sketch on "The Hollywood Palace". On 9/30/1968 Jackie appears uncredited as Ralph Kramden in one of the funniest episodes of "Here's Lucy" titled "Lucy Visits Jack Benny". Jack Benny appears as himself. Tis episode appears on "Here's Lucy" DVD Season 1. On 10/11/1973, Jackie Gleason brought "The Honeymooners" back in a 1 time special that aired on CBS titles "Women's Lib" (see season 11). On 5/22/1974, Jackie Gleason and Julie Andrews portray Ralph Kramden & Ed Norton on the special "Julie & Jackie: How Sweet It Is". This would mark the only time Jackie would portray Ralph to anyone else portraying Ed Norton. Jackie always said he could never do Ralph without any other guy other than Art Carney. He kept his word!! And from 1976 to 1978, the last 4 "Honeymooners" were filmed in Miami and Atlantic City (see season 11). These holiday themed specials that aired on ABC would see the return of Audrey Meadows as Alice and Jane Kean as Trixie. On February 6, 1985 Jackie Gleason holds a press conference at New York's "21 Club" with Audrey Meadows and Joyce Randolph by his side. It is here that Jackie announces that the "The Honeymooners: The Lost Episodes" will make their television debut on Showtime in September 1985. On May 13, 1985 NBC airs "The Honeymooners Reunion" a new special showing numerous clips and scenes of upcoming "Lost Episodes". From May through August 1985 the "Museum of Broadcasting" presents "Discovery: Lost Episodes" airing 17 "Lost Episodes" ready for public viewing. On September 2, 1985 Showtime airs a 3 & 1/2 hour "Lost Episodes Marathon" airing 8 complete "Lost" classics. In September 1986 the "Lost Episodes" made their non-cable debut bumping the total # of "Honeymooners" episodes in syndication from 39 to 118. Thank you Jackie Gleason!! NOTE: This episode guide contains all episodes of "The Honeymooners" that were either sketches as seen on "The Jackie Gleason Show" and "American Scene Magazine" as well as the "Classic 39" and TV specials. Season 12 is set up for "Honeymooners" specials as well as specials that celebrated Jackie Gleason in which "Honeymooners" clips and sketches aired. A new website maintained by the Gleason estate is now up & fully running... http://www.jackiegleason.com/moreless
  • 27
    The Jeffersons

    The Jeffersons

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    CBS (ended 1985)
    The Jeffersons first aired in January of 1975 on CBS as a mid-season replacement. The series was a spinoff ofAll in the Family in which the Jeffersons were Archie and Edith Bunker's next door neighbors. In 1975, The Jeffersons moved on up when George found success in a dry cleaning business. This allowed him and his wife, Louise and their son Lionel to "move on up" into a spacious high rise apartment. At the beginning of the series, Lionel was attending college and graduated in February 1976. He married Jenny Willis in December of the same year and they had a daughter in 1979, Jessica Jefferson. Other members of the cast include, Tom and Helen Willis were upstairs neighbors and also Jenny's parents. Florence Johnston was the Jefferson's sassy maid who was hired as a part-time maid in the first episode but in October 1976 moved in and became a full-time maid. Mother Jefferson was George's fiesty mother who forever put Louise down but deep down loved her. Harry Bentley was the handsome British, next door neighbor. Besides being quite eccentric and forever borrowing things from the Jeffersons, Bentley worked as a translator at the United Nations. In 1981, Bentley was written out as being transferred to Russia, but returned in 1983. Ralph was the building doorman who forever begged for tips from George and the other tennents in the building. Tom and Helen Willis were controversial characters since they were most likely TV's first interracial couple. Helen was Louise's best friend and they ran a Help Center which opened in 1977. As for Tom and George, it took the entire run of the series to develop their love/hate friendship. The series was unceremoniously pulled from the air with no warning, so the cast, bitter that they never got to shoot an appropriate finale episode, later reunited for a theatrical stage play. Sherman and Isabel also reprised their roles as George and Louise Jefferson on a couple episodes of The Fresh Prince of Bel-Air in the mid-90's and have most recently reprised their roles on Denny's commercials. Spinoff of: All in the Family Spinoffs: Checking In CBS Broadcast History January-August 1975----Saturdays----8:30 p.m. September 1975-October 1976----Saturdays----8:00 p.m. November 1976-January 1977----Wednesdays----8:00 p.m. January 1977-August 1977----Mondays----8:00 p.m. September 1977-March 1978----Saturdays----9:00 p.m. April-May 1978----Saturdays----8:00 p.m. June-September 1978----Mondays----8:00 p.m. September 1978-January 1979----Wednesdays----8:00 p.m. January-March 1979----Wednesdays----9:30 p.m. March-June 1979----Wednesdays----8:00 p.m. June 1979-September 1982----Sundays----9:30 p.m. September 1982-December 1984----Sundays----9:00 p.m. January-March 1985----Tuesdays----8:00 p.m. June-July 1985----Tuesdays----8:00 p.m. Nielsen Ratings: (Top 30 or Better) #4 in the 1974-1975 Season #21 in the 1975-1976 Season #24 in the 1976-1977 Season #8 in the 1979-1980 Season #6 in the 1980-1981 Season #3 in the 1981-1982 Season #12 in the 1982-1983 Season #19 in the 1983-1984 Season #56 in the 1984-1985 Season Never hit the top 30 First Telecast: January 18, 1975 Last Telecast: July 23, 1985 Episodes: 253 Color Episodes Theme Song: "Movin' On Up" Written by: Jeff Barry and Ja'net DuBois Sung by: Ja'net DuBois Well we're movin on up,to the east side. To a deluxe apartment in the sky. Movin on up, to the east side. We finally got a piece of the pie. Fish don't fry in the kitchen; Beans don't burn on the grill. Took a whole lotta tryin', just to get up that hill. Now we're up in the big leagues, gettin' our turn at bat. As long as we live, it's you and me baby, and there ain't nothin' wrong with that. Well we're movin on up, to the east side. To a deluxe apartment in the sky. Movin on up, to the east side. We finally got a piece of the pie.moreless
  • 28
    Maude

    Maude

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    CBS (ended 1978)
    Maude was one of the most popular shows during the 70s. Not only was it one of the most popular, it was one of the most controversial. The show was real and told it like it is - much like the show that first introduced us to Maude, All in the Family.

    Maude was outspoken and stong-willed... which lead her to many interesting and controversial situations. Maude wasted no time becoming one of the most controversial shows ever when she, at age 47, became pregnant and decided to get an abortion (the first show to ever have the lead character get an abortion). By the end of the show Maude was heading to Congress, ready to take on a new world. And it seemed we would get to see Congresswoman Maude, but Bea Arthur decided to leave the show. Maude remains as part of TV history and has since become a true c.

    Others in the cast include, Maude's fourth husband, Walter, and her divorced daughter, Carol from her first marriage. Arthur was the next door neighbor who later married Maude's best friend, Vivian and Phillip was Carol's son.

    Maude had a spin-off, Good Times, which centered around the life of the Findlay housekeeper, Florida. Mrs. Naugatuck become the new housekeeper in 1974. She would later marry her boyfriend, Bert Beasley.

    Spin-off of: All in the Family Spin-offs: Good Times

    CBS Broadcast History

    September 1972-September 1974----Tuesdays----8:00 p.m. September 1974-September 1975----Mondays----9:00 p.m. September 1975-September 1976----Mondays----9:30 p.m. September 1976-September 1977----Mondays----9:00 p.m. September-November 1977----Mondays----9:30 p.m. December 1977-January 1978----Mondays----9:00 p.m. January-April 1978----Saturdays----9:30 p.m.

    Nielsen Ratings: (Top 30 or Better)

    #4 in the 1972-1973 Season #6 in the 1973-1974 Season #9 in the 1974-1975 Season #4 in the 1975-1976 Season

    Theme Song: "And Then There's Maude" Written by: Alan and Marilyn Bergman and David Shire Sung by: Donny Hathaway

    Lady Godiva was a freedom rider She didn't care if the whole world looked. Joan of Arc with the Lord to guide her She was a sister who really cooked.

    Isadora was the first bra burner Ain't you glad she showed up. (Oh yeah) And when the country was falling apart Betsy Ross got it all sewed up.

    And then there's Maude.(And then there's Maude.) And then there's Maude.(And then there's Maude.) And then there's Maude.(And then there's Maude.) And then there's ...

    That old uncompromisin', enterprisin', anything but tranquilizing, Right on Maude.moreless
  • 29
    Bewitched (1972)

    Bewitched (1972)

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    ABC (ended 1972)
    Bewitched is a fantasy sitcom chronicling what happens when a witch and a mortal fall in love and get married in 1960s and '70s suburban America. At the very center of the show is Elizabeth Montgomery's portrayal of a good-hearted witch named Samantha. A strong, independent woman with the world at her finger tips (or at the twitch of her nose), she gives up her witchly life to do things the "mortal way". Her mortal husband Darrin Stephens (played by Dick York, and later Dick Sargent) is a talented advertising executive with McMann & Tate. He obsesses with leading a "normal life" where one works hard to earn a good living for one's family. He constantly struggles against disapproving witches and warlocks, like Samantha's powerful mother, Endora (played by Agnes Moorehead).
    Endora is determined to prove to Samantha that the mixed-marriage marriage is a tremendous mistake. Over the show's eight year run, Endora tries numerous spells, all creating humiliation and chaos in Darrin's mortal world. This often ends up affecting Darrin's money-obsessed boss and best friend, Larry Tate (played by David White). Larry's wife, Louise (played by Irene Vernon and Kasey Rogers), is Samantha's best friend, although she is unaware that Sam is a witch.
    In season two, life changes dramatically when Samantha and Darin give birth to daughter Tabitha Stephens (played by five babies that season and by twins Erin and Diane Murphy starting in season three). Many early Tabitha episodes revolve around whether she is a witch or mortal until the big reveal in season three. Later in season six, the Stephenses give birth to a boy, Adam. Although less airtime is spent on his character, eventually audiences find out that he too has powers.
    Recurring characters include Samantha's favorite aunt, Clara, who is a lovable, bumbling witch (played by Marion Lorne). Due to Aunt Clara's extended age, she is suffering the loss of her powers and inadvertently wreaks havoc at the Stephens home. Also often wreaking havoc are Samantha's practical joking Uncle Arthur (Paul Lynde), her Shakespeare orating father, Maurice (Maurice Evans), a bad joke-telling witch doctor, Dr. Bombay (Bernard Fox) and a shy witch-maid Esmeralda (Alice Ghostley). Elizabeth Montgomery also portrays Samantha's free-spirited, mischievous twin cousin, Serena.
    On the mortal receiving end of the seemingly hallucinogenic world of witches are neighbors Gladys and Abner Kravitz. Gladys, first portrayed by Alice Pearce and later by Sandra Gould, was immediately aware that the Stephens household was positively strange, and was certain that something "beyond this world" was at work across the street. Abner (George Tobias) never believes it. Darrin's mother, Phyllis Stephens (Mabel Albertson), fairs no better, as she is forever witnessing zany antics only to have her husband, Frank Stephens (Robert F. Simon and later Roy Roberts) not believe it.
    Bewitched earned nearly two dozen Emmy nominations during its run. Marion Lorne and Alice Pearce won well deserved awards, as did director and producer, William Asher (Elizabeth Montgomery's husband at the time). In 1970, Bewitched presented a Christmas episode regarding bigotry and racism, and received a special Emmy, the Governor's Award, for the landmark episode "Sisters at Heart". Beyond the theme of bigotry and "mixed-marriages", the series explored cultural issues of consumerism, materialism, human vanity, women's liberation, and mass hysteria. Season six of Bewitched brought about the biggest change to the series as Dick York was replaced by Dick Sargent in the role of Darrin. This element of the show has become a cultural touchstone, with many viewers debating their favorite Darrin.
    First Telecast: September 17, 1964 Last Telecast: July 1, 1972 ABC Daytime: 1968 - 1973 ABC Saturday Morning: 1971 - 1973 Episodes: 254 Episodes (74 black and white, 180 color) Ratings Season 1: #2 Season 2: #7 Season 3: #8 Season 4: #11 Season 5: #12 Season 6: #25 Season 7: (above #25) Season 8: (above #25)moreless
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    Scooby-Doo

    Scooby-Doo

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    ABC (ended 1978)
    The Scooby Doo Show premiered on ABC in September 1976 as part of The Scooby-Doo-Dynomutt Hour, in which new episodes of Scooby Doo shared an hour with a superhero dog named Dynomutt. It was a revamped version of Scooby Doo, Where Are You? which started on CBS in 1969. In September of 1977, The Scooby-Doo Show once again shared an hour with The All-Star Laff-A-Lympics,which placed Scooby's team, Yogi's team, and Dread Baron's team competing to win points for their team. In 1978, the show had its own 30-minute segment until it was replaced with Scooby and Scrappy Doo in 1979.moreless
  • 31
    Family Affair

    Family Affair

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    CBS (ended 1971)
    Family Affair was one of those successful family comedies of the 1960's. Bill Davis' carefree existence as a swinging bachelor was just about perfect. A highly paid consulting engineer, he maintained an elegant apartment off Fifth Avenue in Manhattan and had his domestic needs cared for by a very English gentleman's gentleman, Mr. French. Into this life of independence came three young orphans, the 6-year old twins Buffy and Jody and 15-year-old Cissy. Their parents, Bill's brother and sister-in-law, had died in an accident, and other relatives felt that Bill could best provide for them. Despite initial misgivings, Bill and French became very attached to the children and learned to adjust their lifestyle to make room for the new members of the household. Mr. French, a stickler for neatness and order, had the toughest adjustment to make, he was with the children all the time while Bill was often out of town on assignments. All in all, they were a happy family. Family Affair aka Fedderson & Hartmann's Family Affair is A DON FEDDERSON PRODUCTION in association with the CBS Television Network. Distributed by Paramount-VIACOM Television and CBS Television Network Distribution. ----------------------------------------------------------------- Broadcast History: {CBS Nighttime} Sep. 12, 1966-Sep. 15, 1969, CBS Monday at 9:30-10:00pm Sep. 25, 1969-Sep. 9, 1971, CBS Thursday at 7:30-8:00pm. {CBS Daytime} Sep. 7, 1970-Sep. 1, 1972 at 11:00-11:30am on CBS-TV Sep. 4, 1972-Jan. 12, 1973 at 4:00-4:30pm on CBS-TV. ---------------------------------------------------------------- Ranks in the top 30 Nielsen Ratings No. 14 (tie) in the 1966-1967 Season (with "The Dean Martin Show") No. 4 (tie) in the 1967-1968 Season (with "Gunsmoke" & "Bonanza") No. 5 in the 1968-1969 & 1969-1970 Seasons No Ranking in the 1970-1971 Season.moreless
  • 32
    The Partridge Family

    The Partridge Family

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    ABC (ended 1974)
    In 1970, the Partridge Family was among the top-selling recording acts, not to mention one of the top-rated TV shows of its time. Either way, it made David Cassidy a successful teen idol until the show's cancellation in 1974.

    The Partridge Family consisted of Shirley Partridge (keyboards, vocals) and her five kids: Keith (lead vocalist and guitar), Laurie (keyboards, vocals), Danny (bass guitar, vocals), Chris (drums), and Tracy (tambourine). Rounding out the cast was their manager, Reuben Kincaid.

    With the exception of Shirley Jones and David Cassidy, none of the actors on the show actually sang or played on the group's records. In fact this was done by professional studio musicians and singers, with the family lip-synching to the tracks on camera. In fact, David Cassidy was originally hired for his looks, but when the producers found out that he could sing they realized that they could use him in the real band.

    Many of the episode plots draw upon the comedic relationship between Reuben (Dave Madden) and Danny (Danny Bonaduce). These two were good friends both on and off the set. Other plot devices were Keith's good looks and popularity at school, Laurie's 70's style activism and some of the strange encounters that the family had when on the road in their bus.

    The Partridge Family was true wholesome family programming. At the time Shirley Partridge was one of the the first single mother's to be featured on a television show. Originally the scripts called for her to be divorced, but this was changed to describe her as a widow.

    Telecast: ABC September 25, 1970 - August 31, 1974 Broadcast History (all ET): Sept. 1970 - Jun. 1973, ABC Friday 8:30 - 9:00 P.M. Jun. 1973 - Aug. 1974, ABC Saturday 8:00 - 8:30 P.M. 96 Episodes In Color On Film.moreless
  • 33
    Disneyland

    Disneyland

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    ABC (ended 1990)
    Walt Disney, one of Hollywood's most ambitious producers, was first approached to do television in 1950, when The Coca-Cola Company offered him a one-hour special. The one hour special, "One Hour in Wonderland," aired December 25, 1950 on NBC and garnered 90% of the television viewing audience. A second special, "The Walt Disney Christmas Special," aired December 25, 1951 on CBS. When Walt had drawn up plans for a theme park, known as Disneyland, he found a hard time obtaining funding; critics, including Walt's brother Roy, thought that it was unfeasible and that it would be a fiasco. At the same time, the ABC television network offered him a deal for a television anthology series. Walt wouldn't agree to it unless they put up partial financing for Disneyland (a term that had kept CBS and NBC from signing with him). ABC agreed, and also paid him $50,000 per program, an exorbitant sum for the time. The show, titled Disneyland, premiered on October 27, 1954 and was an immediate success. Historically, the show is significant for two reasons. First, with thirty-four seasons, it is the longest-running prime time network series in history (not counting news programs; if one were to count news programs, 60 Minutes would take that title). Second, it was the first original television production by a major Hollywood studio. Other studios resented television for fear that it would keep people from going out to the movies. Thus, they refused to produce television programs, and they refused to let networks or stations use any of their more recent or better-known material. Walt Disney was the first Hollywood producer to do so. Disneyland was a mixture of cartoons, live-action adventures, documentaries, and nature stories. Some of these were made expressly for television, but others were former theatrical releases. Many of the early programs were designed to promote upcoming theatrical releases. One particular early success of the Disneyland series was the Davy Crockett trilogy. This was a phenomenal success in every aspect; the merchandising bonanza that followed sold $300 million worth of Crockett memorabilia. Thus, ABC wanted more adventure stories along the lines of Davy Crockett. Disney provided them, but none were nearly as successful. Along the way, in 1958, it was retitled Walt Disney Presents. Eventually the show became more reliant on original material, though pre-existing material was used at times. In 1961, his contract with ABC expired. He moved his show to NBC where he could broadcast it in color (ABC would not have the capability for color broacasting until 1962). It was rechristened Walt Disney's Wonderful World of Color, with an original theme song by Richard M. Sherman and Robert B. Sherman (who went on to write the song scores to such well-known Disney films as Mary Poppins, The Jungle Book, The Many Adventures of Winnie-the-Pooh and Bedknobs and Broomsticks). It premiered on NBC on Sunday, September 24, 1961. On NBC, he was able to re-air many of the ABC shows in color, as they had been filmed that way as insurance for possible future airings once color broadcasting, or "colorcasting," took hold. In September of 1966, doctors told Walt Disney, a lifetime chain-smoker, that he had lung cancer. Though the cancerous lung was removed, doctors told him that the cancer had been detected too late, and he died on Thursday, December 15, 1966. Knowing full well that no one could replace him as a host, Walt Disney Productions dropped the hosted introduction segments after the season's end. Luckily, Walt had filmed that all of that season's host segments before it was too late. The show changed its name to The Wonderful World of Disney on September 14, 1969, and dropped the Sherman Brothers theme song in favor of various alternating medleys of well-known songs from Disney movies and parks. The trusted Disney name continued to insure high ratings for the next few years. As popular tastes changed dramatically during the late 1960s and early 1970s, the public seemed to have largely begun to turn away from anything Disney (except theme parks and merchandise), seeing the name as symptomatic of a square, uptight, and unhip mindset that young people were coming to reject. The studio itself suffered from the lack of hit movies and accusations of incompetent management at the time. The ratings of the anthology series, however, remained reasonably stable, enough so that NBC renewed Disney's contract through 1978. In the fall of 1975, the show began a ratings decline when it was moved back to 7 PM from 7:30 PM. Disney's ratings fell from the Top 30 and continued to fall every year afterwards. The following year went face to with CBS's 60 Minutes. Though it had begun in 1968 and was scheduled on Tuesday, the CBS newsmagazine had been scheduled on Sunday evenings since the 1971-1972 season, and had been held back until after football season due to the risk of pre-emptions; it was this year that the show finally began its season in the fall. The show was easily able to beat ABC's Sunday night offerings but trailed the CBS newsmagazine by a wide margin. As the number of original installments decreased every year, so, too, did the ratings. In 1979, NBC (which, as a network, was also in the midst of a very public, humiliating decline) threatened Disney with cancellation unless the ratings improved. That fall, Walt Disney Productions rechristened the anthology series Disney's Wonderful World and commissioned a new, original theme song by John Debney and John Klawitter, new opening and closing credits, and a new announcer, Gary Owens (longtime announcer Dick Wesson committed suicide in January of that year). In a flashback to the original themed format, many episodes initially were divided into one of four categories: "Fantasy Night," "Adventure Night," "Comedy Night," and "Animation Night." Beneath the "happy new face" sung of in the new theme song, however, was more of the same: too little original material, airings of theatrical movies, and far too many reruns. In spite of this, the face-lift helped the ratings, so the show was renewed for the 1980-1981 season. But the next season saw only 10 installments that had not been aired on the anthology series before, and pre-emptions were far more frequent. Ratings for the show's 27th season did not improve, and in on December 30, 1980 NBC announced that it would not be renewing the series for next season. All was not lost that year, as the show was then immediately picked up by CBS. It was moved from its longtime Sunday night slot to Saturday night at 8 PM, as the network would not displace its highly-rated pride and joy 60 Minutes. Retitled Walt Disney, the show promised to present more original programming than it had in its final years on NBC. On September 26, 1981, after a huge advertising campaign by the network, the series premiered on CBS. Ratings improved against mediocre competition, and the show was renewed for another season (its 29th on network television). A few of these shows were pilots for series that were never picked up. The second CBS year saw an increase in the number of reruns (as opposed to last year's increase in new episodes), and the ratings dropped. Disney did, however, produce several midseason replacement series for CBS, but all of them failed. On Monday, April 18, 1983, Walt Disney Productions and Westinghouse Broadcasting launched The Disney Channel, a cable network created to showcase the large library of Disney cartoons, movies, and TV shows (the anthology series was rerun under the name Walt Disney Presents). Thus, in the eyes of CBS, the anthology series had outlived its purpose and was canceled. There were occasional network and syndicated specials, but all of Disney's television resources were concentrated on the cable service. When Michael Eisner became CEO of Walt Disney Productions in September of 1984, one of the first things he and his new regime did was express an interest in reviving Disney's presence on network TV. He had some success, as the Emmy-winning, Touchstone-produced sitcom The Golden Girls and the Saturday morning cartoon (a medium with which Walt Disney himself had refused to get involved due to fears of compromised quality) Disney's Adventures of the Gummi Bears both premiered on NBC on Saturday, September 14, 1985 and lasted several years. However, these particular shows were the exception, not the rule; a number of series that the new regime eventually launched failed (Wildside and The Ellen Burstyn Show, for instance). Also, of course, did the company plan to revive the anthology series. Now known as The Disney Sunday Movie, it made its much-hyped return to network television on February 2, 1986 after a hiatus of 2 years, 4 months, and eight days, replacing the dismally-rated Ripley's Believe it or Not. Just as Walt Disney had hosted the original until his death, Michael Eisner appeared in an introductory segment at the beginning of each episode. Nostalgia and ratings were high initially, but both eventually wore off. The show premiered at a two-hour length, but in the fall of 1987, once again being soundly beaten in the ratings regularly by 60 Minutes in its first hour, and by Murder, She Wrote in its second, it was shortened to one hour for its third and final season on ABC. NBC, which had not been able to launch a hit show in Disney's old time slot in the seven years since the show was axed by that network, picked up the show, which was renamed The Magical World of Disney. At first, a rotating "wheel" format was used, utilizing three different genres; every fourth week would be a special. This lasted until a few months into the following season. Eisner continued to host the show, but ratings on NBC were no better than they had been on ABC, and it limped through a two-year run here before the network pulled the plug for good. After 36 years (save for the September 1983-January 1986 hiatus), one of television's last remaining institutions from its golden age came to an unceremonious end. In 1995, The Walt Disney Company announced plans to buy out the ABC television network, which went through in January of 1996. In the fall of 1997, a family-oriented movie time slot was set aside on ABC and christened The Wonderful World of Disney. Ratings to date have been middling. Though the show is not currently repeated anywhere (The Disney Channel dropped it and all vintage Disney programming in September of 2002), episodes are slowly being released on DVD in the United States, and its legacy of quality television entertainment for all members of the family lives on in the hearts and minds of many. Here is a chronology of titles used for the series: Disneyland: October 27, 1954-September 3, 1958
    Walt Disney Presents: September 12, 1958-September 17, 1961
    Walt Disney's Wonderful World of Color: September 24, 1961-September 7, 1969
    The Wonderful World of Disney: September 14, 1969-September 2, 1979
    Disney's Wonderful World: September 9, 1979-September 13, 1981
    Walt Disney: September 26, 1981-September 24, 1983
    The Disney Sunday Movie: February 2, 1986-September 11, 1988
    The Magical World of Disney: October 9, 1988-September 9, 1990 The final name was used as an umbrella title for Disney movie airings on cable's The Disney Channel from September 23, 1990 to August 25, 1996. ABC Broadcast History (1954-1961):
    October 27, 1954-September 3, 1958: Wednesday, 7:30 PM-8:30 PM
    September 12, 1958-September 25, 1959: Friday, 8:00 PM-9:00 PM
    October 2, 1959-September 23, 1960: Friday, 7:30 PM-8:30 PM
    September 25, 1960-September 17, 1961: Sunday, 6:30 PM-7:30 PM NBC Broadcast History (1961-1981):
    September 24, 1961-August 31, 1975: Sunday, 7:30 PM-8:30 PM
    September 14, 1975-September 11, 1977: Sunday, 7:00 PM-8:00 PM
    September 18, 1977-October 23, 1977: Sunday, 7:00 PM-9:00 PM
    October 30, 1977-September 13, 1981: Sunday, 7:00 PM-8:00 PM CBS Broadcast History (1981-1983):
    September 26, 1981-January 1, 1983: Saturday, 8:00 PM-9:00 PM
    January 4, 1983-February 15, 1983: Tuesday, 8:00 PM-9:00 PM
    July 9, 1983-September 24, 1983: Saturday, 8:00 PM-9:00 PM
    (two irregularly scheduled airings on May 3, 1983 and May 21, 1983) ABC Broadcast History (1986-1988):
    February 2, 1986-September 6, 1987: Sunday, 7:00 PM-9:00 PM
    September 13, 1987-September 11, 1988: Sunday, 7:00 PM-8:00 PM NBC Broadcast History (1988-1990):
    October 9, 1988-July 2, 1989: Sunday, 7:00 PM-8:00 PM
    July 9, 1989-July 23, 1989: Sunday, 8:00 PM-9:00 PM
    August 6, 1989-February 25, 1990: Sunday, 7:00 PM-8:00 PM
    March 4, 1990-April 15, 1990: Sunday, 7:00 PM-9:00 PM
    April 22, 1990-May 6, 1990: Sunday, 7:00 PM-8:00 PM
    May 27, 1990-July 22, 1990: Sunday, 7:00 PM-9:00 PM
    August 5, 1990-September 9, 1990: Sunday, 7:00 PM-8:00 PM
    First Telecast: October 27, 1954
    Last Telecast: September 9, 1990 Episodes: 751 (180 black and white episodes, 571 color episodes [as far as the format in which they were first broadcast]) (NOTE: many of these were originally theatrical releases, and a small number were specials aired at other times, but for purposes of their first airing on the anthology series they are counted as episodes)moreless
  • 34
    Good Times

    Good Times

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    CBS (ended 1979)
    Good Times first aired in February 1974 as a mid-season replacement and went on for six years. This spinoff of the TV series, Maude, centered on the Evans family. In Maude Esther Rolle had portrayed Florida Evans, the black housekeeper, but in Good Times Florida and her family were struggling to survive in a South Side ghetto in Chicago. Florida was married to James Evans (in Maude his name was Henry) and they had three children, J.J., Thelma and Michael. The Evans family also had a next door neighbor, Willona Woods who was also a main character. At the beginning of 1976-1977 season, John Amos, who portrayed James, left the series. The writers decided to kill him off in a car accident, leaving Florida to run the household by herself. But then a year later, Esther Rolle decided to leave. She was not happy with the direction of the series. Especially the direction the character, J.J. had taken. In the 1977-1978 season, with both John Amos and Esther Rolle gone, stories centered around Willona and J.J. In this season, Willona adopted an abused girl, Penny Gordon. Also, the character of Nathan Bookman became a more prominent member of the cast. Bookman was the building superintendent. In the final season, Esther Rolle returned to the role of Florida. Also that season, Thelma married Keith Anderson and where expecting a child by the final episode. Spinoff of: Maude NOTE: Good Times debuted on February 8, 1974. Some resources mistakenly list it as having debuted on February 1, 1974. CBS seemed to leave 3 episode unaired. CBS Broadcast History February-September 1974----Fridays----8:30 p.m. September 1974-March 1976----Tuesdays----8:00 p.m. March-August 1976----Tuesdays----8:30 p.m. September 1976-January 1978----Wednesdays----8:00 p.m. January-May 1978----Mondays----8:00 p.m. June-September 1978----Mondays----8:30 p.m. September-December 1978----Saturdays----8:30 p.m. December 1978-January 1979----Wednesdays----8:30 p.m. May-August 1979----Wednesdays----8:30 p.m. Nielsen Ratings: (Top 30 or Better) #17 in the 1973-1974 Season #7 in the 1974-1975 Season #24 in the 1975-1976 Season #26 in the 1976-1977 Season First Telecast: February 8, 1974 Last Telecast: August 1, 1979 Episodes: 133 Color Episodes Theme Song: "Good Times" Written by: Alan and Marilyn Bergman and David Grusin Sung by: Jim Gilstrap and Blinky Williams Theme Song: "Good Times" Written by: Alan and Marilyn Bergman and David Grusin Sung by: Jim Gilstrap and Blinky Williams Good Times. Any time you meet a payment. Good Times. Any time you need a friend. Good Times. Any time you're out from under. Not getting hassled, not getting hustled. Keepin' your head above water, making a wave when you can. Temporary lay offs. Good Times. Easy credit rip offs. Good Times. Scratchin' and surviving. Good Times. Hangin in a chow line. Good Times. Ain't we lucky we got 'em. Good Times.moreless
  • 35
    The Facts of Life

    The Facts of Life

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    NBC (ended 1988)
    The Facts of Life began in August of 1979 and aired on NBC. It was a spin-off to the sitcom Diff'rent Strokes on which Charlotte Rae played Mrs. Garrett, housekeeper to Philip Drummond's household. In The Facts of Life, Mrs. Garrett has become headmistress to an exclusive girls school, Eastland. Although the series had a rocky start, including low ratings and a cast overhaul. The series went on to becomes one of the longest running sitcoms of the 80's. In the first season the stories revolved around Mrs. Garrett and her adjustment to her new job. The first season also introduced to us seven girls, Nancy, Blair, Sue Ann, Cindy, Molly, Natalie and Tootie. At the beginning of the second season, the cast was trimmed down to Mrs. Garrett and four primary girls, Blair, Tootie, Natalie and a new girl, Jo. These four girls would remain until the end of the series with Mrs. Garrett re-marrying and leaving in 1986 and Cloris Leachman coming in to play Mrs. Garrett's sister, Beverly Ann from 1986-1988. On November 18, 2001, ABC aired The Facts of Life Reunion, in which Mrs. Garrett, Natalie, Blair and Tootie reunite. First Telecast: August 24, 1979 Last Telecast: September 10, 1988 Episodes: 209 Color Episodes Theme Song: "The Facts of Life" Written by: Alan Thicke, Gloria Loring and Al Burton Sung by: Charlotte Rae (Season 1) and Gloria Loring (Seasons 2-9) Spin-off of : Diff'rent Strokes NBC Broadcast History August-September 1979----Fridays----8:30 p.m. March-May 1980----Fridays----8:30 p.m. June-July 1980----Wednesdays----9:30 p.m. August-October 1980----Fridays----8:30 p.m. November 1980-October 1981----Wednesdays----9:30 p.m. October 1981-August 1985----Wednesdays----9:00 p.m. September 1985-June 1986----Saturdays----8:30 p.m. June 1986-May 1987----Saturdays----8:00 p.m. June-July 1987----Wednesdays----9:00 p.m. July 1987-September 1988----Saturdays----8:00 p.m. Nielsen Ratings: (Top 35 or Better) #26 in the 1980-1981 Season #24 in the 1981-1982 Season #24 in the 1983-1984 Season #32 in the 1984-1985 Season #27 in the 1985-1986 Seasonmoreless
  • 36
    Get Smart

    Get Smart

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    NBC (ended 1970)
    In 1965 the cold war was made a little warmer and a lot funnier due in part to the efforts of an inept, underpaid, overzealous spy: Maxwell Smart, Agent 86. The hit comedy series 'Get Smart' is the creation of comic geniuses Buck Henry and Mel Brooks. Henry teamed with Brooks to create what has undoubtedly become one of the finest parody/satires of all time. The project seemed headed for success from the start: ABC had green lighted it based on the strength of the concept, and they had an actor already under contract to play Smart. Brooks was approached to write the pilot. As he was looking for a way to finance his new movie The Producers, he agreed. Deemed "not funny", the initial script was rejected by ABC. Undaunted, the production team shopped the script around and NBC accepted it with one minor change. They wanted Don Adams in the title role. And so, an unlikely legend was born. Set in Washington, D.C., the show features Agent 86 (Maxwell Smart), his boss (The Chief), Smart's partner and later wife (Agent 99) and a host of other agents both good and evil. Perhaps one of the most important elements of the show is the gadgetry created to help Smart in his quest to keep the free world free. On this show, anything including the kitchen sink can be a phone, a tape recorder, a camera or weapon. Looking for an Agent? Check under your seat cushion. Want a weapon? Try your finger-gun. Need to make a phone call? Open up that bologna sandwich. The show was painted in the broadest of strokes and played every moment for its own delightful reality. In order to give the agents of CONTROL, a series of worthy opponents, KAOS was created. Smart and 99 battled the likes of Mr. Big, The Claw, and Siegfried. On the home front, Max and 99 had a relationship that developed as the show ran and eventually they married. 99 soon gave birth to twins (a boy and a girl) and the Smart family (and the show) began to experience some growing pains. Get Smart ran from 1965 through 1970 on both NBC and CBS. For one month in 1995 FOX attempted to bring the series back with some changes; Max as the Chief, 99 as a Congresswoman, and the Smart twins were now inexplicably only one child. Despite the lack of success experienced by the sequel, Get Smart remains a favorite by agents and civilians alike. (TV Land) ------------------------------------------------------------------------------------- Telecast NBC September 18, 1965 - September 20, 1969 CBS September 26, 1969 - September 11, 1970 Broadcast History Sep 1965 - Sep 1968, NBC Sat 8:30-9:00 Sep 1968 - Sep 1969, NBC Sat 8:00-8:30 Sep 1969 - Feb/Apr - Sep 1970, CBS Fri 7:30-8:00 Episodes 138 Episodes On Film 1 Episode in Black And White; 137 Episodes In Color -------------------------------------------------------------------------------------moreless
  • 37
    The Monkees

    The Monkees

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    NBC (ended 1968)
    The adventures of a musical quartet that goes from one outrageous circumstance to another that was inspired by The Beatles 1964 film “A Hard Day’s Night.” The enhanced descriptions contained within this guide are courtesy of trusted contributor Aaron Handy III (AH3RD) of the The Monkees Film & TV Vault. TRIVIA: The boys live at 1438 North Beachwood that later is stated as 1334 (their actual fan club address). The license plate number of their custom Pontiac GTO is PER 450. Broadcast History: NBC September 12, 1966-September 9, 1968 CBS Saturday Afternoon September 13, 1969-September 2, 1972 ABC Saturday Afternoon September 9, 1972-August 25, 1973 Original NBC Schedule: September 1966 -September 1968, NBC Monday 7:30-8:00 P.M. (Eastern) Original NBC A.C. Nielsen Ratings: SEASON RANK SHARE 1966-1967 N/A 31.4 1967-1968 N/A 27.2 Original Sponsors: The Kellogg Company Yardley Cosmetics of London Kool Aid Company (1969-72 CBS repeats only) Post Cereals (1969-72 CBS repeats only) Saturday Afternoon Schedules (Eastern) September 1969-September 1970, CBS Saturday Noon-12:30 P.M. September 1970-September 1971, CBS Saturday 12:30-1:00 P.M. September 1971-September 1972, CBS Saturday Noon-12:30 P.M. September 1972-August 1973, ABC Saturday 1:00-1:30 P.M. Exclusive Distributor (Syndication History): Columbia Pictures Television (1975-1985) Colex Enterprises (1985-1989) LBS Communications (1989-1996) Columbia TriStar Television Distribution (1996-Current) 58 Episodes in Color on Film Emmy Awards For The Monkees 1966-67 (presented June 4, 1967) Winner: The Monkees Outstanding Comedy Series Winner: James Frawley, "The Royal Flush" Outstanding Directorial Achievement in a Comedy 1967-68 (presented May 19, 1968) Nominated: James Frawley, "The Devil And Peter Tork" Outstanding Directorial Achievement in a Comedy Theme Song: Here we come, Walking down the street. We get the funniest looks from, Everyone we meet. Hey, hey we're the Monkees, and people say we monkey around. But we're too busy singing, to put anybody down. We go wherever we want to, Do what we like to do. We don't have time to get restless, There's always something new. Hey, hey we're the Monkees, and people say we monkey around. But we're too busy singing, to put anybody down. We're just trying to be friendly, Come watch us sing and play. We're the young generation, And we got something to say. Hey, hey we're the Monkees, You never know where we'll be found. So you'd better get ready, We may be comin’ to your town. Hey, hey we're the Monkees, and people say we monkey around. But we're too busy singing, to put anybody down.
    First air date: September 12, 1966 Last air date: March 25, 1968 Original air time: Monday 7:30:00 pm (Eastern)moreless
  • 38
    My Three Sons

    My Three Sons

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    ABC (ended 1972)
    "MY THREE SONS" is the story of a Mid-West Aeronautical Engineer who watches his family grow up. This seemingly innocuous and simple, but effective sitcom, was a huge hit and a cornerstone of television's 'family programming' era in the 1960s. Second next to "The Adventures Of Ozzie & Harriet" as television's longest running family sitcom, "My Three Sons" was created by former "Leave It To Beaver" alumnus George Tibbles (1913-87). Executive Producer Don Fedderson (1913-94) campaigned the series as a probable vehicle for movie veteran Fred MacMurray (1908-91), who was reluctant to star in it at all. He spoke to Robert Young, of "Father Knows Best" fame and his suspicions were confirmed. He'd be working seven days a week and would barely see his real life family. Finally he gave in after the Producers guaranteed that they could have enough scripts available ahead of time to warrant filming the show within a set sixty five day period. He agreed to this, and so for example, all the scenes set in the kitchen of many different episodes were all shot together in one day, all out of sequence, which were then later edited into each episode in order. Co-star William Frawley (1887-1966), used to years of filming "I Love Lucy" in sequence before a captive studio audience and performed like a play, never got used to this schizophrenic method of filming. And thus this technique was dubbed 'The MacMurray Method' and was also used by Brian Keith on the "Family Affair" series, coincidentally also a Don Fedderson Production. Of course, the "MacMurray Method" isn't particularly novel in its creation (it is, after all, how most feature films are shot, and a method probably most comfortable and familiar to the film actor MacMurray), but its introduction to TV production methods was certainly innovative at the time.

    HISTORICAL OVERVIEW: When the series began in 1960, the boys were aged 18 (Mike), 14 (Robbie) and 8 (Chip). They were played by Tim Considine, Don Grady and Stanley Livingston, respectively. At the beginning of the series, storylines centred on the family's adventures in suburbia, and was perhaps the hybrid of what was to become the era of the Dom-Com (Domestic Sitcom). Steve Douglas also spent a good deal of time fending off attractive women who wanted to marry him and take over that loveable ready made family. The 'woman' in their lives was Bub O'Casey, Steve's maternal father in law, who did all the cooking, cleaning and chores. Other regulars in the early years were Peter Brooks as Robbie's best friend Hank Ferguson, and Ricky Allen as Sudsy Pfeiffer, Chip's best friend. The first of the show's format changes began at the start of the 1963-64 season. Meredith MacRae (1944-2000) was introduced as Sally Morrison, the girlfriend to eldest son Mike. They would become engaged and eventually marry. Meanwhile, Chip's new pal Ernie Thompson (co-star Stanley Livingston's real-life brother, Barry) was introduced and he would ultimately become a permanent part of the Douglas household. During the 1964-65 season, Frawley left the show for health reasons and Bub was written out of the show and replaced with his cantankerous younger brother Charley, a retired sailor played by William Demarest (1892-1983), whose crusty disposition masked a soft heart. At the start of the 1965-66 season, when the show moved from ABC to CBS, Mike and Sally got married in the very first Color episode, and moved back East so that Mike could accept a job teaching psychology on the college level. (Actor Tim Considine had at 24, outgrown the role and wanted out of the series to pursue a Directing career, which ultimately never eventuated). To re-establish the 'three sons', Steve subsequently adopted orphan child Ernie, who was not permitted to accompany his foster parents in their move to the orient. Things went along much the same for the next two seasons, although now the sons were Robbie, Chip and Ernie. Mike would never be referred to again after a few episodes.
    In a dramatic production move, the series, which for the first seven seasons was filmed mainly on Stage 11 at Desilu Studios in Hollywood, had to up anchor and begin filming at the former Republic Studios site, now rechristened the CBS Studio Center in Studio City, California. This necessitated moves behind and in front of the cameras. Lucille Ball, who by 1962 had bought out her ex-husband Desi Arnaz to take total control of Desilu, was, in February, 1967 talked into a deal by chief executive Charles Bludhorn of the giant Gulf and Western conglomerate, into selling Desilu. As G&W now owned Paramount Studios, Desilu was absorbed into this operation. To facilitate the placement of schedules for various TV series that lensed their shows at Desilu, all were forced to find other burgeoning accommodations. "My Three Sons" complimented the move to the CBS Studio Center (the Columbia Broadcasting System now owning the show) by introducing a new storyline at the start of the 1967-68 season, where Steve Douglas transfers to California, and the family moves to North Hollywood. (Thus, a new house, and new studio facilities). Although the adjustment was not too pleasant many of the Douglas's new acquaintances were not too friendly at first, there were good sides to the move. Robbie fell in love with college student Kathleen Miller (Tina Cole), and their romance blossomed into marriage. At the beginning of the following season 1968-69, the newly weds discovered that Katie was pregnant, and during the season she gave birth to triplets; three sons of course. Season 1969-70 brought new love to father Steve Douglas in the form of Barbara Harper (Beverly Garland), Ernie's English teacher. They were eventually married and Barbara's five year old daughter Dodie (Dawn Lyn), whom Steve subsequently adopted, also joined the family.

    Even original youngest son Chip (who was by now 18) got into the act, eloping with fellow college student Pauline ('Polly') Williams (Ronne Troup) in the 1970-71 season. Adopted brother Ernie was the only one of the sons not to get married on the show. As if the sprawling family had not gotten big enough already, the start of the final season (1971-72) saw a four part related episode that was sort of a continuation of a storyline that began in the 1963-64 season. Steve's Scottish nobleman cousin Fergus McBain Douglas (enacted by Fred MacMurray; voiced by Alan Caillou) came to the United States in search of a wife to take back to Scotland. In its later years, as the of the Douglas family grew on "My Three Sons" and separated into individual households, episodes could very rarely include the entire group. More and more often, they dealt with the specific problems of a large cast of regulars, with different members taking the spotlight from episode to episode. These multi-story elements were the brainchild of the show's creator and head writer for its twelve seasons, George Tibbles, who penned a massive 95 scripts of the series during this period. 16 of these were as a co-writer, in addition to him overseeing the work of the contributing staff writers during his tenure as Story Editor/Supervisor.

    "My Three Sons" never changed much in only in structure, its format changes having been discussed with the writing staff which increased the show's longevity with natural progressions for each character. For its time and of its type, the show was extremely well written and the writing of the series doesn't get enough credit to this day. As the series only filmed several months out of the year, the same Director was usually employed, which gave the show the behind the scenes continuity it probably needed. When the show was finally cancelled it had been running for twelve years and in reruns has run many, many more. By today's standards it appears wholesome, tame and perhaps slightly dated, but it's a slice of life that all of us can appreciate and learn from. One thing is certain. For all of its detractors, the series remains a favourite all over the world. The show's huge catalogue of 380 half hour episodes is a lasting legacy for Fred MacMurray and his TV family that will never be forgotten. While never a top ten hit during its original run, thanks to syndication the show remains extremely popular and continues to win new fans, young and old for its effective way of depicting an all-male family that did all-male things, even in its simplicity and its naiveté. The original Black and White episodes, considered by most fans as the show's best, were held back from syndication until the 1980s and enjoyed a new lease of life on Cable Television until the late 90s. The Color episodes are in constant syndication and are the only ones being distributed across the U.S. as of this writing (Jan. 2002). As long as TV stations are in need of quality programming the series will hopefully be played regularly to a whole new generation of audience.

    WHERE ARE THEY NOW? Fred MacMurray (b. August 30, 1908 in Kankakee, Illinois) died on November 5, 1991 aged 83, of pneumonia as a result of contracting chronic lymphocytic leukemia. MacMurray's off-screen role in the series was purely financial. A deal with Executive Producer Don Fedderson named MacMurray a silent partner, in effect giving him a 50% ownership stake in the series. In his 70s after he had all but retired from the business as one of Hollywood's wealthiest citizens, thanks to shrewd property investment deals among other business ventures, Fred suffered for a while with throat cancer. Sadly missed by all of us. The plaque in his mausoleum crypt at Holy Cross cemetery in Culver City, California says "Forever in the hearts of your family" (indeed!) which was arranged by his second wife, actress June Haver, to whom he was married for 37 years until his death. (June passed away aged 79 in 2005 and is now interred with him). He is survived by four children; two were adopted during his first marriage to the late actress Lillian LaMont, (Robert and Susan), and then in 1956 he and June adopted twin baby girls Katie and Laurie. Known as a devoted husband and father, no one ever talks of Fred as ever being a great actor, but when you think of it he never really gave a bad performance, and for the sheer number of movies and television shows he made, that's a pretty good epitaph for anybody in show business.

    William Frawley (b. February 26, 1887 in Burlington, Iowa) died on March 3, 1966 a week after his 79th Birthday from a massive coronary, while strolling down Hollywood Boulevard after seeing a movie. His constant companion, a male nurse, carried him into the nearby Hollywood Roosevelt Hotel but he was pronounced dead on arrival at Hollywood Receiving Hospital. His funeral was held at the Church of the Blessed Sacrament in Los Angeles and he is buried in the San Fernando Mission Cemetery in Mission Hills, California. Tracing his show business roots back to vaudeville, he was also a prolific character actor who appeared in more than 150 feature films from as early as 1916 and usually but not always was featured in comedic roles. Bill is best remembered for his long running role on "I Love Lucy" (1951-57) as the irascible Fred Mertz. Perhaps appropriately, his last performance was a cameo on an episode of "The Lucy Show" which aired in late 1965.

    William Demarest (b. February 27, 1892 in St. Paul, Minnesota) died on December 27, 1983 aged 91, from a heart attack, after a long battle with prostate cancer. One of the true stalwarts of the entertainment industry, he is one of the few performers who can lay claim to being there from the very beginning; he appeared uncredited alongside Al Jolson in Warner Bros. first ever talking motion picture, "The Jazz Singer" in 1927. He was a welcome face in many vintage movies where he usually played in support of the leads, and was instantly recognizable to audiences even if people didn't know his name. His career started when he was a headliner in vaudeville in the days before World War I and his last appearance was in a 1978 telemovie which capped off a remarkable 73-year career in show business. He was retired and living in Palm Springs, California at the time of his death, and he is buried at Forest Lawn Memorial Park in Glendale, California.

    Meredith MacRae (b. May 30, 1944 in Houston, Texas) died on July 14, 2000 aged 56, of complications from surgery for brain cancer. The daughter of the late actor Gordon MacRae, Meredith had her own talk show in the 1980s called "Mid-Morning L.A." and she won an Emmy for her work on the show in 1986. Married three times, her only child Allison was born in 1975 during her second marriage (1969-87) to actor Greg Mullavey. She became a successful producer and garnered many awards during her long career. She did a series of acclaimed lectures to major companies and organizations, taught a in film and TV production at Chapman University, and recorded over a dozen best-selling books on tape. Former L.A. mayor Tom Bradley called her one of that city's most outstanding businesswomen. As per her wishes and because her hobbies had included water skiing and scuba diving she was cremated and her ashes were scattered into the Pacific Ocean.
    Beverly Garland
    (b. October 17, 1926 in Santa Cruz, California) died on December 5, 2008 aged 82 after a short illness. Beverly was the widow of land developer Fillmore Crank to whom she was married for 39 years until his death in 1999. She ran with the help of three of four of her grown children, the Beverly Garland Holiday Inn, located in North Hollywood which is a few blocks from Universal Studios. Until her death she was still occasionally active in show business, and was bestowed the honor of of being inducted into the Pacific Pioneer Broadcasters Hall of Fame, and celebrated the beginning of her "second" fifty years in show business in 2001. In recent years she had a recurring role on the series "Seventh Heaven". Garland's hotel is also the Los Angeles site of the famed annual celebrity autograph & collector's conventions.

    Don Grady
    (b. June 8, 1944 in San Diego, California) died on June 27, 2012 aged 68 after a long battle with cancer. Don began his career in show business and started where so many others have, at Disney. Don was one of the original Mousketeers, before landing his long-running role on "My Three Sons". During the series he was able to parlay his interest in music into a second career and left the show to become a reputable composer of film and television, although it took him almost ten years to finally make a living from it. His most recent credits include music for theme park attractions at Universal Studios as well as productions on the Lifetime and Discovery Channels. Married for the second time to Ginny, he is the father of two children, Joey and Tessa. Born Don Agrati, he is the son of a former talent agent and was the older brother of the late actress Lani O'Grady (1954-2001) who played Mary Bradford on the TV series "Eight Is Enough" (1977-81). In a recent TV Guide interview, Don said he still got mail from people who remembered the show and are thankful for its family values. He also said he grew extremely proud of the show over the years. Be sure to stop by www.dongrady.com - now his tribute site, to check out all about Don's musical career. 2008 also marked Don's 50th Anniversary in show business!

    Tim Considine (b. December 31, 1940 in Los Angeles, California): Tim, is now a well known sports photographer and writer involved in auto racing, which takes him all over the country. His most recent book, "American Grand Prix Racing: A Century of Drivers & Cars" - is an award winning definitive account of U.S. drivers in Grand Prix events, and was published in 1997. Divorced from actress Charlotte Stewart, he is now re-married to Willett Hunt and has a 29 year old son named Chris. Now basically retired from acting, Tim isn't afraid to go back to his roots however; he appeared in the reunion movie "The New Adventures Of Spin and Marty" in 2000 reprising the role of the original Spin Evans, the character he portrayed on the old Walt Disney series of shorts from 1955-58, which began as "The Adventures of Spin and Marty", a segment of "The Mickey Mouse Club". Recently as 2003 Tim also appeared as a supporting actor in the family TV movie, "The Monster Makers".

    Stanley Livingston (b. November 24, 1950 in Los Angeles, California): Stan is now the founder and Chief Executive Officer of "Kids In Show Biz, Inc". He has written feature films and directed commercials. Through his production company Premier Entertainment Group, he produced a feature film called "Checkers" in 2000 and the following year directed all 20 Episodes of a new children's TV Series for PBS. He was married to a dancer named Sandra at age 18 and the union which lasted six years, produced a daughter named Samantha, born in 1970. In recent years he has created stained glass artwork for celebrity clients including Tom Hanks and Lorenzo Lamas. He often sold his items through e-bay, but these days is all about showing actors and parents of actors the pitfalls of the industry and what to do to combat that. Check out his informative website at www.theactorsjourney.com

    Barry Livingston (b. December 17, 1953 in Los Angeles, California): Barry has had the most active post-series career. Married to Karen, with two children named Hailey and Spencer, Barry continued acting with roles in a host of made for TV movies of the week. This was followed by summer acting workshops and off-Broadway productions in New York. In the 90s, had a semi-recurring role on "Lois and Clark: The Adventures of Superman". Like his older brother Stanley, Barry has dabbled in directing and writing, but he's mainly a character actor. His most recent credits include guest star appearances on the popular television shows "Ally McBeal", "The West Wing", "Will and Grace", "Boston Public" and "Roswell". In 2011, he released his autobiography, aptly titled 'The Importance of Being Ernie'.
    Tina Cole
    (b. August 4, 1943 in Hollywood, California): Tina, the daughter of Yvonne King and the late Buddy Cole (of "The King Family" singers fame) is divorced from her second husband, Fillmore Crank Jr., stepson of her "My Three Sons" co-star Beverly Garland. In the last decade, she has worked with a "looping group" doing voice-over work for national television series and movies. With a teenaged son and a six month old baby boy (from her first marriage to producer Volney Howard III) Tina moved to Sacramento in 1982, and she has been the resident director of the Junior League of that city's Children's Theater for some years. By 1985 two daughters completed her family. Although divorced in 1995, her life still centers around her four children. Now remarried, a mom and a mother-in-law, apart from a recent local morning television talk show in 1999, her latest theatrical credits include the musical "I Do, I Do" and a starring role in the play "Six Women with Brain Death" in 2001. Tina also taught acting at a prominent local drama school for a few years but is now retired. Still stunningly beautiful, it's hard to believe that Tina is now in her late 60s!

    Dawn Lyn (b. January 11, 1963 in Hollywood, California): Dawn found it difficult to make the transition from child star to young adult. While she managed to appear in a few guest star roles during her teens like "Barnaby Jones", "The Streets of San Francisco" and "Wonder Woman", in effect, her career was stymied by her small stature and youthful appearance. The younger sister of former pop idol Leif Garrett, Dawn left the entertainment industry to pursue other interests. She married an architect named Michael Whitby in 1990, but it ended in divorce after nine years. Today, Dawn is happy and living her life out of the spotlight. She has a great time being involved with the local community theater and civic/volunteer activities, is still in contact with her co-stars and loves them like family. Dawn remarried in 2006 to John Reese, and as a result of her husband's career, she relocated in September 2007 to Germany to be with him. They lived there for nearly five years and have now returned to California as of late 2012. Like her co-stars, she was deeply saddened to hear that her TV mother Beverly Garland (with whom she had always kept in touch) passed away at the end of 2008. Ronne Troup (b. June 10, 1945): Ronne, who is now in her late 60s has kept a low profile with guest appearances but still occasionally acts and does commercials. The daughter of the late Bobby Troup and stepdaughter of the late Julie London, she had a recurring role on the night-time soap "Knots Landing" in the 80s and has appeared recently on programs like "The Practice", "E.R." and "The West Wing". Ronne is the younger sister of Cynnie, who was a script editor on their father's series "Emergency" in the early 70s. She has been maried twice and has been very happy in her own life, and is blessed to have two daughters, Bridget and Jamie Lawrence, and a wonderful husband, Bob Bayles. In spite of a career in acting, she has always enjoyed writing, since her days at UCLA when she imagined being a writer. I believe that in recent years, apart from the odd guest appearance on shows like "Coldcase" she has been teaching elementary school in the Los Angeles area.

    The Todd Triplets (Joseph, Michael & Daniel) (b. August 5, 1967): After being contacted by the boys' mother Lynn and their stepfather David, I can let you know (at the time of this writing) that Joe, his wife and two kids are living in Colorado Springs. Joe has now retired from active service. He was an 'E7' in the medical unit. Mike is also in the army, and is based in Washington. He too is an 'E7' and will retire in two years. He is now divorced and has two daughters in Hawaii where he spent four years on active duty before going to Washington. Danny is married and lives in Houston. He spent five years in the Army and settled in Houston where he is the owner of a company that installs yard water and lighting systems. The boys have spent many years overseas and all speak several languages. According to their Mom, they are happy and haven't done any TV work since they were 16 years old.

    First Telecast: September 29, 1960 on ABC. Last Telecast: August 24, 1972 on CBS. Number of Episodes: 380 (x half-hours). (184 Black and White, 196 Color). A Don Fedderson Production, Distributed Worldwide by CBS Television Distribution International Ltd. Original Broadcast History: ABC Sept. 1960-Sept.1963 Thurs. 9:00-9:30pm Sept. 1963-Sept.1965 Thurs. 8:30-9:00pm CBS Sept. 1965-Aug. 1967 Thurs. 8:30-9:00pm Sept. 1967-Sept.1971 Sat. 8:30-9:00pm Sept. 1971-Dec. 1971 Mon. 10:00-10:30pm Jan. 1972-Aug. 1972 Thurs. 8:30-9:00pmmoreless
  • 39
    The Bullwinkle Show

    The Bullwinkle Show

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    (ended 1963)
    The Bullwinkle Show is a funny animated cartoon about a dimwitted moose (Bullwinkle) and his spunky flying squrriel friend (Rocky) getting in and out of adventures and foiling the plans of their archenemies (Boris and Natasha). Rocky is the smarter of the two. He likes to fly in the air and cook salami soufflé. Bullwinkle isn't the brightest star in the sky, he likes to hang out with his buddy Rocky. Boris is the short bad guy with the black suit and is the one with the "brains." Natasha is a tall skiny dark haired lady that assists in Boris's evil scheme. Both are sent to do evil plots by their boss, Fearless Leader. First airing on ABC in 1959 with Rocky and Bullwinkle, the show was called "Rocky and his Friends". At that time, the show was in black and white. Later in 1961, the show moved to NBC with Bullwinkle's popularity, the show was renamed "The Bullwinkle Show". Then, the show began to run in color. The show would always air with a Bullwinkle segment, the "Fractured Fairy Tales" then "Mr. Know-it-All", "Peabody's Inprobabale History" Another Bullwinkle segment and finally "Bullwinkle's Corner". "Hello poetry lovers" One of segments on the Bullwinkle Show...Bullwinkle's Corner Bullwinkle always tries to recite a famous poem, but stuff always happens: Boris wrecks the poem, Rocky doesn't do his part right, or it's just plain Bullwinkle's fault! Rocky and Bullwinkle have been on TV for more than 40 years throughout various syndication. The show started in black and white called Rocky and His Friends, then went to color called The Bullwinkle Show. TV-G Characters Rocket J. "Rocky" Squirrel One of the main stars of the show. Rocky is just an all-american flying squrriel who wears a blue aviator's helmets. Bullwinkle J. Moose The Main Moose. Bullwinkle is a dimwitted moose who always goes anywhere without little buddy (Rocky). He and Rocky live in a little town of Frostbite Falls, Minnesota. Narrator The guy who lets ya' know what's going on. When narrating, he uses awful puns or confused words that makes you wanna laugh or wanna make Rocky, Bullwinkle, and everyone else get sore. Boris Badenov A Pottsyvainaian spy who is always wanting to "kill moose and squirrel" with his parter, Natasha. Natasha Fatale Boris's partner in crime. Fearless Leader Boris and Natasha's boss and the one who comes up with the plans to defeat Rocky and Bullwinkle. Mr. Big A midget villain who wanted Bullwinkle's upsidasium. Then was sent to the moon, where he made metal munching mice to destroy American TV. He appears in "Upsidasium" and "Metal-Munching Mice", Captain Peter Wrongway Peachfuzz One of Rocky and Bullwinkle's friends. His fullname is Wrongway Peachfuzz and no wonder because he does everything the wrong way. Gidney and Cloyd Moonman The moonmen duo and Rocky and Bullwinkle's friends. Gidney is the one with the moustache and Cloyd is the one with the scrootch-gun. They appeared in "Jet Fuel Formula" and "Metal-Munching Mice" Chaunzy and Edgar Two old timers that are frequently seen in the show. Usually you see them saying "Well there's something you don't see everyday Chauntzy" "What's that Edgar?" Uncle Dewlap Bullwinkle's dead uncle who was twice removed, once for vagrancy, and the other for loitering. Fairy She introduced Fratured Fairy Tales and is always getting squished by the fairy tale book. Edward Everett Horton The guy who let's you know what's going on in Fractured Fairy Tales. Mr. Peabody A Genius dog who can go back in time with his "WAYBAC" machine. SHERMAN was a orphen boy that Mr. Peabody adopted. Other Minor Characters Dudley Do-Right A mixed-up Canadian mounty who is "always there to save the day". He appears in Upsidasium, Buried Treasure and The Last Angry Moose. Nell Fenwick> Dudley's vision of lovelyness. Nell is the daughter of Ispector Fenwick. She appears in Upsidasium, Buried Treasure and The Last Angry Moose. Inspector Nathaniel Fenwick The Inspector of the R.C.M.P. (royal canadian mounted police) and Dudley's role model. He appears in Upsidasium, Buried Treasure and The Last Angry Moose. Horse Dudley's horse that Nell love. He appears in Upsidasium, Buried Treasure and The Last Angry Moose. Snidley K. Whiplash Dudley's archenemy and Nell's secret admirer. He appears in Upsidasium, Buried Treasure and The Last Angry Moose. Aesop An ancient Greek fableteller and alway's had a moral. He appears in Upsidasium, Metal-Munching Mice, Greenpernt Oogle, Rue Britannia, Buried Treasure, The Last Angry Moose, and Wailing Whale. Junior Aesops's son. He appears in Upsidasium, Metal-Munching Mice, Greenpernt Oogle, Rue Britannia, Buried Treasure, The Last Angry Moose, and Wailing Whale. History Rocky and Bullwinkle was originally to be part of the "Frostbite-Falls Revue." It was about a group of forest animals running a TV station. The group included Rocket J. Squirrel, Oski Bear, Canadian Moose (Bullwinkle), Sylvester Fox, Blackstone Crow, and Floral Fauna. The show was created by Jay Ward's former partner Alex Anderson, but it never sold. Airing format From seasons 1-2 were formated as one Bullwinkle and Rocky cartoon, then a Fractured Fairy Tale (or Aesop and Son), Mr. Know-it-All, then Peabody (or Dudley Do-Right), another Bullwinkle and Rocky cartoon, and finally Bullwinkle's Corner. Season 1 and 2was in black and white, although, some syndicated stations play the colorized season 1 episodes, but NO ONE plays the black and white season 2 episodes. From season 3-5 were formated as one Bullwinkle and Rocky cartoon, Mr. Know-it-All, then a Fractured Fairy Tale, another Bullwinkle and Rocky cartoon, and finally Bullwinkle's Corner, and one last B&R cartoon. Marathons of the Bullwinkle Show Rocky and Bullwinkle's You call this a marathon? Marathon This marathon was aired on July 2000 on Cartoon Network in response to the movie debut June 29, 2000. BOOMERANG Rocky and Bullwinkle Marathons In September 2003, BOOMERANG had 24 hr. R&B marathons every Friday starting a 8 AM. Original Air times But first, a little brief show info... ABC Years 1959-1961 at 6:30 PM Sundays, and Thursdays, 1964-1974 at 6:30 PM ?. NBC Years 1961-1964 at 6:3O PM Sundays FOX43 Years 2000-2001 at 6:30 AM Monday-Friday NICKELODEON Years 1990-199? at ?:?? ?? ?-? CARTOON NETWORK Years 1996-2001 at 11:00 pm Saturday-Sunday. BOOMERANG Years ?-2002 at 4:00 AM, 12:00 PM, and 8:00 PM/2003-present at 7:00 AM, 3:00 PM, and 11:00 PM. Current Line Up: BOOMERANG has Bullwinkle on at 7:00AM, 3:00PM, and 11:00PM. See "Boomerang" for complete up-to-date line-up.moreless
  • 40
    The Carol Burnett Show

    The Carol Burnett Show

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    CBS (ended 1978)
    The Carol Burnett Show is one of Televisions greatest show's in history. Lasting 11 successful years starting in 1967 and ending in 1978 not without winning 25 Emmy Awards, 8 Golden Globe Awards and 3 People's Choice Awards. CBS Broadcast History
    September 1967-May 1971......Monday 10:00-11:00
    September 1971-November 1972......Wednesday 8:00-9:00
    December 1972-December 1977......Saturday 10:00-11:00
    December 1977-March 1978......Sunday 10:00-11:00
    Nielsen Ratings: (Top 25 or better) #24 in the 1968-1969 Season
    #13 in the 1969-1970 Season
    #25 in the 1970-1971 Season
    #23 in the 1971-1972 Season
    #22 in the 1972-1973 Season
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