Murder with Too Many Notes

Season 10, Episode 13, Aired

Episode Fan Reviews (2)

Write a Review
7.0
out of 10
Average: Good
28 votes
  • Your Rating: 10
    "Perfect"
  • Your Rating: 9.5
    "Superb"
  • Your Rating: 9
    "Superb"
  • Your Rating: 8.5
    "Great"
  • Your Rating: 8
    "Great"
  • Your Rating: 7.5
    "Good"
  • Your Rating: 7
    "Good"
  • Your Rating: 6.5
    "Fair"
  • Your Rating: 6
    "Fair"
  • Your Rating: 5.5
    "Mediocre"
  • Your Rating: 5
    "Mediocre"
  • Your Rating: 4.5
    "Poor"
  • Your Rating: 4
    "Poor"
  • Your Rating: 3.5
    "Bad"
  • Your Rating: 3
    "Bad"
  • Your Rating: 2.5
    "Terrible"
  • Your Rating: 2
    "Terrible"
  • Your Rating: 1.5
    "Abysmal"
  • Your Rating: 1
    "Abysmal"
Rate Now!
  • Excruciating - an episode of "Columbo" which falls apart, irreparably, as soon as the lieutenant himself appears.

    5.5
    "Mediocre"

    The contributions of Patrick McGoohan to this long-running series were numerous, both as actor and director, but how valuable to the show was he, really? This is the worst-ever episode, and its only competitor for that dubious honour is another segment McGoohan directed, the much earlier "Last Salute To The Commodore". Here, McGoohan also has a writing credit, so there isn't really anyone else to blame, except maybe Peter Falk himself. It's truly painful to admit that Falk here gives a really terrible performance under his old chum's guidance. Columbo makes an utter imbecile of himself, and in a way that would get him a room in the old folks' home rather than a commendation from the police commissioner. The modest ingenuity of the plot is lost in a welter of ridiculous - and also demeaning - jokes, and the incidental details (such as the villain's description of how film music works) aren't at all accurate. Columbo - looking truly ancient, incidentally - should have retired well before this humiliation.

  • Impresario kills his apprentice, and Columbo knows it right away.

    5.0
    "Mediocre"
    By the time they got around to doing this episode, everyone, including the extras where on auto-pilot. Whenever a show uses the back-lot for a story, it's usually because they don't want to, or can't, spend any money on sets. In this case, I think they were just milking the series for one more show on the cheap. Billy Connolly does a good job as the killer, and he has a chance to show off his musical side, but it's wasted on a so-so script. Peter Falk is just plain phoning it in. Don't get me wrong, I love the series, just not this episode.
More
Less