This episode contained all of the ingredients for a compelling pilot. The great characters were each introduced in a plausible way, and we got just enough of a hint about each one to make us want to know more. And the characters had dimensions, depths - they defied our abilities to stereotype them immediately into their respective labels. Gideon was troubled, but not so troubled that he was ineffective. Reid was a nerd, but not unable to relate to others. Hotch could have been a rat - sent to inform on a fellow officer - but he didn't turn out to be that either. The plot was riveting. Here was a race against the clock to figure "it" out before someone else died. This wasn't a standard police show or forensic science show - we weren't looking back on evidence, we were trying to predict behavior and save a life that was in imminent danger. Some patterns were laid out for the team's investigative methods without overwhelming the audience with technical details.
The moodiness of the characters and plot were well revealed by each shot. The pink umbrella among the sea of black ones emphasized that we were going to be focusing on the victim. The stuffy, cramped feel of Slessman's house showed us that he was too limited a character to be the brains behind these crimes. The delivery of each line was muted, quiet - no shouting or histrionics - so that when the drama of the climactic scene came, Gideon's changed demeanor distracted us along with the killer.
The cliffhanger ending was the icing on this rich, gooey, delicious cake. Isn't this what a pilot is supposed to do - make us want to know the rest of the story?





