Write Where It Hurts

Season 2, Episode 13, Aired

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Daria is asked by Mr. O'Neill to write a story featuring people she knows as fictional characters. She develops a serious case of writer's block, and after several aborted story attempts (including takes on The Graduate and Sense and Sensibility), she starts to lose hope, until Helen gives her some advice. Daria winds up writing a great story about her family in the future.moreless

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    Trivia, Notes, Quotes and Allusions

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    • TRIVIA (2)

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      • The book choices on Mr. O'Neill's blackboard include: George Orwell's 1984, Gustave Flaubert's Madame Bovary, Mark Twain's Huckleberry Finn, Mary Shelley's Frankenstein, Jack Kerouac's The Dharma Bums, and Kurt Vonnegut's Breakfast of Champions.

      • Mr. O'Neill's comment, "sometimes boundaries can paradoxically provide us with freedom," is similar to a comment made in Feet of Clay, by Terry Pratchett: "Freedom without limits is just a word."

    • QUOTES (25)

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      • Daria: Well, there is some pleasure in winning awards for saying the same things that made me an outcast in high school.

      • Jake: But I like going over my will, it's got all that money!

      • Daria: This is an extra assignment, just for me. A punishment for being smart.

      • (Daria's story) Miss Daria: Mr. Lane's temperament, outlook, indeed his very manners are such as to arouse bemusement rather than endearment in the object of his attentions. Miss Quinn: Huh? Miss Daria: He's flaky.

      • Daria: I've written a lot of stuff, but it's not up to my standards. And that disturbs me, because I don't have standards.

      • Helen: Daria, do you have to look at everything in such a negative light? Daria: Could you possibly be referring to the harsh light of reality?

      • Jane: Wow. Well listen, now that you've got such a great attitude and everything, can I have your boots? Daria: Yeah, turn around and I'll give you one right now.

      • Daria: It's not very good, is it? Helen: (tearfully) Oh, Daria... Daria: It wasn't that bad. (Helen sobs and embraces Daria) Daria: Stop, stop! This isn't a story, it's real life!

      • (Daria's story) Quinn: You know where Grandma's TV is. Go watch something educational. (kids scamper into living room) Sick Sad World Announcer: Breast implants for chickens... Quinn and Daria: Not that!

      • (Daria's story) Daria: Mom... you know I'm not ready for kids. The whole idea makes me uneasy and I'm not sure why. (Quinn enters with children) Girl: Give me that! Boy: No, it's mine! Girl: Mommy! Daria: Oh, yeah. Now I remember.

      • Daria: When the hell did you learn so much about me? Helen: It's a funny thing, Daria. You give birth to someone, you just get an urge to keep tabs on them.

      • Helen: Daria? Daria, the TV's not on. Daria: Shh! I'm watching this.

      • Jane: Let me get this straight: you're telling me you want to write something, not just anything, that says something about something. Daria: Right. Jane: Gee. Who'd ever believe you're having trouble communicating.

      • (Daria's story) Daria: Shouldn't we comfort her or something? Jake: (laughs) Oh, let her go. Helen: She'll get over it. Daria: We should at least tell her about that eight-lane highway they built outside the house during the night. Jake: Hmm... you may be right. (cars collide outside) Helen: That can't be good. (more cars collide) Quinn: Ow! God!

      • Daria: How can you talk to me about Quinn? She'll never have this kind of problem. It involves thinking. You make me tell you what's wrong, in between calls, and then you bring up Quinn? Don't you know me at all? (leaves)

      • (Daria's story) Miss Daria: Dear sister, I would hope that whoever does become Lady Lane does so out of regard for Mr. Lane and not for his estate. Miss Quinn: What about his car? Miss Daria: Hmm...

      • Daria: I mean, if I were going to write about mating rituals, I think I'd go back a couple hundred years, when women either married or shriveled up and blew away. Jane: Instead of marrying and then shriveling up, like they do now?

      • (Daria's story) Minister: And do you, Kevin, take this pulchritudinous woman to be your lawfully wedded wife? Jane: (muffled) Kevin! Kevin: I, uh... what did you say? Minister: I said, do you, Kevin, assume legal responsibility for this overripe specimen of femalehood standing next to you? The one in white, son!

      • Mr. O'Neill: Well, why don't you write a story taking people you know in real life and turning them into fictional characters? Daria: I wonder if anyone would notice a difference.

      • Kevin: People who live in glass houses shouldn't throw stones. I got one, babe. I got one! (Mr. O'Neill begins sobbing)

      • Jane: What's the problem? Take people you know and have them do whatever you want. I'd make them crawl, I tell you. Crawl! Daria: Easy, tiger.

      • Mr. O'Neill: So, what Gardner is telling us is that the writer of fiction has a duty that goes beyond the mere telling of a story. His or her job is to tell a story in such a way as to leave the reader...what, Kevin? Kevin: Screaming for more full-contact martial arts excitement? Mr. O'Neill: (sighs) Daria? Daria: I believe Mr. Gartner feels it's the writer's duty to steer the reader towards more conscientious behavior, no matter how dull that makes the story.

      • Daria: Let's see... nobody talked to me again this week, I wasn't invited to any parties for the weekend, and I think I'm getting one of those really painful cold sores. So all in all, another great week.

      • Helen: Reading something? Daria: Yes. Helen: May I ask what it is? Daria: It's a book. For school. About how fiction should do more than just entertain. Helen: That sounds interesting. Daria: Yeah. A writer writing a book about how writers should write books. Must have been a huge seller.

      • Jane: Daria... Do you think, one day, I could read your story? Daria: No... but you can read the one where you run off with Kevin. Jane: WHAT?!

    • NOTES (4)

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      • Music -Bauhaus - "1. David Jay 2. Peter Murphy 3. Kevin Haskins 4. Daniel Ash" (closing credits) -Buffalo Daughter - "5 Great Lakes" (Jane & Kevin running away) -Komeda - "It's Alright Baby" (story about Jake & Helen being cool) -Plastilina Mosh - "Mr. P-Mosh" (Helen bothering Daria) -Drugstore - "El President" (riding horse) -Massive Attack - "Teardrop" (cauldron story music) -2 Skinniee J's - "Riot Nrrd" (Daria's story) -Papas Fritas - "Hey Hey You Say" (Helen crying after reading Daria's story)

      • Jake's triple bypass in Daria's final story foreshadows his heart attack in "Jake of Hearts"

      • Helen's comment in Daria's final story about Daria working in television is very likely an in-joke about Daria itself.

      • The book Daria is reading for Mr. O'Neill's class is On Moral Fiction by John C. Gardner.

    • ALLUSIONS (4)

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      • Macbeth Daria's story with both Jake and Helen and Mack and Jodie around a cauldron is a reference to Shakespeare's play Macbeth, in which Banquo says "If you can look into the seeds of time, And say which grain will grow and which will not, Speak then to me, who neither beg nor fear Your favours nor your hate."

      • The list of books on Mr. O'Neill's blackboard includes George Orwell's 1984, Gustave Flaubert's Madame Bovary, Mark Twain's Huckleberry Finn, Mary Shelley's Frankenstein, Jack Kerouac's The Dharma Bums, and Kurt Vonnegut's Breakfast of Champions, all of which are works of fiction with a moral message (the evils of totalitarianism in 1984, a warning against playing God in Frankenstein, etc.).

      • Daria's second story is a parody of Jane Austin's novel Sense and Sensibility.

      • Daria's first story is a parody of the ending of the 1967 film The Graduate, which starred Dustin Hoffman and Anne Bancroft.

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