Deadwood

Season 3 Episode 9

Amateur Night

1
Aired Sunday 9:00 PM Aug 06, 2006 on HBO
SUBMIT REVIEW

Episode Fan Reviews (2)

9.2
out of 10
Average
104 votes
  • the beginning of the end...to one of the best shows on TV

    10
    while the inner workings of the Hearst machine comes to a boil - the citizens of Deadwood go about their business and the workings of their life are just as complicated as Hearst himself.

    The ever growing relationship of Miss Stubbs and Jane take on a decidely lesbian slant - Jane herself misses the boat to show Joanie just how much she feels for her in return. Instead of being the man, she send in the town's whale of a bouncer, and he does the job well enough that Joanie and Jane only stand back and let the whale stand his ground.

    Al is left in the dark in regards to the mindset of the Wyatt and his dim brother - they are in the background, but seems to be going about their business...characters to watch out for when the 3 episodes air in the coming weeks

    Al, alone, tending to his bar, and singing was the highlight of the show - this only enhances the human side of his character - too bad no one was round to hear it - the townsfolk were too busy watching the freakshow in the muddy mess that is the great town of Deadwood.

    Here\'s to next week episode - BRING IT ON!
  • „And blaze your bright muskets all over my coffin, saying there goes an unfortunate lad to his home…”

    9.7
    Well we’re drawing close to the season’s finale and this episode reminds us of that perfectly. The atmosphere is really getting heated up in anticipation of the final clash and many old players have come back into play. On the one side Jarris is back in town, delivering Hearst a message, while Wu comes to Als aid. And as both sides get reinforcements, even if some greater than the others, the camp still goes about its daily life.

    For the time being, until his own lines are greatly strengthened, Al is trying to „learn the way of church-mice”. Hearst on the other side has already started his assault. And how better to start it, if not by means of the newspaper :). In other words poor Merrick received the magnates harsh reply for his audacious act of publishing the Sheriff's letter. And while he will convalesce, the rest of the tribe will probably seek seclusion from Hearst's army that tramples everything in their way (including Wu :) ). The only ones who decide to remain unwavering to the new changes are of course, Bullock and the Earps. It was nice to see some gun play and as always it was a treat to see Bullock take someone by the ear into custody. Timothy truly plays his part excelently, his fearlessness being amazingly convincing: „You tell your men to interfere… Give me a reason to do what I want!”. – His severe gaze and his determined gestures truly give his character dimension. It’s sad to see the Earps leaving though. I was finally getting used to them and they would have made a nice team with Bullock in the upcoming campaign against Hearst. However, it was nice that Bullock took their side in „the fair fight”; if their ways do part so soon at least it is with a smile that they take their leave. It was also nice to see Johnny outsmart Al for once - his reward for it was of course a punch – whether it was the result of challenging Al’s authority, or simply because Johnny seemed ludicrous in his enthusiasm of fathoming Wu’s message, that I am not sure of. Either way, it was hilarious.

    Among other key events of the episode, I would like to recall the moving of the school. I found their trip through the street really nicely filmed. A glint of innocence and peace surrounded by forces of destruction. The camp seemed peaceful for a brief moment, even as Hearst loomed from his high balcony.

    Aunt Lou receives the dreadful news of her sons death and her reaction, as well as how Hearst handles the situation, are very interesting. For the first time Jane seems to truly relate to Joanie and perhaps she will finally give up on drinking. Though that’s wishful thinking.

    Perhaps the highlight, or at least the most original moment, was the amateur night, throbbing with color and joy. Al on the other hand was busy working, which may or may not have been an excuse not to participate at an event that he sees as being beneath him. Nevertheless, there was an obvious desire for him to join those people outside, to let go of his pride and his worries, a desire that breaks through by means of his marvelous ballad at the end – one that however is witnessed only by an inanimate trophy. Or perhaps the ballad can signify more than simply this. Perhaps it is symbolic in the context that the towns people, for one of the first times, are not spending their evening in the Gem Salloon, but some place else. Civilization and order is slowly settling into the camp and Al's old ways are coming to an end. In this way of seeing things, the "unfortunate lad" in the ballad may very well be Al. A marvelous ending.
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