Envy
Written by John Pardee And Joey Murphy
Directed by Scott Ellis
8.0
"Great"
Bree: "Thank you, Katherine. I'll never become stuck up and full of myself".
Katherine: "I didn't say that".
Success comes to those who work really hard for it and have clear goals in sight. It's what we all want and need in order to survive and when someone becomes a bit more successful than us, it's often hard not to feel a little envious of that person.
Bree is obviously an excellent case in point given her recent development. Although it is her and Katherine who set up the catering, it is Bree who is garnering all of the attention. Now, perhaps this isn't entirely her fault but it's easy to see why her success has had negative effects on those around her.
With Gabby, it's a reminder of no longer being surrounded by a wealth of material good, which for someone like Gabby would be crucial. Gabby defines herself by status and even expressed fears in her declining one a few episodes ago.
With Susan, well I think it's probably not as personal. She's a lot less hung up on things and given that she and Bree are so fundamentally different, she might be the only person who doesn't have a serious issue with Bree's new found success.
Three people who clearly do though are Katherine, Orson and Lynette and with each of them, there's certain validity to their grievances I suppose. Okay, maybe not entirely with Orson but definitely with Katherine and Lynette who are blatantly jealous of Bree.
Well when it comes to Katherine, no-one wants to be a dogsbody and unfortunately her role in the catering business has gone from partner to that of a less flattering description. We've already seen her anger at Bree not giving her proper credit for the recipes and here, she's got more reason to be angry.
First off there's being handed a signed copy of Bree's cookbook which doesn't fill Katherine's heart with joy and then there's the issue of Orson wanting in on the business. Katherine's method of responding is to threaten to impale Bree, which is oddly funny. Although her role feels like a comedown from last season, I'm actually finding Katherine more bearable this season.
I also can understand why she feels anger towards Bree. Perhaps it's not Bree's fault that she was the one who became the household name so instantly but she hasn't actively done much to either share the fame with Katherine or make the woman feel appreciated. It's hard not to feel some annoyance towards that.
As for Orson, he seems to have it in his head that his unemployment woes are Bree's problems. While Bree has done a lot to damn herself, the fact that Orson can't hold down a job isn't entirely her doing. Yes she made him go to jail but Orson should be realistic enough to realise that lying about a criminal record was going to bite him in the butt.
Also the idea of mixing family with business isn't a smart idea for many reasons. First off all, Orson has no prior experience in catering and secondly, he only expected Bree to make him a partner because he couldn't find another job. Both of these are bad ideas and while Bree makes the wise decision to refuse him at first, a little emotional blackmail breaks her resolve.
That's another thing I hate – that this show can make Orson appear a victim when he really isn't one. He was being petulant and stupid for expecting Bree to make him a partner without consulting Katherine and sleeping in the guest bedroom was just manipulating her into changing her mind. I think Bree should've stuck to her guns and Orson should've realised that he had no right to impose on Bree and Katherine's business the way he did.
The other person feeling the brunt of Bree's success is Lynette. Unlike every other character, Lynette has always resented being a housewife and saw Bree's success as a means of reigniting her advertising roots by trying to come up with a snazzy campaign.
Much as I hate to agree with Bree, I'll give the woman her dues by refusing Lynette's help. Lynette might be good at her job but she was pitching a marketing strategy that clearly wouldn't appeal to the kind of audience that Bree's aiming for (i.e. middle America) but perhaps Bree could've let her down gently.
Then again Lynette did continue to badly handle the situation when she realised that Stuart from her old company Parcher and Murphy was the man behind the ad campaign Bree chose instead. It's brilliant of this show to bring back Stuart, even though he wasn't a character I would've expected to see on the show again.
Stuart to his credit seemed fairly nice to Lynette but Lynette balled things up by getting blind drunk at the Businesswoman Of The Year award and embarrassing Bree. Still in spite of the embarrassment, it did lead to a nice scene between Lynette and Bree where the latter discussed the down side to her success but the question remains – shouldn't Lynette just go back to advertising?
If Tom can still have his little hobbies and generally get his way, I don't see why Lynette should be stuck working in Scavos? For her, it's clearly not where she wants to be and her kids are mostly old enough to fend for themselves. Plus, why should Bree be the only one this season with a career?
Elsewhere Gabby and Carlos have bigger issues than a career to worry about – their dwindling sex life. It seems that having two kids has put a dampener on things and Gabby's so desperate to kick start things back again that she decides to pawn Juanita off with a geeky Bethany who the stroppy kid doesn't like.
Of course Carlos just thinks that Gabby is being unreasonable with Juanita until Gabby spells out the benefits of having a child-free area for a few hours. The more interesting part is that when the two of them do decide to hit the sack, Gabby suddenly becomes curious as to what it' like having blind sex.
For once the woman isn't being politically incorrect but instead makes a well judged observation. Carlos' answer about how certain senses are heightened also had the desired effect when Gabby wore a blindfold while sleeping with Carlos. It's good that she enjoyed her little experiment, just too bad that Juanita had to walk in on them while they were at it.
One thing I don't envy about parents is them having to explain the birds and the bees to their kids and needless to say, Gabby and Carlos are put into an awkward situation. Gabby's wrestling lie doesn't sit well with Carlos so he decides on the truth and of course, that also means some consequences.
Juanita's like any five year old which means that she was always going to tell Bethany and because of that, the latter's parents would freak out and cancel play dates with Gabby and Carlos. It also didn't help that she tried to divulge that information to younger sister Celia either.
Also to make things worse, when Carlos and Gabby finally manage to persuade Bethany's parents that they were looking out for Juanita and Celia's innocence, he makes the mistake of letting slip about Santa Claus not being real to Bethany. Okay, so it's not the most gripping plot in the world but it does raise a sly smile.
Elsewhere on the issue of children, Mike is finding himself feeling left out of MJ's life when Jackson features more prominently in a family picture at school than he does. Mike does at first make a lame attempt to deny that it bugs him until he buys MJ a bike and wants to teach him how to ride.
The problem is that Jackson got there first and when Susan stupidly encourages MJ to fake a fall for Mike's ego, the kid gets injured. Needless to say, Mike's furious about Jackson's growing role but Susan reminds him that there's down side to not living so close to your son.
Of course we can also thank Dave for making this problem go away. It seems that he has a fixation with Mike joining him and Tom's awful band to the point where he busts his own pipes to get Mike to talk to him and decides to buy Mary Alice's old house with Edie so that Mike can be near MJ.
With so many people on the street, it would almost feel lazy if Mike is the very guy that Dave is after but given Mike's criminal past I wouldn't rule it out. Of course, it's likely to be a red herring as Dave does seem to making his way to interacting with the neighbours almost one by one.
The interesting thing is that for the time being, he still also has Edie under his spell. While Karen raised some suspicions to Edie and while Dave also snapped at her for no reason, Edie does seem to be blissfully unaware that her husband is a psycho in the making. What's also just as noticeable is that Dave seems to be getting more to do than Edie herself as well.
Also in "Back In Business"
Keeping with minor characters, Miss Butters who was MJ's teacher in this episode, also deal with Porter and Preston back in Season One.
Mike (re picture): "The bug with the little hat?"
MJ: "That's because you're so far away".
For those viewers who dislike Mike, one of them pointed out on TWOP that the bug could be a comment on James Denton's acting. Carlos (re Bethany): "Why are you shoving that little weirdo down Juanita's throat?"
Gabrielle: "That little weirdo is the key to us having sex".
Katherine (re Orson): "You let him in; I'll cut you with these scissors".
Bree: "Oh, we don't need to do that".
Why am I not surprised that Lynette scored 'Businesswoman Of The Year' at one point? Mind you, Tom seemed threatened when Lynette suggested going back to advertising.
Bree (to Orson): "Katherine sees how I get".
Katherine: **** tyrannical, shrill".
Susan: "You could've walked away".
Jackson (re MJ): "I couldn't. He said pewees".
My youngest niece has a tendency to sometimes say 'oh man' in a similar tone to MJ.
Lynette (re ad campaign): "I see women responding to that".
Bree: "Do you because I see children crawling into ovens looking for dinosaurs".
Mike (re MJ): "You told him to fall?"
Susan: "Remember it's the pavement you're mad at".
I recently heard about Gale Harold's bike accident. I'm glad it's not going to affect the rest of his work on the series.
Celia: "Sperm".
Gabrielle: "Juanita, stop talking to your sister".
Mike (to Dave): "I might play guitar like a rock star but I don't earn like one".
Isn't it strange that before Dave arriving on Wisteria Lane that neither Mike nor Tom had this strong interest in playing in a band? Plus Dave got really creepy with Tom at one point.
Bree: "Lynette, you're drunk".
Lynette: "That's immaterial, what did you think of the coupons?"
Edie (to Dave): "Screw karma. I finally do something nice for this neighbourhood and I can't even brag about it".
No Scavo spawn, Karen, Bob or Lee in this episode and Andrew only had on scene.
While not one of my favourite episodes, "Back In Business" is however a lovely look into how the success you make can impact your relationships with your nearest and dearest but on the flipside, this episode did very little to slightly advance the Dave mystery but we'll have to wait that one out.