Teri Hatcher |
Susan Mayer |
Felicity Huffman |
Lynette Scavo |
Marcia Cross |
Bree Van De Kamp |
Eva Longoria |
Gabrielle Solis |
Nicollette Sheridan |
Edie Britt |
Brenda Strong |
Mary Alice Young |
Sharon Lawrence |
Maisy Gibbons |
Guest Star |
Marla Sokoloff |
Claire |
Guest Star |
Shawn Doyle |
Mr. Hartley |
Guest Star |
Lucille Soong |
Yao Lin |
Recurring Role |
Brent Kinsman |
Preston Scavo |
Recurring Role |
Shane Kinsman |
Porter Scavo |
Recurring Role |
When Susan borrows the candles off Julie, she takes three from her room, however later on when she returns them, she only places two on the side.
When Bree and Rex are fighting, she opens a door in the dinning room and screams "Andrew, Danielle..." After the door you can see a corridor despite the fact that we know for sure that after that door we should see the big room with the stairs and the door.
The song that plays while Susan gets ready for Mike is "Here I Am Baby" by Al Green.
After Bree tells Rex that she wants her revenge on him "to hurt as much as is humanly possible", she picks up her handbag and starts putting it on her right shoulder. However, in the very next shot, she puts it on her left shoulder instead.
Maisy's handcuffs are always on her left side - if it looks like they're on the right it's because of the mirror. However, after Rex chooses stilettos over boots, when Maisy goes to sit down there are no handcuffs in sight at all - they re-appear in the correct place when the camera cuts to a closer shot.
Even though it's just a short glimpse, it looks like it's all wet outside when Mike and Zach leaves Susans' house. The road has a darker color than when it's dry, because when Mike and Zach are going up to Zachs' house a minute later it's all sunny outside and the road has its "dry-color."
The cuffs do switch sides, but only once. When we see her tuck them into her bra, it appears to be the right side, but we are looking at her reflection, meaning it's actually the left side she's tucking them in to.
When Maisy calls the ambulance, you can still hear the dialing tone when she's talking.
Bree: Were you with a woman? Did you tell her that you have a wife or does that hinder your pick-up style?
Rex: All right. Even if I was seeing someone, I have every right to. Exploring options is the whole point of being separated!
Bree: Options?! I'm not a mutual fund, Rex.
Mary Alice: No one knew where Martha Huber was, and Edie Britt was starting to worry. Edie didn't like worrying. She felt it gave her wrinkles. So, out of concern for her face and Mrs. Huber, Edie decided to find out what was going on.
Mary Alice: Every morality play has its cast of characters. There is always an innocent victim...a deceitful villain...a prosecutor who seeks the truth...a magistrate that dispenses justice...and a lawyer who charges too much.
Mary Alice: To understand Maisy Gibbons, you first need to know how she spent her afternoons. Her mornings were spent running errands for her husband. Her evenings were spent washing dishes and helping with homework. But her afternoons, well, they were spent in the company of men. Frustrated. Misunderstood. Lonely men. Willing to pay money to feel a little less lonely. And Maisy Gibbons was willing to help them.
Paul: Sometimes it's not good to look back on the past.
Zach: But I can't help it. These images just keep popping into my head.
Paul: Well, then you've got to find a way to push them back out again.
Zach: Okay.
Paul: More potatoes?
Mary Alice: Trust is a fragile thing (shot of Gabrielle reading Carlos's passport.) Once earned, it affords us tremendous freedom (shot of Lynette watching Claire take her boys.) But once trust is lost, it can be impossible to recover (shot of Bree walking into a marriage lawyer's office.) Of course, the truth is, we never know who we can trust. Those we're closest to can betray us (shot of Susan and Julie.) Or total strangers can come to our rescue (shot of Paul watching Edie enter Martha's house.) In the end, most people decide to trust only themselves. It really is the simplest way to keep from getting burned. (Gabrielle burns Carlos's passport.)
Maisy: You're not going to tell a soul. Bree, you may hate me, but you'd hate the humiliation a lot more.
Bree: Oh, I don't hate you, Maisy. I pity you.
Maisy: (to Rex) You know me. I'm just a romantic at heart. Scarves or cuffs?
Bree: (whispering) As of this moment, Rex, I am no longer your wife. I am going to go out, and find the most vindictive lawyer I can find, and together, we are going to eviscerate you. I'm going to take away your money, your family, and your dignity. Do you hear me?
Rex: Bree...
Bree: And I am so thrilled to know that you still love me. Because I want what's about to happen to you...to hurt as much as humanly possible. I'm so glad you didn't die before I got a chance to tell you that.
Maisy: Oh, Bree. What a nice surprise. Would you like to come in?
Bree: Well, that depends. Are you having an affair with my husband?
Gabrielle: (as her car is being impounded) You call this a paint job?! I don't wanna see it again till it's perfect!
Susan: (to Mike after she hits him) I'm so sorry... I thought there was someone in the house.
Mike: So you took your clothes off?
Susan: No. My clothes were already off. I was going to seduce you.
Mike: Well, it didn't really work.
Bree: I'll tell you what: then why don't you just call up your mystery woman and invite her over. I'll pull out the sofa bed, you can take her right there! (she opens the room's door) Andrew, Danielle! Daddy's going to fornicate for us!
The December 19, 2004 edition of "The Fairview Herald" seen on the dining room table in Lynette's kitchen features an article entitled "Local Businessman Arrested" with the picture of Carlos on the front page. However, the headline of a more dominant article above is "Library in Need".
Although credited, Jesse Metcalfe (John Rowland) is absent from this episode.
Episode Title: The name of this episode comes from the song of the same name taken from the 1965 Broadway musical On a Clear Day You Can See Forever, by Alan Jay Lerner and Burton Lane.
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S 8 : Ep 23
Aired 5/13/12
S 8 : Ep 22
Aired 5/13/12
S 8 : Ep 21
Aired 5/6/12
S 8 : Ep 20
Aired 4/29/12
User Score: 249
User Score: 6522
User Score: 2974
User Score: 1542
User Score: 674
User Score: 496
User Score: 468
User Score: 337
User Score: 264
User Score: 251