Misdeeds
Written by Jamie Gorenberg
Directed by Larry Shaw
7.0
"Good"
Susan: "Katherine and I told you guys we were taking the high road. Why won't you believe us?"
Lynette: "Because I vividly remember yesterday and I wasn't born during it."
Taking the high road? For Susan, that would be something of a stretch but even the writers must be realistic enough to realise that there are only so many episode viewers are willing to tolerate her moaning about Mike and Katherine being a couple.
This episode saw Mike and Katherine moving in together and Susan actually tried to be a mature adult about the situation. It even generated a funny moment where the rest of the women tried to hide the fact that they were going to Mike and Katherine's housewarming to spare Susan's feelings.
The scene was funny because Katherine alerted them to the fact that Susan had already been invited and both Katherine and Susan's cordial behaviour irked everyone in sight, notably Edie.
As Edie pointed out, whenever she shacked up with another one of the other women's former cast offs (Karl, Carlos, Mike), she got reprimanded for it where Katherine doesn't get to feel the heat. Her disbelief of Susan and Katherine being so friendly with other however is justified.
If it hadn't been for a certain little painting that Susan had done a few years ago when her and Mike were still together, her and Katherine might have avoided another confrontation. I don't actually blame Katherine for taking it down, given that the painting was a wedding present.
However I do somewhat deplore the way the argument unfolded. Susan made an active point unmasking Katherine's lies about it and then confronted both her and Mike over the painting being left in storage. To be fair, Susan should've probably understood why Katherine was uncomfortable with the damn thing.
Also getting Mike involved, though probably not done as an act of malice was silly. It took Katherine to spell it out to Susan before she realised that Katherine wasn't just being spiteful, although Katherine certainly isn't the most apologetic of people, is she?
And Susan also managed to use her flippant behaviour to better use by reclaiming the painting and making a gesture that she didn't want to interfere in Mike and Katherine's relationship, which earned her approval from the latter due to the former being his clueless self.
If only every episode could use Susan's bout of strops as a positive means. Honestly you'd have less viewers complaining and Susan would probably endear herself a lot more to audience members but I guess that might be wishful thinking on my part.
More wishful thinking would be for Bree and Orson to settle their differences once and for all. All season, Orson's failures to get on with his life after serving his time have gone arseways and now it's getting to the point where he's stealing in order to gain some kind of power.
When Tom behaved like a jackass to him in the beginning, Orson retaliated by nicking a hideous looking salt shaker. I know we're supposed to cherish family heirlooms but damn, that thing was hideous. Orson should've just stolen something more practical, seeing as Tom was getting fleeced anyways.
Then there was Bruce. Another person to make Orson feel inferior, if Tom hadn't done much of a job already. Bruce's nasty barbs about Orson's name might have been funnier if the character didn't come across as a massive jerk. During this scene I did kind of wish that Bree had stuck up for Orson just a little bit.
Instead she ignored the problem and Orson's feelings in general. The only time they exchanged words was when she caught Orson stealing Bruce's tape recorder and read him the riot act. I don't approve of Orson's stealing and I certainly think that while his motives are slightly understandable, they're not justified in what he's doing overall but I do wish that Bree could be a little more sympathetic towards him.
While he rightly went to jail for a crime he's committed, he does seem to be paying for it a lot more than any other character might have under the circumstances and Bree herself seems to have lost a lot of respect. I imagine she's going to lose a great deal when she realises that Orson's stolen one of her jewels.
Speaking of respect, I really should feel sorrier for Tom but I really can't. Yes, his business went down the tubes to a bad economy and while there's always going to be one of two people who might take advantage of his misfortune, that doesn't give Tom a licence to be so rude to people.
In the opening he was outright nasty to Orson. While both men's circumstances might have been different, Tom should've realised that Orson was trying to be nice and the least Tom could've done is realise that he isn't the only person to suffer due to economy or other circumstances.
Then there was the job with Bruce. Neither Tom nor Lynette can afford to be out of work right now and you have to give Lynette credit for trying to get Tom a job that he was qualified, especially given that Tom was making no effort himself to go and find a job to pay the bills.
In fact during the whole meal, I found myself wanting to bop Tom with the way he kept constantly shrugging and responding blankly when Bruce tried to gauge him about previous history. However I could also tell that Lynette herself would end up trying to get the job.
To be fair, I didn't blame and we already that she's far better than Tom at the whole marketing thing and the opportunity was too good to pass up. It's also quite infuriating that Tom waited until Lynette expressed an interest in the job to try and impress Bruce.
Both Tom and Lynette trying to outdo each other was funny until Tom mentioned Lynette's cancer. The fact that Lynette didn't smash his head against the table is amazing. I certainly would've for that comment alone. This was the second time in this episode that Tom overstepped the mark.
I think the worst thing is not the fact that Bruce decided not to employ either one of them but the fact that the episode skimmed over Tom's comment and tried to make light on it. Something like should've been handled much better and the idea of Tom telling Lynette that she can look for a job is demeaning. Since when does Lynette need her hubby's permission to seek employment?
Employment could also be an issue for Carlos as well. Keeping schtum about Bradley's extra-marital (seriously, does anyone care?) affairs is one thing but it's Gabby who found herself being used to distract Maria while Bradley met up with his own mistress.
As plots go, this is pretty unengaging stuff. Bradley's boring as hell and while Maria's alright, I'm just not that engrossed in the whole plot. Gabby's attempts of trying to get Shayla to end things with Bradley was noble but still worth caring.
Not even the threat of Carlos getting the sack from Bradley when Gabby refused to be a cover again enthralled me all that much. However I did find Maria's reasons for killing Bradley after she learned that he was going to leave her somewhat amusing.
Because of Bradley's death, that could mean that Carlos either loses his job or gets a swift promotion. Either are fine by me to a degree but I take it we won't be getting any further appearances from Maria though.
In terms of the main mystery (and due to a certain spoiler), Edie has finally decided to investigate her husband. Given that she's had so many hints of Dave being an oddball staring at her in the face, she's certainly cut it fine but I suppose it is really a case of better late than never.
Dave's erratic behaviour towards a priest is what got her so suspicious in the first place and when he lets slip about Dave's real surname, I felt a clock ticking away. Nice that you're going to find out that your husband's a psycho, Edie but it's just too bad you won't live to tell many people as a result.
Also in "Crime Doesn't Pay"
Orson's politeness was spotlighted at the start of this episode with Mary Alice pointing out that he punished people who weren't similarly well mannered.
Edie: "Whoa, whoa, whoa. What's happening here? Why isn't hair being pulled?"
Susan: "Why would we do that?"
Edie (re Katherine): "Well, let's see, she's shacking up with your ex? Something which when I do it I get an angry mob on my front lawn."
I loved the little reminder of Edie telling Gabby about her relationship with Carlos. There's no way they would've been able to have joked about that last season.
Maria (re Bradley): "Listen to him. Can you believe this guy?"
Gabrielle: "No, he is not to be believed."
Karen: "Hey Kathy. What happened to Susan's painting?"
Katherine: "I am such a klutz. I was dusting yesterday and well, it just fell. The glass shattered and I took it to the framer. It'll be back in a jiffy. Oh, excuse me."
Bree: "See, a perfectly innocent … bald faced lie."
We haven't had a lot of Katherine working in Bree's restaurant compared to earlier episodes. In fact they've been spending less time together.
Edie (to Dave): "Look, there's a priest. I knew that vow of poverty was a crock."
Carlos: "I don't care about the money."
Gabrielle: "I do and so does my personal shopper and Pilates instructor."
We saw Bradley and Maria's kids briefly in this episode. Gabby and Carlos babysat them.
Shayla: "Have you ever considered highlights?"
Gabrielle: "Focus, Shayla. We're talking about ruining another woman's life."
Katherine (to Susan): "I knew I wasn't going to get a clean slate with Mike but I at least wanted a clean mantelpiece."
No Andrew/Alex, Bob/Lee, MJ, Solis or Scavos kids were present in this episode.
Bruce (re Orson/Bree): "Idea for a novel. Woman married to a gay man but doesn't know it."
Susan (to Mike): "Yep, I'm complicated like that. Aren't you glad you divorced me? If you two want a painting, you can paint your own."
Chronology: A week since "In A World Where The Kings Are Employers".
"Crime Doesn't Pay" makes a point of stating the obvious. There's no way that Orson's bout of kleptomania is gonna pan out well for either him or Bree and Dave's skeletons are just waiting to get unravelled. It's better than the previous episodes but we're still treading water here.