Rewriting History
Written by Joey Murphy And John Pardee
Directed by Larry Shaw
8.0
"Great"
Mike: “You said I dated Susan for a long time, do you think I was in love with her?”
Edie: “I don’t, I really don’t”.
The end of “A Weekend In The Country” had Mike awoke from his coma and looking at his new surroundings but this week, someone is given quite the history lesson and for Mike, it’s not a completely accurate one at that rate either.
The man may have been in a coma for six months but his mind frame is still routed in 2004 and so far this works the benefit of two people while royally shafting the one person who was most eager for him to wake up.
First on the advantage list is Orson who for the time doesn’t have to fear calling over for attempted murder but even Orson shows some caution when after learning from Bree that Mike is awake by not actually letting Mike when he visits the amnesiac in hospital because hey, the last thing Orson would want to do is trigger those pesky memories of Mike’s especially if they shaft him in the end.
The person however who has the biggest advantage of the two is Edie, whose downright obvious lust for Mike since the “Pilot” looks like it might just reciprocated as while Edie doesn’t flat out lie to Mike about certain things (she’s quick to inform that Rex has been dead for a year and a half), her version of the truth is a little sketchy at best though.
Worse still but probably because Mike is in a vulnerable enough position, he doesn’t for one second question Edie or her motives and is quick to believe that the two of them are actually an item. In Edie’s defence, I always wondered why Mike never took an interest in her. Personally I wouldn’t find her attractive but aside from her vendetta on Susan, Edie isn’t exactly the worst person in existence and has at times been more sympathetic than Marc Cherry thought she would be.
However, her hatred towards though slightly justified, doesn’t excuse her on how she addresses Mike’s real girlfriend to the confused plumber and sadly, Edie mostly paints Susan out as a bit of a slut and a serial stalker. Mainly Edie exaggerates a bit. Susan’s hardly a vestal virgin but her erratic behaviour can be a pain at times as most viewers can attest.
It also doesn’t help Susan’s case that when Mike woke up from his coma; she was in the mountains with Ian and getting past the shy phase of their relationship. In fact that’s where Susan still as the writers attempt to deepen the now quadrangle surrounding her, Mike, Ian and Edie.
Seeing Susan and Ian all loved up is slightly sweet. They may not be anywhere as interesting as Bree and Orson but in a way they do kind of work even if the writing for them can sometime feel a little bit forced. You can’t really say that about Dr Ron or Karl but of course Mike puts the obvious kaput in their relationship for the time being.
As soon as Susan finally realised that he was awake, Ian was treated more as a terminal disease rather than a possible lover and some of her comments regarding Jane as she was rushing to get back to the hospital for Mike were kind of harsh. Granted there’s probably an element of truth in them too. If Jane had woken up, you could see Ian casting Susan aside.
That being said both Ian and Susan have two things in common and they are the fact that they are both emotionally immature and also quite impulsive. Ian really shows the latter with the way he keeps telling Susan he loves her.
The thing is though, he may love Susan but she is obsessed with Mike that even if she does decide to go there with Ian, the chances are she’s probably settling for second best instead of really wanting and given that Mike’s frosty reception of Susan ends with him rejecting her, chances are her reasons for pursuing anything with Ian will be less than honourable.
Rejection is definitely a feeling being spurred on a lot in Wisteria Lane and Gabby’s one woman campaign to rein more misery on Carlos keeps going up a notch as this week she decides to get more cash out of her soon to be divorced husband than the spousal support will give by selling most of his personal belongings.
As much fun as this War Of The Roses style feud is, I’m getting somewhat tired of Gabrielle acting like a complete **** The spousal support reeks of hypocrisy and more or less says that she’s a gold digger and getting Carlos arrested as a result on him trying to enter his own house because she hates the idea of him now having to legally live with her further vilifies her.
I don’t know why Gabrielle is acting so self-righteous because her betrayal was worse than Carlos and her treatment of him in general has gotten pathetic at this rate. Even when her own arrogance gets her arrested by the cops instead of Carlos and he has the decency to bail her ass out of jail, she still spews venom and tells him about her and John’s recent one-nighter.
Proving that there’s a limit to his patience (something he doesn’t have a lot of anyway), Carlos physically removes Gabrielle and leaves her in the middle of nowhere and yet once again, I have to admit that she got what she deserved to no end. Gabby is really pushing the limits this season and not in a good way.
Elsewhere Bree learns in a rather manner that passing on sensitive information is a thankless opportunity. As much as Gabby is pissing me off this season I have to admit that she hit an obvious point when she mention that women who find out that their husbands are cheating on them have a tendency to want to shoot the messenger and in some ways, Bree got shot herself for her honesty.
At a history fair for Danielle, Orson discovers that Andrew was paid into having sex with Dr Howard Keck while he was living on the street and when confronted by Bree over his private conversation with the dysfunctional teenager, Orson breaks the news of Andrew’s “work-ethic” to his wife in a pretty witty way.
Suffice to say that Bree is scandalised by the revelation by feels it’s her obligation to tell Howard’s wife Vera, who reacts to the news in a pretty venomous manner of her own when she tells Bree that Danielle is screwing her history Mr Falotti.
So in the course of one episode, Bree is given not one but two things to be horrified and for once, she can actually be sanctimonious about her children’s sexual partners even if hers include psychos and sex addicts. I wonder how of her own family life she has really told Orson.
Danielle grinding with her history teacher isn’t a total shocker. In a lot of ways, Danielle is a more unlikeable and callous younger version of Edie and given her lack of interest in anything that doesn’t revolve around her, it almost makes sense too. Also it’s predictable that when confronted by her mother about her choice in boyfriend, Danielle would react in her usual spoilt brat routine and make a childish exit. Yeah, great control there, Bree!
However there is a plus side to Danielle’s extra curricular activities and that includes a wonderful conversation between Bree and Andrew which not only contains some pretty realistic dialogue about the nature of how children willingly defy their parents but is also the first genuine conversation these two have had since Season One’s “Move On”.
In a lot of ways, you can almost thank Orson for how Bree and Andrew seem to be able to communicate with each other. That to me proves that there isn’t total malice within this guy. Hey, I’m an Orson supporter all the way.
In the least interesting of plot however, my favourite character Lynette is given a rather dull baseball plot surrounding Parker which brings out the cons of her overly competitive nature when she forces the lad to continue with the sport despite the fact that Tom had previously allowed him to quit, he hates it and is actually quite rubbish at baseball too.
Lynette also makes the stupid blunder of trying to bribe a lad named Nicky into giving Parker an incentive to continue until she gets royally busted and both Parker and Nicky are removed from their teams. Its things like this that really makes me resent how seriously people take sport and gives me some nasty PE flashbacks. Plus the whole competitive parent/coach thing bugs the heck out of me.
It also forces Lynette and Tom to argue about the latter’s decision to pursue his dreams and the not so shy resentment that Lynette exhibits over the liberation Tom has that she can’t afford being the family’s only breadwinner and although Lynette comes with a way (along with fate playing a hand) to deal with her bribery scandal, I still think that she isn’t very thrilled with Tom’s decision. Here’s hoping he’ll come with something routed in reality but with Tom that’s not very likely.
Also in “Like It Was”
News Of The Week: Mike Delfino waking up which was seen by Edie, who told Dr Craig, who phoned his aunt Ida, who tells Lynette, who tells Tom, who emails Carlos, who phones Gabby, who phones Bree, who tells Danielle, who then phones Julie.
Carlos: “If you don’t knock it off, the gloves are coming off”
Gabrielle: “Oh honey, the gloves aren’t just off. They’re 75% off”.
How exactly is Gabby entitled to spousal support? Why doesn’t Carlos use her adultery against her or freeze some of the accounts?
Lynette (to Parker): “Again the opening the eye, I can’t stress it enough”.
Gabrielle: “Wait you can’t stay here”
Carlos: “Now that was the face was looking for”.
The things Gabby sold on Carlos was cufflinks, baby blanket and his CD’s, while things Carlos threatened to pee in were water, decaffeinated coffee and soup belonging to Gabby.
Andrew (re Dr Keck): “We met at drama camp”
Orson: “Oh my God”.
Bree (re Andrew): “Did he do something awful?”
Orson: “No, no, not awful. People do it all the time. I do it with you I just don’t pay you for it”.
Like in last week’s episode, Lynette is still at her job but so far we have only seen her as a housewife rather than a breadwinner.
Gabrielle (re police): “Get your hands off me, police brutality”.
Four episodes in and the opening credits have been in three episodes. Keep this up ABC!
Lynette: “Are you asking for a bribe?”
Coach: “Are you pretending you’re above that?”
Lynette: “I’ll get my chequebook”.
Thanks to Danielle we’ve learned about Fairview’s founder Edward Sibley. We also learned from Mary Alice that he was a womaniser, bootlegger and a horse thief.
Bree: “You’re awful”
Andrew: “I know I blame shoddy parenting”.
No Austin or Nora this week but all our regulars were present and accounted for.
Susan: “I’ll come back tomorrow”
Mike: “I’d rather if you didn’t”.
Chronology: judging by the opening scene, I would say just seconds after “A Weekend In The Country”.
An interesting take on things, “Like It Was” plays on nostalgia a bit without being too mawkish. There’s no denying that this is a set up episode but there’s tons of priceless dialogue and fine character moments that you don’t mind too much.