Men Are Doomed In A Way
Written by Brian Alexander
Directed by Larry Shaw
8.0
"Great"
For the past season and a half I have to admit I have often found the opening narration we get from Mary Alice a tad stagnant and were kind of hoping for a bit of a shake up in things. Nothing too altering but something that would feel fresh.
Clearly someone was paying some kind of attention because that’s exactly what we get this week when a former member of Wisteria Lane takes a time out from the afterlife to put in his few cents on the antics of the family and neighbours he left behind. Ladies and gentlemen, I give you Mr Rex Van De Kamp.
However I have to admit before I go anywhere else in this review that are some drawbacks in putting Rex in the commentary and while they don’t bring the episode down, I’m afraid they are too noticeable to not talk about them.
First off with Rex as this episode’s narrator, it’s kind of a shame that we don’t get some form of a flashback pre-Season One with the entire Van De Kamp clan and the usual array of dysfunction that is with them because in fairness while Rex talks about a family portrait that more straining to take than you would think showing us this onscreen would be a good source of comedy and drama in less than five minutes?
Also there’s the fact that this is the first of many episodes in the remainder of this season that doesn’t feature Marcia Cross due the actress’ maternity leave, so I kind of wish that we had either gotten this before or after Cross’ time out because the lack of Bree in an episode narrated by Rex does feel odd to say the least.
On his family, Rex is quick to dispense his thoughts and like everything else, they are pretty consistent ones to boot as he’s still convinced he helped spawned the most scandalous and repressed family in America and judging by their antics since his death, he’s not exactly off the mark with that assessment.
His thoughts on Orson are very interesting too. He’s not particular enamoured with the guy who would eventually hold a place in Bree’s affection (he’s an improvement on the man who did kill you Rex) and like many of the audience members out there, even Rex can spot the creepy veneer behind the Orthodontist.
Which makes him especially pleased that unlike everyone else on the neighbourhood, Mike is also far off from befriending Orson anytime soon and Mike even goes as far as to make his hatred for Orson pretty public as well? Not that Mike is in wrong here because as much as I like Orson, he is in a way responsible for Mike having the police on his back and six months of his life taken away from. If someone did that to me, I wouldn’t be in a hurry to forgive them either.
Except that while Mike may exonerated from the Monique thing, there is still the nagging problem of not knowing the SOB who put him in a coma in the first place and with Orson shirking everytime Mike mentions this, how long will it be until he finds out. This should remind the writers to come up with a good incentive to explain why Orson would deliberately kill/injure Mike and they should do it sooner than later as well.
Anyways getting back to Rex, it’s strange that although Bree is currently at her parents place and then destined for her overdue honeymoon after she recuperates, Rex still really doesn’t talk that extensively about his wife’s choices in the past two years. It’s a shame but at least his lack of comments on Bree is made up with more scandal within his family.
Fresh from dating raping ex-wives and psychotic mothers, the latest piece of scandal in the Van De Kamp/Hodge household is dimwit Danielle paying the price of her tryst with Austin when she tells Andrew that she’s pregnant. Hey, they waited until their third season to do a teenage pregnancy storyline; I’d say that’s a good thing.
Although it’s a little jarring having the most immature teenage on the suburbs pregnant and seeing as Danielle isn’t the brightest of girls, she’s deluded enough into thinking a child will have Austin marry her so his blunt rejection makes me wonder why he even bothered getting his leg over Danielle in the first place.
Given that network televisions isn’t really allowed to explore or give any indications of condoning abortion, this option to Danielle’s dilemma is briefly touched and rejected by Danielle herself and it’s Orson who on Bree’s orders comes up with a solution. It’s a lame one really – just take Danielle to her Grandparents long enough for her to give birth and put the kid up for adoption and then for Austin to leave town even more quickly than he arrived.
Danielle’s pregnancy really came at a significantly bad time for Austin as in spite of herself, Julie was willing to put the fact that he cheated on her with one of her close friends and take him back. Not that Austin really deserved and more disappointingly it’s a letter that persuades Julie to give her relationship with the laughable bad boy another go. Maybe she’s like her mother at all, although she won’t grow up to be as needy as her because one Susan Mayer is more than enough for this show.
Austin is one of those people who when told what they are and that they’ll never anything else use this as an incentive to not change their ways. Despite claiming to be madly in love with Julie, all Andrew has to do is remind Austin about his roving eye and what does Austin do? He bails and this is after Julie gives him incentive to stay and change. Yeah, good one, Austin – do what everyone assumes you do!
In this episode alone the writers try their hardest to evoke sympathy for a vapid character most of us really couldn’t care less about anyway. Josh Henderson isn’t the worst actor to grace this season but he wouldn’t be a huge loss to the series and the writing is being laid on a bit too thick that you don’t feel as much for Austin as the writers would like you to.
Meanwhile when Julie isn’t suffering her own romantic woes, then her mother Susan is enjoying the prospect of being Ian’s second wife and while being engaged seems to be ideal for Susan, even she isn’t as anxious to marry Ian as his attempts of booking the reception in such a short space of time doesn’t fly with Susan.
Then she has a trip to the jewellers where she spots Mike pawning some of his stuff including the engagement ring he had intended for her and there’s this lingering moment between the two of them that while it’s frustrating, it makes you understand why the writers are biding their time until hooking these two up.
However if Orson is loathed by Mike, then Ian is vehemently hated because when Mike discovered what Ian done with the engagement ring, a dull game of poker with Tom, Carlos, and Orson soon turns nasty between Mike and Ian with the former displaying a pretty vindictive side. So it comes as a blow to Mike that by losing to Ian, he’s been given a gagging order and can’t Susan what a lousy soon to be husband she’s landed herself.
Power games however aren’t entirely vicious because this week there’s a reasonably that occurs between the happily single Gabrielle and upcoming political figure, Victor Lang who proves in less than three minutes on screen that when he sets his sights on something, nothing or no-one will get in his way and the thing is in sights now is Gabby. Word of advice, bring a cheque book.
Victor ensures that his chauffeur crashes into Gabby so that he can give her an unsigned cheque, all as part of a clever ruse to get Gabby to confront him and for Victor to apply the charming sleaze and get a meal with her before promising her that he will chase her down and get her to be his wife, which is weird given that he’s only just met her. It’s partly romantic, partly funny and partly stalker like but after the four episodes of Zach tedium, it’s less repellent to watch. At least Victor is older than Gabby this time, which means Gabby, can only, be accused of being a gold digger instead of a paedophile. For Gabby that has to be an improvement and it’s clear that she’s attracted to him as well.
With the absence of Bree this season, it seems the writers have decided to give Edie a bigger storyline and although we’ve had ones involving both Austin and Mike in earlier episodes, the arrival of her son Travers who was briefly mentioned in “Pilot” and never since has come to shake up Edie’s life and it’s a mixed bag for her.
Edie’s not necessarily keen on being a stay at home mother entirely and when pawning Travers off to Carlos fails, she leaves the lad so she can get a date and by Travers being left on his own, the broody Carlos nixes his own date in order to take care of the boy and when Edie shows up to get him, Carlos is quick to give her a justified tongue lashing.
The weird thing is as much as I like Edie, Nicolette Sheridan is better at comedy than she is at the dramatics but this may be her first showcase of dramatics on the series that impressed me. Although Edie deserved the comments bestowed on her by Carlos, I like that her and Travers actually get on because she was pretty determined to make amends the next day. In spite of her shaky mothering abilities, she clearly loves the kid and her revelation of Travers being raised by his father is nice and in line with this series’ ongoing theme of imperfection everywhere, plus did I spot a bit of flirtation between her and Carlos as well? If the writers want to run with this, they have my complete support because Carlos needs an interesting girlfriend and Edie is certainly not boring by any stretch of the imagination and it would be nice to see her have a boyfriend who gives a crap about her and I think Carlos would.
Sadly with all the other plots working so well, the one that doesn’t gel as much as the work stressed Lynette and Tom having conflicting ideas of celebrating their ninth anniversary. It’s not a bad plot but feels too much like familiar ground with only Tom being right for once.
Lynette may have been tired but she was talking like she was the only one who actually works in that pizzeria and although the earlier comments about anniversary sex was childish, Tom’s later motives were more selfless and it took a hilarious story from Karen to get Lynette to appreciate Tom’s efforts but even then she had to endure being stranded before a conversation in a late night café with Tom yielded results for the both of them. No wonder Rex thinks Tom is enviable at the moment.
Also in “My Husband The Pig”
Husband Of The Week: Obviously Rex but was it me or did Steven Culp have less narration than Brenda Strong usually gets per episode? Rex: “I always hated cemeteries when I was alive and now that I’m dead, I hate them even more”.
Rex’s tombstone was 1962-2005, which made him 43 when he died. It’s nice that Bree gave him a decent burial after her anger subsided.
Mike: “I’ll stay in my room, you won’t hear me”
Carlos: “But you’ll hear me”.
I wonder how long Carlos has been doing the online dating thing. Also wasn’t a bit weird that he went for the girl with Daddy issues willingly?
Tom: “Are you as tired as I am?”
Lynette: “More but I’m tougher and I complain less”.
Edie (to Carlos): “You love kids; didn’t you rent out that Chinese chick’s womb so you could have one?”
Travers’ father is Charles, though it’s unspecified where on the ex-husband line he falls into. He also does Doctor Without Borders which justifies him leaving Travers with Edie for a month.
Austin: “Marry you? I can’t stand you”
Danielle: “Nice way to talk to the mother of your child”.
Victor: Have you noticed I’m a catch?”
Gabrielle: “I am and I’m throwing you back in”.
John Slattery (Victor) played a politician/love interest for Carrie in Season Three of Sex And The City? Who next can Desperate Housewives get from that show – Chris Noth, John Corbett, maybe Jason Lewis if he leaves Brothers And Sisters?
Travers: “I’m sorry I ruined your date”
Carlos: “That’s okay. She was a very bad lady who wanted to do very, very bad things to me”.
Karen (re Gilbert): “He died two weeks later, I didn’t cry”
Lynette: “Wow”.
Why wasn’t Austin supervising Travers as well seeing as he lives with Edie?
Tom (re Ian): “We’re gonna give him a very expensive lesson”
Mike: “Be careful, he already knows how to bluff”.
Tom got called a “silly bastard” by Rex and “Foldilocks” by Carlos.
Ian: “Do you think I’m afraid of you”
Mike: “Maybe you should be”.
Aside from the lack of Bree, everyone else was present and accounted for.
Lynette: “Nine years and I have loved every minute of it”
Tom: “Me too”.
Chronology: About a week or so since “The Little Things You Do Together”.
“My Husband The Pig” is certainly different and I did like the more male perspective of a heavily female oriented show, although in fairness the upcoming arc revolving Edie could be the best thing out of this entire episode.