Just Keep Moving
Written by Marc Cherry And Jenna Bans And Tom Spezialy
And Alexandria Cunningham
Directed by Larry Shaw
9.0
George: “My mother took a firm hand with me and I thank her for it”
Bree: “Exactly and look how well you turned out”.
I think that is an appropriate way of opening my review for the second part of the season finale because Mary Alice points out that all of our main housewives lives have turned out much different than they anticipated. Most of the women are aware of that and for the one who isn’t, well this episode certainly was a wake up call to that effect.
Starting off with the Van De Kamps, we take a visit to the local pharmacy where Bree and Rex argue over disciplining their children and the effect it will have on them long term as Bree buys hair dye for a barely seen Danielle. Bree predictably enough thinks that her disciplinarian stance will shape her monstrous children into being model adults while Rex is pretty adamant that being too hard on Andrew and Danielle could also be problematic.
Usually on this show, the rule is something in the line of “women right, men idiots” but we all know that Rex’s somewhat laissez fair attitude isn’t entirely a bad thing. What is that, a man being right about something? This rarely happens given that the men folk (Mike excluded) are psychotic, sexist or just plain stupid; it’s nice to see that Rex inadvertently prophesised Bree’s difficult relationship with her children and the brief little flashback also featured George, who even then had his eye on Bree.
If you like those flashbacks so much, then the present day antics with Bree are also a joy to watch as her efforts to get a janitor named Alfred to undo her restraints is met with a scary dressing down for Bree. Alfred is actually so furious with Bree trying to undermine him; it almost looked like he was going to attack her when he was insulting her. Scary guy or what?
It’s a good job for Bree then that she’s a Plan B kind of woman as she feigns an interest into having a session with easily the most patronising shrink I think I’ve ever seen on TV (Huff this guy ain’t). The annoying quack tries to dig at Bree’s frosty relationships with her children and surprisingly enough, Bree actually opens up about her regret of abandoning Andrew and vow to protect Danielle before she fires sand in his eyes and decides that Fairview Psych Ward isn’t for her.
In fairness Bree’s escape from this facility is embarrassingly easy, given that Wisteria Lane clearly has the most incompetent policing and medical staff known to man. No wonder people are able to blackmail, kill, commit arson, having sex with minors and escape from sectioning in a heartbeat. I also had to point out how I loved her little flirtatious/cheeky glance at Orson as she left the facility but more on our mystery man in a bit.
With Bree’s escape already done, the final chapter in the disappointing Applewhite sage draws to its end as cash strapped Matthew and Danielle return to steal money from Bree’s safe. Of course they have difficulty opening because unlike Danielle, Bree is intelligent enough to change the combination code so Matthew resorts to returning home to get a crowbar in order to get the cash.
Matthew’s return home gives Betty the much needed opportunity for the both of them to let their issues out in the open and although I believe Matthew was right when he told Betty that she loved Caleb even more, the scene was something of a letdown. Matthew felt little to no remorse upon having Caleb believe for over a year that he was responsible for killing Melanie Foster and the fact we didn’t get a confrontation scene with them was another letdown.
The best stuff however involves Bree interrupting Danielle and Matthew are they are prepared to leave and there’s a killer confrontation scene as a crazed Matthew shows his true colours and pulls a gun on Bree. The acting between Mehcad Brooks and Marcia Cross is damn near impeccable and Danielle even shows an ounce of being likeable when she demands Matthew to leave her mother alone but Joy Lauren’s performance as Danielle reacted to Matthew being gunned down and killed by the police (who Betty called) is hammy at best.
And so ends the Applewhites saga on something of an anticlimactic note as the next day both Betty and Caleb depart Wisteria Lane. When they came in last season, there was so much potential which was partly utilised at the start of Season Two but midway the writers plodded along with their arc and their lack of impact/involvement with the other women made it difficult even for more articulate DH viewers to care. Still though at Bree doesn’t have to worry about her secret with Andrew’s hit and run or Danielle’s safety and there’s seems to be a spark when Orson stops by with flowers for Bree. Does this mean the writers are giving her a nice guy?
Well I do like Orson and he did seem to be a nice man until he ran over Mike in a cold blooded and callous manner. That kind of takes the shine of any bloke but Orson’s little nasty turn is obviously setting one of many main mysteries for next season and it doesn’t take a bloody genius to figure out that Orson has some past grievance with Mike.
Orson was incredibly hostile when he realised that Mike was a former jail bird during the latter’s appointment at the dentist and he was pretty evasive when Mike started asking him questions about his own past. That scene with Mike being run over was a genuine shocker and with an actor as brilliant as Kyle McLachlan in the role and Orson now connected to three main characters, here’s hoping that the writers learn from the mistakes made with Alfre Woodard this season.
As for Mike – is he dead? It’s pretty safe to assume that he’s not, although if The O.C. can kill off a pretty pivotal character like Marissa Cooper, then who knows. I liked the fact Mike’s fate wasn’t addressed, we saw him get hit but we didn’t see him either dying or getting rescued, so it definitely bumps up the anticipation factor for next season anyway.
I felt bad for poor Mike in this episode. He had to deal with Karl acting like a child and goading him into a fight which Susan made a rubbish job of breaking up and his attempts of getting his relationship with Susan back on track, including getting a ring and being coy with her is pulled away from him. A colleague at work today mentioned the stop/start factor of Susan/Mike but isn’t that what we loved/loathed about Ross and Rachel in Friends?
I also quite liked Susan this week too as she was smart enough to realise that Karl’s gesture of a big house came with another kind of price tag but it certainly took a fair amount of nudging from Mike for Susan to do the right and tell Karl that “thanks but no thanks”, while asking him for a divorce, thus ending another pointless storyline we’ve had to endure this year. To be honest, I think I liked every plot in this episode, although when I was watching it, I was completely exhausted.
Heading back to the land of flashback we get to see Lynette giving birth to Penny, while physical force to ensure that Tom doesn’t make her go through having another child again. What is up with Tom’s need to have his wife constantly have children? Was he an only child or does he want to have a certain hold over Lynette? The mind boggles on this one.
In the present day, Lynette and Tom meet up with Nora, who annoyingly enough doesn’t bring Kayla along with her because they had a fight over something trivial. If you think Susan is the most childish of housewives, then it looks like Nora could steal her throne as she throws a strop in a pancake diner and demands 11 years worth of child support from Tom. Sadly for Nora, Lynette is a lot more capable of making a man squirm when she indulges in the vocal gymnastics and manages to out strop Nora.
You do kind of wonder why Lynette is being so level-headed upon realising that Tom wasn’t forthcoming about telling her about Kayla but I’m sure any frustration that Lynette does feel is going to surface pretty soon anyway given that Nora and Kayla will now be a five minute distance from Wisteria Lane. Yeah, like I’m supposed to turn around and pretend I didn’t see that one coming because I totally did.
Elsewhere in our last look at previous behaviour, a furious Gabrielle left on her lonesome decides to quell her anger at a negligent Carlos by sleeping with her gardener. Yes that means John is back and pretty much a moron who thinks that Gabrielle is the perfect package. However in a moment of genuine perceptiveness he does hit on the head that’s rather odd that Carlos doesn’t cheat on his wife. Gabrielle is arrogant enough to think her husband isn’t capable of doing such a thin because he has an antiquated view on sex.
Thankfully for us and two years later, Carlos does the nasty on Gabrielle and in another array of non shockers; it’s with Xiao-Mei. If you’re hoping that I’m going to feel sorry for Gabrielle, then tough luck because I don’t. I don’t dislike Gabrielle as much as I did in Season One but if she honestly thought that Carlos wasn’t going to cheat on him after she caused scandal by sleeping with a minor and daring him to have an affair of his own, then this was the kick up the backside she well and truly deserved.
That being said, Gabrielle’s method of punishment is great after Lynette’s baby monitor gives her a live feed on her husband’s secret activities with the maid in the Solis’ garage. Gabrielle throwing Carlos out was quite funny and forcing Xiao-Mei to continue with the threat of making her life a misery is interesting but judging by the fury on Xiao-Mei’s face, Gabrielle maybe be biting off more than she can chew.
And to end on a lighter note, I think I’m really starting to like Zach. Not only did he let Noah die but it also looks like Paul will have to find another way of getting out of jail as Zach neglects to inform him that he is now a rich 17 year old and basically blows him off. It’s the least emphasised plot of the episode but it still manages to maintain some kind of interest. Also unlike Paul, it also gives the writers new territory to explore with Zach too.
Also in “Remember Part 2”
Housewife of the week: I guess it would have to be Mary Alice at the end of the episode when she was explaining how felt that having Susan, Lynette, Bree and Gabrielle impacted Wisteria Lane.
Gabrielle: “How did you rip your panties?”
Xiao-Mei: “I fall down”.
Mike: “You’re nuts if you don’t think he has an ulterior motive”
Susan: “He’s Karl”.
I know that Marc Cherry is a pretty conservative guy but did anyone find the bible camp confession from John a tad cheesy?
Gabrielle (to John, re Carlos): “It’s a way he shows he loves me instead of talking or listening or spending anytime with me”.
Tom: “Honey that really hurt”
Lynette: “Did it hurt for eight hours?”
All the flashbacks in this episode (Bree/Gabrielle/Lynette) are from 2004. I found it funny how Tom didn’t want Penny to be named after an aunt he doesn’t like.
Karl (re Mike): “You know where to find me if doesn’t work out”
Susan: “Shut up”.
Therapist: “I’m surprised you wanted a session”
Bree: “Well there’s nothing like being tied to a bed to change your mind”.
Original Rumours: Wasn’t one of the main housewives supposed to be pregnant? Wasn’t Laura Dern supposed to play Nora? Wasn’t it supposed to Caleb who died instead of Matthew?
Xiao Mei: “I can go now”
Gabrielle: “You can make dinner”.
The full credits featured in this episode again. Will ABC just give us back them already?
Nora: “Cos we’re all a big family now”
Lynette: “Sort of”.
No Edie, Andrew, Justin, Felicia, Scavo kids or Paul onscreen this week. It’s also a pity we didn’t get a flashback with all the women and their husbands having dinner in the Young residence, American Beauty/Six Feet Under style. That would’ve been great.
Matthew (to Bree): “What’s the matter with you? I’m gonna shoot you”.
Mary Alice: “The trick is to keep moving on”.
That last sequence of the episode had the same pulling away effect that the ending of the “Pilot” had. It looked cool!
I wasn’t sure about “Remember Part 2”at first to be honest. Although there was some things that I wasn’t completely satisfied with (and a few I saw coming a mile off), this final episode had far too many positives and with the brilliant way they’ve set up the mysteries/arcs for both Orson and Nora, I am actually looking forward to Season Three, following this hit and miss season. Until January 2007, I’ll be occupied with Doctor Who, Nip/Tuck and Torchwood.