Do Not Mess With Me
Written by Dahvi Waller And Josh Senter
Directed by David Grossman
8.0
"Great"
We've had episodes in the past where the term "confession is good for the soul" has been thrown at us with absolutely no degree of subtlety. This episode works magnificently no less because there's no short supplies of victories for certain people.
The first two people who reap victory are Lynette and Tom who spend the first half of the episode arguing so that the U-Turn at the end is a really touching moment when both parties finally appear to be on the same wavelength.
However we have a while and plenty of stuff to plough through before that became a reality because as I pointed out before, Tom and Lynette did spend most of the episode on opposite sides.
When Tom showed Lynette the place he signed a lease to open up his own pizza parlour, Lynette was in no way shy of expressing her contempt for Tom's latest plan and while the place needed work, you can't help but wonder if Lynette was too dismissive for the sake of being dismissive.
Okay rats in the place is not something consumers want to see when being served their pizzas but even Tom isn't stupid enough to deal with that little problem is he? Also the place was severely dusty which is something a good clean can tackle and Tom showed his ability to get down on his knees and scrub so his work ethic isn't too questionable either.
Lynette had at least one point Tom should've consulted her before actually signing a lease regardless of her reaction upon inspecting the place. It isn't just his money that he's putting at risk, its Lynette's also and she has a right to be annoyed over not being consulted. Even Tom had to understand where she was coming from with that one.
There's a wonderful scene with a mad Lynette telling the boys (while Kayla drops info to Nora) that Tom will learning a new word when he gets home but there's an even better scene with herself, Gabrielle and Susan as they get wasted on booze and she admits that a part of her is only happy if Tom's desires meet her satisfaction. It's not the nicest thing to come out with but it's honest and Lynette acknowledges the fact that she can't or shouldn't control Tom's every action but at least its part of the process for the two of them to make it up and that they do pretty well.
The other part then comes with Nora's feeble attempts of trying her case with Tom by playing on his vulnerabilities and feeding him false confidence in order for her to kiss him. Tom isn't thrilled and uses Nora's actions as an incentive for him to make up with Lynette and goes even better by telling him what Nora tried to do as well.
Since the moment Nora has arrived on Wisteria Lane, Lynette has been waiting for a reason to smack her down and short of ripping off a scene between The Bride and Vernita Green in Kill Bill Volume 1, Lynette breaks down Nora's front door and tells her out of a curious Kayla's earshot that she would have no problem doing the same to her spine if she tries stirring things between her and Tom again. Both Felicity Huffman and Kiersten Warren play that scene so delightfully, I'm amazed that Lynette didn't pulverize Nora right there.
Nora isn't the only person worth pulverizing on the series as nutty Carolyn is forced by her husband Harvey into apologising to Bree and Orson over accusing the latter of killing Alma and while Bree pretends to accept her apology, on the outside she is still seething with the meddlesome shrew and the fact that Tish is snubbing Bree due to Carolyn's rumour spreading forces Bree to get her own back on her former friend by booking a table with herself, Orson, Carolyn and Harvey. It certainly put the pretty vapid Tish in her place so point one to Bree.
Now as for Carolyn was she being sincere when apologising earlier on to Bree and Orson? Hell no and I bet there wasn't a single member who bought her lame apology either. In fact Carolyn hauls Bree into the ladies and shows her pictures of a battered Alma and tells her Orson did it. She's also quick to point out that she's not a nut and is doing this for Bree's own protection. While the pictures incriminate Orson, I still think Carolyn is nothing more than a malicious **** If Carolyn did care, then why does she sound so smug in her pursuit to separate Bree and Orson?
Just as interesting as battered photos of Alma is the friendship between Harvey and Orson. The former obviously doesn't exhibit the same views as his nut of a wife in regards to Orson and even is quick to point how difficult Alma's disappearance must have been for him. This is after Harvey then tells his golf buddy that he was screwing around with an air stewardess named Monique and yes, she's the same Monique connected to Orson and Mike.
In fact the police are pretty determined that Mike is responsible for the killing the mysterious lady and are openly hostile when Mike protests his innocence and has Edie point out that beyond 2004, Mike's memory is sketchy. In fact the dick of a detective uses Mike's killing of a cop years back to bait him.
When Edie shows up to wear something rather revealing at the end of the episode in her own way of getting him better, Mike begins to remember bits about the mystery Monique which means just like Harvey and very likely Orson, Mike was involved with Monique. This girl is becoming a hell of a lot more interesting than Alma. Maybe Carolyn should focus on her instead.
If Monique's death was a recent event, then it's very likely that the reason why Orson ran Mike over and left him for dead was because he falsely assumed that Mike had been responsible for Monique's death and he wanted payback. I'm also assuming that Orson no longer thinks Mike is responsible as he's quick to anominously call the police and drop Harvey in it over his affair with the air stewardess.
When Mike's not involved in another season long mystery, he's at least getting some action in the bedroom from Edie after she does the right thing and confesses to him, the real extent of their relationship. Is Mike just using Edie for sex because things being the way they are with Susan? Possibly but Edie is certainly enjoying herself in a guilt free manner that last week she didn't have and having Susan walk in on her and Mike at it must have done wonders for her confidence to no end.
Once again Susan's love life is the big focus and while this season hasn't had the embarrassing tedium of last season with plots for Miss Mayer, you do wonder if and when the writers will think outside the box for the woman because focusing on her love life is pretty limiting.
This week Susan tried to avoid Ian and thanks to Karen McClusky was forced into talking to him as he asked her to meet an editor friend of his. After the whole debacle with seeing Mike and Edie having a good time, Susan got roped into drinking her misery away and began to weight her options of who would better for her Mike or Ian?
On one side, Mike has been the guy she's been after since the day arrived on Wisteria Lane and ultimately the guy as an audience we're supposed to believe she will end up with in the long run and she really does love him and pre-amnesia, Mike felt the same way about her.
Then there's Ian, who for the most part could be described as a British male version of Susan anyway. He's on a same intellect level with her and is as emotionally immature to boot. To his credit, he also cares deeply for Susan as does she for him and has been a shoulder for her to lean over the last couple of months. Plus Teri Hatcher does have wonderful chemistry with Dougray Scott that slightly overshadows the chemistry she has with James Denton.
In the end Susan picks Ian and this is after she gets wasted with Lynette and Gabby, crashes Ian's party and as per usual does something she regrets. For the time I don't mind this coupling and I have to admit that I am starting to warm to Ian more than a few weeks ago but there's an element of contrivance in the way this relationship is being presented and for it to be better the writing needs to feel a lot more organic and a lot less rushed.
Another thing that I am really warming to no end is Carlos being every bit as underhanded as that wife he can't (and really doesn't want to) shake off and this week he manages to excel himself in shafting Gabrielle by allowing her to have everything.
This manages to raise Gabrielle and when Carlos receives a mystery package, the conniving wife soon discovers that he's up for a job worth $2,000,000 and decides that half of that money is rightfully her. Short of identity theft, Gabby comes up with the nifty idea of stalling the divorce and seducing her lovelorn hubby to get what she feels belongs to her. Of course, the fact that Gabby was getting stuff that she didn't own was bad enough.
Anyways it's not long before she uses her feminine wiles to get Carlos in the sack but it seems than in the course of three years, Carlos has developed some form of self-awareness and Gabby is disgusted to learn that the papers were fake, there is no job and Carlos did so that Gabby would sleep with him and he could hurt her in the same way she's been doing to him for months.
It's only fair after and Carlos isn't the only who delights in the look that Gabby shows when she realises that she's been played. Gabby can certainly lie and manipulate but like anyone she doesn't like it when it's done to her and pushing Carlos out the window only proves that point. It seems that despite confessing to her friends about still loving Carlos, Gabrielle clearly loves herself all the more and this war between the pair is just about to get more unpleasant.
Also in "Sweetheart, I Have To Confess"
Housewife of the week: Edie bragging to her local priest about her list of conquests which included the cable guy, a folk singing duo, Rabbi Lipman and now Mike Delfino. Did anyone else think the priest was more jealous than appalled?
Bree (to Orson, re Carolyn): "Thank you darling but if you think that I am going to break bread with that malicious, pill popping shrew, you're out of your mind".
This episode saw Ian in his publisher element and given that Susan has been blacklisted, maybe she should use some of his connections.
Tom (re pizza place): "It's a fixer upper"
Lynette: "It's a burner downer".
Carlos: "You're gonna wash my shorts?"
Gabrielle: "I don't want to but if you wear them one more time, they'll ask me to wash themselves"
So was Bree playing with her friend Rebecca? Maybe her and Rex did take lessons after all.
Tom: "I love my wife"
Nora: "Really? The one that thinks you're a loser?"
Gabrielle: "I still love Carlos"
Lynette: "Yeah, he's hot".
I loved that scene with the girls getting pissed even if it was without Bree. Susan stealing Ida's cab was funny also.
Tish: "Nice to see you"
Bree: "Nice to be seen".
Monique: We learned that her surname was Polier and that she was an air stewardess. Now how, when and where Mike, Orson and Harvey would be interesting to find out.
Lynette (to Nora): "You will never see my husband again. If you try to I will do to your spine what I did to your front door. Nod if you understand".
Ian: "Then you said you wanted to dress me up as a naughty schoolboy and spank me Susan or booze?"
Susan: "I didn't say that".
No Andrew, Danielle, Julie or Austin this week.
Gabrielle: "You are a bastard"
Carlos: "Better a bastard than a whore".
Chronology: None was directly specified this week.
"Sweetheart, I Have To Confess" may be about confession and setting the truth free but when it comes to both Alma and Monique, I'm not entirely sure what I should or shouldn't believe. On the plus side, finding fault with this season is becoming an increasingly difficult task.moreless