100
Written by Marc Cherry And Bob Daily
Directed by Larry Shaw
10
"Perfect"
Eli (to Karen): "I prefer to go out quietly if you know what I mean. I don't like to make a big fuss."
It's amazing to think that we've gotten to 100 episodes of this show. The very series that originally was lucky to have thirteen episodes contracted for its first season before it became an overnight sensation has certainly come very far in the last five years that's for sure.
There are plenty of ways to celebrate such a passing but the death of a new character does seem like one of the strangest. On paper, we shouldn't give a hoot about the death of handyman Eli Scruggs but thanks to flashbacks and a soulful performance from Beau Bridges, it's very easy to care.
The episode opens up with Mary Alice giving us a rundown on Eli. Despite the fact that the previous 99 episodes have never mentioned, apparently Eli is the only handyman capable of fixing anything and everything within sight. His last job is fixing Susan's shingles and it turns out to be far.
There are times when this show can have a bout of sick humour and having Eli quip to Karen that he wanted to leave Wisteria Lane quietly is certainly one of them. Karen's not exactly crazy about him retiring but because of his bad ticker, Eli doesn't have much of a choice.
It's also his ticker that gave out while fixing Susan's roof. Plenty of people could've spotted Eli's lifeless body on Susan's roof but bratty Juanita was the very neighbour to let a horrified shriek when she say him. Needless to say, Eli's death has a major impact on all of the women.
After all, he was their handyman, friend and confidant and his death inspires them all to try and contribute to his funeral one way or another. It also leads to some of the best flashbacks that this series has done, even managing to usurp this season's other flashback episode, "Mirror, Mirror".
Gabby's the first of the women to remember her time with Eli. Flashbacks for her means seeing her at her more glamorous and within them, she's fairly hacked off with Carlos giving her some Jimmy Choos because he can't actually spend time with her. For a horrifying moment, I thought we were going to get John but the writers decided not to bother with him.
Instead Eli tells her that she should organise a poker game with the other women in a bid to make friends. Gabby's not that enthused by the suggestion but seeing as she's still new to the neighbours, she has the sense to take Eli's advice on board.
Of course one of the things about Gabby is her tendency to put her foot in it. At the poker game itself, she manages to alienate and annoy Mary Alice, Bree, Susan and Lynette by blathering on about her modelling days and condescending them at every turn.
I have to admit that while it's very easy to see how the women could've found her to be such a pain in the ass, some of Gabby's dialogue is truly funny. However, Eli bringing her down to earth by making her realise that she needs to tone the princess attitude was better.
Gabby then also had the good sense to use muffins and an admission of being lonely to win the women. I always found it a little weird that the women took to Gabby easily when they treated Edie like a pariah and it's nice that this episode showed us that they didn't at first.
The next woman then to go into flashback mode was Bree. For this meant bringing Rex back, which I'm sure delighted a lot of viewers but sadly Steven Culp is one of the people who benefited the least from this episode. In fact, Rex was just basically a jackass in this one.
The brunch with Tom and Lynette had Rex begrudging Bree a stove and then making a crack about her getting a job. Granted, Bree working wasn't a bad suggestion but Rex really didn't need to be so condescending either when he suggested it. Thankfully Lynette's inappropriate humour made this scene more palatable for me.
The next scene after that gave us an origin moment for Bree's future cooking career. She actually took Rex's advice on board and tried to write a book only for Rex to rampantly discourage her from doing it. Personally I wanted Bree or even Eli to tell Rex to shut the hell up but sadly Bree just ditched her notes into a bin.
However at least that lead to arguably the best scene from Bree's flashbacks. After Rex's funeral, Bree got wrapped up in her grief and Eli gave her the notes back and encouraged her to write a book. It might be a cheesy scene, but it works beautifully and unsurprisingly enough, it also gave Bree an idea of what to serve at his funeral.
Edie's flashback is certainly different. She and Dave were away when Eli died and its Dave who finds out that the handyman passed away. When Edie hears about it, it gets her to thinking about her relationship with Eli.
Like everyone else in this story, Eli duelled as both handyman and confidant here. While he was fixing her bathroom, he also had the misfortune of having to overhear Alberto criticise Edie's raging libido. Now my gaydar can be a little wonky at times but it was so bloody obvious that Alberto was gay.
The next scene then had Edie drinking her brains out in realisation that her hubby preferred men over her. You got to hand it to Eli. First he used sexist comments to cheer Edie up and then when he mentioned how hard it was to hold onto a gay man for a long time, Edie rewarded him by sleeping with him.
Not that Eli had much of a choice. Edie literally threw herself on the poor and while she was confident that he would be gentle with her, I was wondering whether or not she'd be as considerate. Then to top it all off, Edie picked the trashiest of black dresses to wear at the man's funeral.
Lynette's flashbacks with Eli continue an ongoing theme in her life – every time she wants a career, motherhood intervenes. I'm painting it a lot more negative than it should be but given that earlier on in the episode there was utter frustration dripping from her voice with Tom repeatedly getting her knocked up.
It did make me think that perhaps Tom was trying to trap her into motherhood. It was him who insisted on her being a stay at home mother and while it's documented enough that Lynette does love her kids, it's also fair that she wants and needs a life outside of them as well.
There's a particularly touching scene where her need to pin down a job has her leaving Penny in the car. Naturally Eli brought the girl back but it's enough to make Lynette feel like the worst mother in the world. It also fails to surprise that Eli offered some sympathetic words. In the present day, it also motivated Lynette to help Penny with her homework, which definitely was a cheesy moment.
With all of the flashbacks firing on all cylinders, having ones that focused on Susan's love life should've been a bore fest. They weren't. Instead we had the pleasure of seeing Susan tossing all of Karl's stuff out onto the street and forcing Eli to change the locks. It might have been a good idea to have used Karl in that scene but it works pretty well without him.
The next scene however is utterly superb. For all the criticism I tend to level at Susan's storylines being non-stop about her love life, Eli raised a good point about Susan never giving up on love, no matter how badly hurt she seems to get. That scene was in reference to her divorce from Mike of course.
However because Eli died on Susan, it did make sense to do a scene prior to Susan leaving the house. It was just a brief moment where she talked about Jackson and even made an effort to get to know Eli but overall, it worked utterly well.
Although all of the flashbacks in this episode are wonderful, the best ones are Mary Alice. Not since "One Wonderful Day" has Mary Alice played an important role in the flashbacks. It was her accepting Eli's services out of sympathy that got him so much work in Fairview and it was her death that motivated Eli into wanting to help people.
Overall, Brenda Strong gives a wonderful performance and there's a suitably chilling moment when she gives Eli the vase he fixed for her before she kills herself. As a result we also get a brief moment with Martha Huber who has no problem embellishing the details of Mary Alice's with such gusto.
Eli's funeral itself serves as a nice coda to the episode and anything that has Susan, Edie, Gabby, Bree and Lynette united is something to behold. Bree's fixing of the flower on Eli's coffin is a beautiful touch and in the longest of times, the narration is actually quite effective. Also in "The Best Thing That Ever Could Have Happened"
Some of Eli's handiwork included fixing banisters, vases, shingles and pipes.
Gabrielle (to Carlos): "You never buy me presents unless I'm mad or about to be mad, and I don't think I am mad, so why am I about to be?"
I just read that the next episode is finally going to get Gabby out of her frumpy status with a make over.
Eli: "If I were you, I'd drop the attitude and learn to like your neighbours."
Gabrielle: "Thanks for the advice. Do you wanna add that to your bill?"
Bree (to Rex): "I have a job. I'm a homemaker."
Tom: "And a damn good one."
It's funny that when Gabby said she wanted to shoot herself, she'd have to point at Mary Alice of all people.
Tom (to Bree/Rex): "If you're looking for a stove, we've got one that's hardly ever been used."
Lynette: "I wish I could say the same about my uterus. Oh yeah, I ruined the brunch."
Bree: "I'm not really in the book to write a cook book right now."
Eli: "Maybe one day you will be."
Congrats to the costume people for recapturing the Bree from the first season. Very convincing.
Edie: "And the boobs? Perky and firm?"
Eli: "You've named them?"
Eli: "Are you sure about this? I don't want to take advantage over you unless I have to."
Edie: "Oh I'm sure you'll be gentle."
Which husband was Alberto? Was he the one before Dave?
Lynette (to Tom): "I swear if you touch this phone, I'll have this baby right here and then beat you with it."
Lynette: "I got the job."
Tom: "Congratulations, baby's arm's sticking out, why don't you high five it?"
Why didn't the writers use the younger Porter/Preston/Parker during some of Lynette and Tom's scenes?
Susan (to Eli): "Oh, well, on the one hand I got dumped, for a pair of headlights named Brandy. On the other, I reported Karl's credit card stolen and I cut the pockets out of all his pants so, a little from column A, a little from column B."
Susan: "You can't retire. I break too many things."
Eli: "I know. You're paying for the trip to Hawaii I'm taking."
No Andrew and Julie at the funeral and Mike, Katherine and Orson had no lines either.
Mary Alice (re vase): "Anyways I want you to have this."
Eli: "Mrs Young, are you alright?"
Mary Alice: "Everything's fine."
Eli: "Are you sure?"
Mary Alice: "I think you should go now."
Bree (to Lynette/Edie/Susan/Gabrielle): "I wanted to fix something for Eli for a change."
Chronology: Not too long since "Connect! Connect!".
For a 100th episode, this might have felt a little small compared to other series but hats off to Marc Cherry no less. "The Best Thing That Ever Could Have Happened" is a blatant love letter to those who've stuck with the show since its beginning and while nothing was advanced on the Dave mystery, it's hard not to love this episode.