Predators
Written by John Paul Bullock III
Directed by Matthew Diamond
9.0
"Superb"
Roberta: "I drove eighty miles to see you, Karen. You better be dying or you're pay for my gas".
Getting booted off to hospital in last week's episode should've put Karen out of commission but it's more natural that it would have the opposite effect. If Dave hadn't made himself a hate for her beforehand, he certainly did after wreaking havoc in Karen's house now.
Of course in hospital, Karen's decided to play a different card. She knows that by insisting on Dave being malevolent that no-one will believe her so the best option for her is to pretend that she slipped up with her medication. It's a good plan because even though Edie is pretty annoyed with her, she's gullible enough not to realise that Karen's pulling the wool over her eyes. That being said, you do actually get the feeling that Edie genuinely cares about Karen seeing as no-one else could be arsed to visit the woman in hospital.
Karen then proves that's she still out to get Dave and decides that some reinforcements are necessary. Given how useless Katherine's turned out to be, having her sister Roberta show up and willing to help out with uncovering what Dave is really up should hopefully be a better success.
Lily Tomlin is one of two brilliant actresses who turn up in this episode and while I won't pretend that I'm the biggest of West Wing fans (I was more of a Six Feet Under type of guy), she is absolutely brilliant with both her and Kathryn Joosten having oodles of funs in their scenes together.
It's just a shame that we only get two scenes with the women but with Dave being such a threat, I hope it's not too much to ask for the writers to keep Roberta around for a good portion of the season.
The other brilliant actress who guests on this show this week is Six Feet Under actress Frances Conroy. One of the best actresses on TV and thankfully playing a role that bears no resemblance to Ruth Fisher, Conroy is here for the latest plot surrounding the cash strapped Solis family.
Now Carlos' talent for being a masseuse could've raised any amount of storylines so the fact that his workmanship results in giving best client Virginia an orgasm might not raise much shocks but it is certain damn funny. I know Carlos has an effect on women but when did he become this effective?
It's enough to raise a chuckle from his co-worker Clay but naturally it worries Carlos as well. It worries him so much that he decides to lie to Gabby about why he received such a big tip but under the circumstance I can see why Carlos would be so eager not to divulge this piece of information. Being blind hasn't saved him from Gabby's violent streak when she's in a strop.
That being said as soon as Virginia starts making her presence known to Gabby, the truth was going to surface. Why else would Carlos refuse to become Virginia's personal masseuse and travel to Europe with her for two months when Gabby is practically packing his bags?
Trying to conceal such a thing was always doomed to failure and with Clay inadvertently making sure that Gabby knew about Virginia getting off on Carlos' touch, I was hoping we'd get another catfight. Well it would've been better than Gabby battering Carlos for the millionth time, right?
However in terms of adversaries, Virginia is a hell of a lot cleverer than Gabby is and manages to not only get out of being clobbered by the former model but even uses blackmail to get Gabby onside. Though given the way Gabby dresses nowadays, would you really want her to be your personal shopper?
Clearly Virginia has her own ulterior motives in mind but regardless of what they actually are, I really do hope the writers resist making her into a cardboard villain. Frances Conroy is way too good an actress so like Lily Tomlin, the writers had better utilise her pretty well.
With this episode giving us two problematic women, adding a third into the mix seems like overkill. This show has some of a reputation for statutory rape plotlines and after Gabby/John, Andrew/Peter, Danielle/Robert and Katherine/Tim, did we really need to see Porter get it on with Anne the realtor?
The answer is definitely no because I'm still not all that interested in the Scavo twins storylines and because of this affair, even more tension is raised between Lynette and Tom. The latter actually does something good by realising that Porter is sleeping around and tries to get his son to wise up a bit. The former fails because she thinks its Tom who's sleeping with Anne.
One of the most tedious moments in this episode is Lynette's 'what the hell' attitude when she sees Tom and Anne talking to one another. No offence but if you're that insecure about Tom's fidelity, Lynette, then why are you with him? While Tom hasn't done a lot to endear himself over the past few seasons, I was sort of on his side here.
When Anne wasn't sleeping with Porter, she also found Tom a venue for his band to play in. This same venue also became a place for Tom to play with video games instead of going home to Lynette. The fact that Tom would lie about that does say a lot about him and Lynette's marriage. Maybe the two of them should split up if there's all this paranoia and mistrust between them.
Speaking of paranoia, Dave is beginning to slightly lose that magic touch he had over people. Remember earlier on how everyone seemed to believe everything he said? Well we get at least two incidents in this episode where it looks like Dave might have to work just that bit harder to keep everyone on side.
First off all, his insistence on this band (who are as terrible as Lee makes them out to be) is worrying. It's worrying because now he wants them all to practice all the more and it raises Mike's suspicions, though not enough for Mike to be visibly wary of Dave and his intently creepy staring. It also makes make wonder if Mike's the man that Dave is after. Then there's the discussion about his brother dying in jail to Edie, who showed surprise when Dave mentioned something about his past. Nice to see that Edie isn't completely under her new husband's spell.
Speaking of pasts, Orson's spell in jail comes this week as a blessing and a curse. It's a blessing in the sense that Katherine's sceptical comments about Orson not being cut out for the catering business are kicked into touch thanks to his old cell buddy, Peter. It's nice to actually see Bree in pure businesswoman mode too as she grills Peter and comes up with some ideas of her own with the man.
More importantly it's the first time this season that Orson and Bree are actually working as a team. All the stuff that made them a much loved couple on the series seems to be slotted into this episode seamlessly and a less bitter Katherine is also a delight to watch.
Okay so she moans about a lack of a sex life and feeling like a spare part but Bree comes up trumps by setting her up on a date with Peter. Katherine's little 'thank you' call is cute, even if Bree then has the unenviable task of having to tell Katherine that Peter sold dead people's organs. That being said we don't have to feel too sorry for Katherine because in the latest of plot contrivances, she's gonna end up dating Mike. To be honest this doesn't bother me but Susan acting like a spoiled baby when she finds out will bother me unless the writers are daring enough to resist going there but I don't think they are.
As for Susan, she mopes to her other painter Frank about Jackson and when he nicely tells her to go after him; she makes a balls of it. Having Susan going into a shower with another woman is probably the closest to female slash this show will/should probably ever do but I sort of liked the spiky Darcy and her one-liners at Susan.
Jackson on the other hand spent a good time going on about how until he met Susan, he was a devoted commitment-phobic and it's sweet. Okay there are elements of it that sound cringe inducing but I'm liking Jackson all the more in the last few episodes and it would be nice for him and Susan to last as long as they can before the writers end up breaking them up for good. Also in "There's Always A Woman"
The opening scene had a look of the things Carlos set up to make some of his other clients happy. These included scented candles, new age music and Apple Schnapps of all things.
Clay: "How do you accidentally give a woman an orgasm?"
Carlos: "I don't know".
The guy who plays Clay is John Ducey, who does seem to be one of those actors that appears on every show.
Lynette: "It's a little dumb but it's better compared to what I was thinking".
Tom: "What were you thinking?"
Susan: "How much am I paying you?"
Frank: "Fourteen dollars an hour".
Susan: "That's not enough".
Frank: "No Ma'am, it's not enough".
I guess now that Jackson and Susan have made up, we won't be seeing any more of Frank. Shame, he's a very funny minor character.
Bree: "Katherine you are a vibrant, attractive woman".
Katherine: "Who hasn't had sex in two years. That spells 'Grandma' to me".
Karen (re Dave): "I went through his mail".
Roberta: "God, you remind me of Mom".
Both Kathryn Joosten and Lily Tomlin have played secretaries in The West Wing. Tomlin succeeded Joosten though.
Darcy: "Did you just call me a slut?"
Susan: "You met the guy in a bar, then you're in his shower. I'm just doing the math".
Lynette: "Hey. What's that for?"
Lee: "I was gonna use it to wash down a bottle of sleeping pills the next time your husband's band defiled another rock classic but since you got them a rehearsal space, I thought we could share it over ice".
Lynette: "Come on in!"
Katherine's just become a grandmother or is about to? Does that mean Dylan is coming back and who was the last guy she screwed?
Clay: "I'm sorry, Gabby is there anything I can do?"
Gabrielle: "When the time comes, an alibi would be nice".
Virginia (to Gabrielle): "I'm so glad. I can see we're going to be such great friends".
Did anyone else think that Virginia's 'loneliness' speech to Gabby was a bit too Six Feet Under like because I certainly did?
Bree (re Peter): "But he's so refined, so handsome".
Orson: "Two qualities that didn't serve him well in prison".
Katherine: "It's 10am, I don't want to drink".
Bree: "You will".
Chronology: It seems to be a few days since the events of "Mirror, Mirror".
Although not as good as last week's episode, "There's Always A Woman" does play reasonably well on it's theme of predators given that it isn't exactly new territory for the series with this particular theme. Virginia and Roberta are promising characters but Anne seems a little forced to me.