Fathers and Sons

Season 4, Episode 7, Aired
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Episode Summary

Doug learns that his father has passed away. He drives to California to identify the body and gather his father's belongings, with Mark along for moral support. While putting his affairs in order, Doug learns some surprising facts about his father, and also has a revelation about his own life and future. A side trip to San Diego, where Mark's parents live, unveils Mark's uncomfortable relationship with his father and leads to a heated exchange between Mark and Doug.moreless
8.6
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Fan Episode Reviews (4)

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  • Doug and Mark go to BARSTOW, California to deal with Doug's father who passed away in a car accident. A very well written episode which ends with Doug, Mark, and Carol sending the ashes into the desert. Doug tells Mark he's from Ozzie and Harriet land.moreless

    10
    "Perfect"
    By RubyRebedoux, Mar 31, 2011 Report Abuse
    In an episode where we learn more and more about the reality of Doug Ross and Mark Greene, the setting is in the desert in Barstow, California. Doug's dad has been killed in a bad accident. His father, drunk at the wheel plowed into a truck that killed his wife and a father of 6. They then go to San Diego where we meet Mark's parents. His dad, a retired Naval Captain is smoking like a chimney. Doug dressed down Mark when Mark complains about his upbringing. In a touching moment, Carol shows up to be there for Doug.moreless

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    2 0

  • A look into Doug's and Mark's past

    8.3
    "Great"
    By Parricida, Oct 11, 2007 Report Abuse
    We learn more about of Doug and dr. Greene as they travel to California to gain Doug's father's body after an accident where he was killed. Instead of action in ER, cases, we have moving and deep episode about character's inner world. And somehow it really gives a new picture, new direction how to see them two, little better idea to understand their friendship and themselves.

    The tempo of this episode is not comparable of usual episodes and there is nothing what could be compared with usual ER. This episodes seems to stand totally alone, but that is not a bad thing as the emotion, revealing look into past can give us much. And in the end, Carol joins them, and the interesting episode gets worthy ending.moreless

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  • I need some sort of ER action!

    6.9
    "Fair"
    By lozza1525, Feb 26, 2007 Report Abuse
    This episode was entirely based outside of the ER, and I hate, I repeat, hate those episodes! Africa, middle of nowhere, whatever. I just don't like them. So this episode was no different. However, it wasn't all doom and gloom. I did enjoy seeing Mark's family, and some excellent acting from George Clooney. Hope wasn't entirely lost.

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  • Good Episode away from the hospital.

    8.6
    "Great"
    By Pinkmyst, Apr 04, 2006 Report Abuse
    This was a good episode that really gave a insite into Doug and Marks personal side because it is away from the hospital.

    It help Doug to come to terms with his fathers death as he is unsure of how to deal with it and what his feelings are.

    I am glad that Mark went along because I don't really like the grumpy Mark. We meet his parents and learn about his issues with his father.moreless

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Trivia, Notes, Quotes and Allusions

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  • Trivia

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    • Somewhere in Doug's life he had to have had some Catholic upbringing. After he knelt in front of Pedro Lopez's marker on the side of the road (Pedro Lopez was the man Doug's father killed in the accident), he rose up and made the sign of the cross. Edit
    • This is the first episode of ER to take place entirely outside the hospital. Edit

  • Notes

    ADD NOTES
    • Though spelled correctly when he is listed as the series creator in the opening credits, Michael Crichton's last name is incorrectly spelled "Chrichton" when he is listed with the other executive producers in the end credits of this episode. This mistake was repeated in most of the Season 4 episodes and in all of the Season 6 episodes. Edit
    • Music: "Take Five," Dave Brubeck; "Pony Boy," The Allman Brothers Band; "Queen of Hearts," Gregg Allman Edit
    • Although in the opening credits, Noah Wyle, Gloria Reuben, Laura Innes, Maria Bello, Alex Kingston, and Eriq La Salle do not appear in this episode. Edit

  • Quotes

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    • Mark: What are you thinking about, Doug? Doug: Carol... I'm in love with her. I mean, I used to think I knew what love was. I cared about a lot of women. I just don't think I've ever really been in love. I think about her all the time. I don't like it when I'm not with her, I don't want to be with anyone else. That's love, isn't it? Mark: Yeah. That's love. Edit
    • (while dumping his father's ashes off a cliff in the desert) Doug: I hated the son of a bitch. And I loved him. Edit
    • Doug: I'm confused now. Your father's still alive, right? He's still with your mother. Mark: So that's the criteria for a good father? Longevity? Doug: Did he smack you around a lot? Used to smack your mom around? Mark: Poor Doug. Doug: Wait. Poor Doug? Your father, did he, did he come into your room in the middle of the night and throw up on your bed and pass out? Did he do that? Did he leave you in a hallway in Atlantic City while he screwed some hat check girl, Mark? Did he do that? Did he do that, Mark? Your father was there for you every night, you and your mother. And that's love. Now, whether it's the way you want it or not, it's love, Mark. You grew up in Ozzie and Harriet land. Get your head out of your ass. Edit

  • Allusions

    ADD ALLUSIONS
    • Mark's mother collects Hummel figurines. First introduced in 1935, these cheerful works of art are products of a collaboration between Franz Goebel, head of the W.Goebel Porzellanfabrik, and a talented German artist, Sister Maria Innocentia Hummel. Sister Hummel died in 1946, but her artistic legacy has been carried on to this day by the Goebel Group. Edit
    • Titls: "Fathers and Sons" This episode shares a title with Ivan Turgenev's 1862 novel about the inevitable conflict between generations and the clash of values between traditionalists and intellectuals. Fathers and Sons is also the title of a 1969 Muddy Waters album. Edit

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